On the question of kneading the strings of the folk guitar with the electric guitar

Ah, actually.

Both kneading strings can be used, but the effect varies depending on the guitar.

If it is a classical guitar with nylon strings, it is generally used to vibrate the hands up and down, because the strings are very soft, and the length of the stretched strings does not have a very obvious effect, and due to the requirements for delicate timbre in the performance, it is not allowed to use left and right kneading. Kneading the strings up and down is a more formal usage.

However, if it is an electric guitar with steel strings, the length of the stretched strings can cause a large change in pitch, and it can even reach half a degree or even one degree or even more, and the way it kneades the strings can be used to knead the strings left and right, and the pitch changes greatly. Of course, if the pitch change is less demanding, the electric guitar can also use the method of kneading the strings up and down.

The folk guitar is between classical and electric guitar, it can use the technique of electric guitar, and it can also use some classical guitar techniques, and the light accompaniment does not need to knead the strings, but now the so-called finger play will use kneading the strings Therefore, depending on the music, both methods can be used. In fact, the steel line of the folk guitar is closer to the classical guitar, and the sound change effect of the left and right kneading is not as good as that of the electric guitar, so if it is a piece of music that requires delicate performance, it is generally used to knead the strings up and down, but when it comes to more modern music, it can be changed to left and right according to the need.

In short, there is no left and right kneading for classical guitars, and both electric guitars and folk songs can use left and right kneading, and can also use upper and lower kneading strings, which is temporarily decided according to the needs of the music effect.

Above. Hope it helps.

For electric guitars, you can knead the strings in any way, based on your own habits, and you don't have to stick to the old ways!! This not only affects development, but also does not give the best effect!! It's not worth it! Just follow your own habits!

For the box piano, I personally think the classical way is more pleasant to the ear In fact, the standard should be to take the index finger and thumb as the axis, buckle the neck, and then rotate the wrist. The amplitude up and down is the same ......Practice over and over again.

He doesn't have a specific pattern for kneading, and some people have talked about some methods, but these are all for each of them, and he can do it in your own way, and it doesn't have to be any method, and for the upstairs, it's okay to knead the strings up and down, depending on where you use it and your level, and it's not as ugly as he says, and you can agree with it.

I don't think there is any theory of fulcrum, generally use the strength of the wrist, the fingers hold down the strings, knead up and down, and use the fingers of the left hand to protect the other strings, for example, if you use the middle finger to knead the strings, then the index finger should gently press the nearby strings to prevent unnecessary other sounds.

This is what I know, and the landlord can experience it for himself.

Electric guitar tuning can be done in both directions, and both must be mastered. The thin line is generally pushed first and then back again. The thick line is pulled first and then back again. But don't push and pull back and forth as soon as you go up and down, it's very ugly.

It is first downward, then upward, that is, with the base of the left index finger as the fulcrum, the fingertip is pressed downward, and the pull of the string back is upward. "Basically correct. But the fulcrum has to be the thumb, you don't have strength like that, and the timbre will become stingy and ungenerous.

It should take more than a month to knead the strings from the beginning to the basic mastery (in terms of strength alone) (take 20 minutes to practice alone every day, don't be greedy, it will blister). When practicing, you should knead slowly, and the amplitude should be as large as possible, the lowest half degree, generally at one degree, and the high one is not limited. The above methods are just for strength training, and the specific taste is difficult to describe.

Energetic kneading sounds quite comfortable.

When it comes to string guards, when it is soft, when it is pulled down, when it comes back, do not touch the string above, and when it is pushed up, the tip of the index finger should be against the upper string and then push, so that the noise is smaller, and in the case of large distortion, occasional noise is inevitable.

All of the above is my personal experience. Look upstairs and downstairs to correct.

Categories: Culture Arts >> Instrumental Music Vocal Music.

Problem description: Reading the book, there are also teachers who teach that the electric guitar is to first go up (the action of pushing the strings) and then down, so up and down (with the left thumb as the fulcrum).

And my habit (which I figured out before the teacher didn't teach me) is to go down first and then up, that is, with the base of the index finger of the left hand as the fulcrum, and the fingertips lean down and then the strings pull back up.

Now that I'm used to this, and I feel that it's so convenient, if you are mainly downward, the left hand itself will protect the lower string, and if you are mainly upward, it will interfere with the upper string, so you need to use the left hand index to protect the string or the right hand to protect the string.

So I don't know what to do.

In addition, I have never learned to knead the strings on the folk guitar, so I don't know if it is the same method as the electric guitar, or if it is the same as the classical guitar, you can move left and right or a single finger up and down.

Analysis: For electric guitars, you can knead the strings in any way, based on your own habits, you don't have to be conservative!! This not only affects development, but also does not give the best effect!! It's not worth it! Just follow your own habits!

For the box piano, I personally think the classical way is more pleasant to the ear In fact, the standard should be to take the index finger and thumb as the axis, buckle the neck, and then rotate the wrist. The amplitude up and down is the same ......Practice over and over again.

Folk guitars don't have strings, classical ones are rubbed up and down, and electric guitars are kneaded left and right.

On the guitar, there are three ways to knead the strings:

1) Fix the finger ends of the fingers close to the frets against the fretboard, use them as a fulcrum, and shake the whole palm around this point in the direction of the treble fret, the bass fret. Be careful not to slide the finger that is the fulcrum.

This method of kneading the strings is a regular practice, but it is also used on the violin, with which the change in the tone is smaller.

2) Hold down the note that needs to be kneaded, so that the fingers of the left hand pull and push the string where the note is located, in the direction of the treble string and the bass string. Be careful not to leave the fretboard.

It should be noted that kneading the strings in this way on the first string will easily pull the strings out of the fret. With this method, the amplitude of the change in the tone is larger, and if necessary, it can be half a note.

3) The combination of the first method and the second method is the third method.

Note: Either way, keep your forearms still and don't shake the piano from side to side when kneading the strings. Don't exaggerate and abuse kneading the strings either.

Kneading the strings is one of the most important methods of decorating the sound in a stringed instrument, giving it emotion and dynamism. If the strings are not used where they should be kneaded, the effect of this piece will be dull and unexpressive.

How to use the kneading strings completely depends on the player's comprehension of the music and decides for himself. However, in general, there is a principle for reference: when it comes to notes and phrases of an elegant nature, phrases in the low register, and phrases in the weak range, the speed of kneading should be slowed down and the amplitude should be increased; When encountering strong notes or phrases, phrases in the high register, and when powerful sounds are needed, the speed of kneading the strings should be increased and the amplitude decreased.

In general, you should not learn to knead the strings easily until you have mastered other skills that you are quite proficient in, otherwise it will be a great obstacle to learning the guitar formally.

Maybe your whole hand is too stiff, and you pay attention to the violin, kneading the strings and guitar, which is a little easier to understand.

Classical guitar with a lot of ... Electric guitars generally use rockers, don't rub them... But I don't understand, that's what I'm thinking...

It should be the same as the violin, it was awkward at first, just practice more and find a feeling.

1.Push the string: When pushing the string by the ring finger, you can use the middle finger and the index finger to push up together will be more labor-saving, and when pushing the string from the middle finger, you can use the index finger to assist, the index finger is more difficult to push the string, there is no other finger to assist, but the general index finger push the string is relatively rare, and the push string is also divided into pushing up and down, generally speaking, the thick two strings will be pushed down because they are close to the edge of the fretboard, to be precise"Pull"In the same way, it will be easier to use other fingers to assist.

Then you should pay attention to the fact that after pushing the string, when you relax your fingers to return the string to its original position, because the fingers will also leave the string next to it when they return to their original position, so it will cause noise, so the muffled sound is also very important, for example, if you push the string with your ring finger at the third string and seventh fret to push the re to mi, at this time your ignorant finger is also touching the position of the fourth string and the seventh fret, when you let go of the hand and return the mi to re, the ring finger that was originally touching the fourth string will leave the fourth string at this time, and the fourth string will make a sound. The solution is to use your index finger to slightly touch the four strings during the whole complete string pushing action to make the four strings unable to vibrate, and cooperate with the right hand palm to touch the six or five strings to achieve the effect of muffled sound (please refer to **).

2.Kneading the strings (vibrato): As mentioned above, generally speaking, the 3 and 6 strings will be kneaded downward, and the 1 and 2 strings will be kneaded upwards because they are too close to the edge of the fretboard, and the strings will also touch the strings next door and make a sound, so you can compare the methods mentioned above to make a muffled sound to prevent noise"Tempo"Many people knead the strings with kneading, but in fact, if you listen carefully to the musicians in the record, their kneading is according to the beat, and there will also be quadruple kneading (four times in one beat), triplet kneading (three times in one beat), there will also be crescendo and crescendo, which will make the song not come to a different place!

The above is for your reference!

Basically, there is no skill, but you can only play the main sound well when you get home, and you just need to practice it according to the method, which is very easy. And you have to be able to test, listen carefully, play the sound accurately, there is no noise, and the dexterity of the hand is not very stiff, it can be said to pass, but you also have to practice reviewing. Hope this helps. Hope to adopt.

There is no skill, just practice according to the book and test it with your own ears! Nice, no noise! And the pitch!!

Hello, it's a pleasure to serve you and give you the following answer: kneading is a common guitar technique that can help you improve the tone of your guitar and make your playing more fun. The steps to knead the strings are as follows:

1.Place your thumb and forefinger on the guitar strings and press firmly to make the strings sound crisp. 2.

Slowly slide with your thumb and forefinger, from the head of the string to the tail of the string, each slide is about 1 inch away. 3.Repeat until you feel that the strings sound crisper and more interesting.

Kneading the strings can help you improve the tone of your guitar and make your playing more fun. However, be careful not to knead too hard to avoid damaging the strings. In addition, try to keep the strength of your thumb and index finger consistent when kneading the strings to avoid uneven sound from the strings.

Overall, kneading the strings is a fun technique that can help you improve the tone of your guitar and make your playing more fun. However, be careful not to rub too hard to avoid damaging the strings, and try to keep your thumb and index fingers in the same force so that the strings don't make an uneven sound.

Hello, I'm glad to serve you and give you the following answer: kneading is a common guitar technique that can help you improve the tone of your playing and improve the quality of your playing. The early steps for kneading the strings are as follows:

1.Grasp the strings with your thumb and forefinger and pull them up to make them tight. 2.

Use your thumb and forefinger to knead the strings together to make them tighter. Qing Duan 3Use your thumb and forefinger to pull the strings up to make them tighter.

4.Use your thumb and forefinger to pull the strings up to make them tighter. 5.

Use your thumb and forefinger to pull the strings up to make them tighter. 6.Use your thumb and forefinger to pull the strings up to make them tighter.

7.Use your thumb and forefinger to pull the strings up to make them tighter. 8.

Use your thumb and forefinger to pull the strings up to make them tighter. 9.Use your thumb and forefinger to pull the strings up to make them tighter.

10.Use your thumb and forefinger to pull the strings up to make them tighter. 11.

Use your thumb and forefinger to pull the strings up to make them tighter and tighter. 12.Use your thumb and forefinger to pull the strings up to make them tighter.

13.Use your thumb and forefinger to pull the strings up to make them tighter. 14.

Use your thumb and forefinger to pull the strings up to make them tighter. 15.Use your thumb and forefinger to pull the strings up to make them tighter.

Kneading the strings can help you improve the tone of your playing and improve the quality of your playing. When kneading the strings, pay attention to grasp the strength, do not pull too tightly, and do not pull too loose. In addition, it is important to grasp the position of the thumb and index finger so as not to break the string.

Personal tip: Kneading the strings is a useful technique that can help you improve the tone and quality of your playing. When kneading the strings, pay attention to grasp the strength, do not pull too tightly, and do not pull too loosely, so as not to break the strings.

Also, be careful to position your thumb and index finger so as not to break the strings.