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Hello, I'm glad to answer the question of o( o The importance of bow and fingering in the violin is 8:2, so you should still focus on the right-handed technique, and you can try to study the lower bow distribution. In addition, the cooperation of the left and right hands is also very important, if this is not done well, it will be very tiring in the future.
Generally, moving up one note (or half a tone) is considered to be moving up a position. I would like to add here that sometimes there is also a "finger swap" phenomenon in dilated fingering, that is, the original 2 fingers in the first position are now played with 1 finger. In other words, the thumb must be moved when changing handles, and it is generally kept parallel to one finger when moving.
The key to changing handlebars is that your thumb is relaxed and moves quickly. First of all, for thumb relaxation exercises, you can first put the head against the wall, then place your left hand naturally on the neck, do not force the thumb, and then slide along the neck. After practicing this for a while, leave the support of the wall and practice the same movements, trying to achieve the same relaxation with your thumb against the wall as you would when you exercised against the wall.
For the practice of moving quickly, that is, the precision of changing handles. There are no shortcuts, find some practice materials, from slow to fast, little by little. At the beginning of the practice, there may be a portamento due to slow movements, which is normal, don't feel that the portamento is unpleasant, and "greedy for fast", you must pull every upward and downward tone accurately to gradually increase the speed.
I wish you all the best of luck in passing level seven
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First of all, you must have a concept of pitch, you must know what is accurate, as long as your ears can hear it in your hands, you can naturally practice it in your hands, if you have a short learning time and do not have a concept of pitch, you can only use the oldest method, ask the teacher to paste some cloth, and stick it in the correct position to help you establish the correct concept of pitch.
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Personal practice experience, I feel that practicing scale arpeggios is the best way to practice pitch, because there is a relationship between scales, the tone of ** can not be heard by one ear, so that you can tune yourself, the high position of the pitch finger spacing is smaller than the low position, pay attention when practicing.
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Summary. The first position refers to the position of the first finger; The second position is when the left hand moves forward by one notch; The third position is to move two steps forward, and the first finger is pressed on the position of the original third finger. The grip position of the violin refers to the relatively hidden position of the fingers of the left hand on the fingerboard to press the strings.
In one position, the four fingers of the left hand can play a set of notes, and each change of position produces a new set of notes. The division of positions is usually based on the position of the first finger (index finger) of the left hand on the string, and is calculated according to the natural scale.
What is the violin, the second position, the third position.
The first position refers to the position of the first finger; The second position is when the left hand moves forward by one notch; The third position is to move two steps forward, and the first finger is pressed on the position of the original third finger. The grip position of the violin refers to the relatively hidden position of the fingers of the left hand on the fingerboard to press the strings. In one position, the four fingers of the left hand can play a set of notes, and each change of position produces a new set of notes.
The division of positions is usually based on the position of the first finger of the left hand (index finger) on the strings, and is calculated from the natural scale. If you lose, you will be finished.
Changing from one position to another is called a shift. There are many ways to change positions, such as empty string change, same finger change, different finger and overtone change. When changing the handle, the portamento is not the first need, and the portamento can make the connection between the sound rich in changes, especially the use of portamento in combination with the change of handle, which is an expressive means of playing.
The basic positions commonly used in violin are the first to seventh positions, of which 1-4 are low positions and 5-7 or more are high positions.
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The position means that the position of one finger needs to change according to the needs of the music, and the phonemes of the other fingers also change.
Take the E string as an example. When you first learn the violin, the notes you press from 1 finger to 4 fingers are fa, sol la, si. But if you want to play a piece of music, the highest note is another 8 degrees of re, what do you do?
You have to move your hand up so that your fingers can move up to the position of the note on the string. That's it.
The empty string is connected with 1 finger, and then the finger is called 1 position. That's what you learned in the first place.
On the basis of one position, the finger moves up one position as a whole, because it is called two positions. And so on.
For example, if you originally pressed the second string 1 finger on si, now you want to press re, but instead of changing the string, you move it up, which is 3 positions. Press fa, and add two more sounds, which is 5 positions.
At first, it seemed complicated, but it was actually quite simple. Practice more and you will become familiar with it.
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Let's do a demonstration with the A string (second string), to put it simply.
One hand: empty string la + four fingers si do re mi two handles: press one finger (index finger) with one finger (index finger) of the two fingers (middle finger) of that note do three handles:
I press the sound of the three fingers (ring finger) with one finger (index finger)....
..And so on, I hope it can help you.
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