There are many parts of Detective Conan , which is the best theatrical version?

As for which one is the most exciting, I think it's about turnip greens. Personally, I like "Countdown to Heaven" and "The Dead on Baker Street".

Most of the classics in the early stage are like this, such as "The Crossroads of the Labyrinth" which depicts Hattori and Ye CP in thick ink and color, "The Magician of the Silver Wing" and "The Magician at the End of the Century" with the wonderful performance of the monster thief Kidd, "The Undead of Baker Street" in which Conan's father Yusaku Kudo and his son solve the case in two lines, "The Conspiracy on the Horizon" in which Uncle Maori shines, and the theatrical version of "Countdown to Heaven" in which Ash Hara made his first appearance (When he finally flew over the Twin Towers, the three boys saved Ash Yuan once, I might think it's okay to look at it now, but I think it's very touching when I think of the first appearance of Gray Plains in 01, and the identity is unknown and the acquaintance with the Junior Detective Group is still very short. Thanks to @cantaloupe for the correction, Gray Plains Wai appeared in "The Magician at the End of the Century" in '99).

Of course, there are many other highlights in these films, but this alone is very innovative.

The last 30 minutes of "Countdown to Heaven" are still exciting even if they are rewatched many times today. The portrayal of Gray Yuan's feelings in the whole film is also very delicate.

The plot of "The Dead on Baker Street" stands on the shoulders of the two classic stories of Sherlock Holmes and Jack the Ripper, and the Kudo father and son solve the case in both reality and fiction, which is both real and illusory, and has a strong sense of rhythm.

Interestingly, neither of these cases is very impressive. In particular, the motive for the crime of "Countdown to Heaven" is really incredible, but this does not prevent the whole drama from still being highly rated.

This is also worth thinking about: a good plot of a movie is often more important than one or two good golden ideas.

Thanks for asking, I personally think it's "The Sunflower of Karmic Fire", and the reason will be explained in detail below:

It seems that it is enough to summarize it with a sentence that is not serious! The quality of Detective Conan Conan's theatrical version is getting worse, but we don't like Conan because we hope it has improved much, and there is a nostalgia from childhood. Of course, it seems unrealistic for us to ask it to surpass its predecessor, but at least, with the changes of the times and the improvement of technology, the theatrical version of Detective Conan, which has transformed from suspenseful reasoning to action movies, should be able to give the audience the visual enjoyment and shock of an action animation blockbuster.

It's a pity that in "Sunflowers of Karmic Fire", there is not the slightest reflection. Even rougher and uglier pictures than the previous works are not everywhere, at least there are a lot of them.

In terms of discussing the plot again, the protagonist is super-deified and the motive for the crime is mentally retarded, these two points are actually Conan's long-term shortcomings, but in front of the miserable script, this time it is particularly prominent. In addition, every time the theatrical version is indispensable, every time Conan is in danger, and then in the end, Conan suddenly appears in this kind of bridge. As soon as these things are messed up, they have become Conan's usual routine in the theatrical version today.

If the drama is not enough, of course you need feelings to make up. Xiaolan's meaningless crying and sensationalism at the beginning, and the grandmother in the middle of the section to find out her grief, once again proved that the screenwriter's donkey skills are poor. This is not to criticize Conan's emotional drama for being bad, the key is whether this emotional drama is added for the sake of adding drama.

For example, in the fifth "Countdown to Heaven", Xiaolan and Mitsuhiko, Xiaolan and Ayumi's heart-to-heart conversations have played an extremely key role in the character shaping of these two people, and even the three of them, including Xiaolan, and Mitsuhiko's disbelief and remorse for the two people he likes, as well as Ayumi's careful thoughts that always pay attention to Conan, seem very real and unpretentious. On the other hand, in the theatrical version in recent years, Xiaolan cries too often, not to mention that under the blessing of Conan's protagonist's halo, God blocks and kills God, and Buddha blocks and kills Buddha, which doesn't look so touching and real.

However, it should be said that "Sunflowers of Karma" also has its own advantages, and the character creation of Officer Charlie is great, and the character setting is more pleasing. The comparison between letting Kidd go at the end and his initial distrust of Kidd is interesting.

I haven't seen the theatrical version yet, I've always watched the drama version.

Each one is a classic, and I love every one.

I think it's "The Sunflower of Karmic Fire."

Detective Conan is very good.

Countdown to Heaven is good.

I feel like my favorite thing to watch is Zero's Executor.