What is poetry without attainment, poetry without comprehension, and literature without comprehensio

Poetry has no reach", which means that the poem has no comprehension of the explanation.

Uttered Dong Zhongshu's "Spring and Autumn Dew".

Volume 5 "Essence". "Dasu" means exact exhortation or explanation. Spring and Autumn Period and Warring States Period.

The "Book of Songs" is taken out of context, that is, each takes what it needs and is "out of context", borrowing the ancient saying to say "I" feelings, therefore, the meaning of the poems quoted varies from person to person.

In art appreciation, because the meaning of the poem is often not revealed, and the psychological and emotional states of the connoisseurs are different, the same poem often has different interpretations depending on the connoisseur. Therefore, "poetry without attainment" was extended to the difference in aesthetic appreciation in later generations.

Dong Zhongshu put forward the concept of "poetry without reach" in "Spring and Autumn Dew", poetry is the Book of Poetry, Da is the same meaning, and it refers to evaluation, this sentence marks the difference of aesthetic subjects, similar to the Western proposal of "a thousand readers have a thousand Hamlets", that is, everyone's feeling of appreciating the same thing is different, and there are differences due to personal experience, personality and other factors.

There is no standard for the understanding of "Poem" or the artistic conception it wants to express, you can think so, he can appreciate it like that, and I have figured out the third one. In other words, the understanding and interpretation of the poem are to achieve the meaning of the poem itself, because our knowledge is very shallow...

Most of the poems are hazy and vague, and can be interpreted in many different ways.

Text: Lonely slightly drunk grapefruit.

In the long river of history, whether the stirring of life hidden in the words will cause a ripple, there will be a similar soul gaze after all.

Dong Zhongshu's "Spring and Autumn Dew": "There is no poetry and no interpretation. The meaning of the two is not much different, the former means that there is no incomprehensible or immutable interpretation of the "Book of Songs", and there are differences from time to time, and the analogy of "Wen Wu Da Interpretation" can be.

Much like "the benevolent see the benevolent and the wise see the wise" in "Zhou Yi", everyone is affected by the direction and angle of standing, and their opinions are also different.

Western Shakespeare also famously said, "There are a thousand Hamlets in the eyes of a thousand people", since everyone has their own opinions, then when we read a classic work, for example, when we read traditional Chinese classics, we will find that these works are obscure and difficult to understand, why? How?

Affected by the language era, the reader's classical Chinese skills are weak or the accumulation of ancient cultural knowledge is not enough, and he cannot break sentences well, which is the so-called "sentence reading", in the case of insufficient sentence breaks, the accumulation of cultural knowledge is not enough, and the reader is unwilling to consult the information, so it is easy to misunderstand the classics. Of course, there are very few "classics" without sentence breaks, and the general ones are classics with clear sentence breaks and a certain definition themselves.

For example, there is a sentence in the book "Analects" that "a gentleman is not a weapon", which is translated on the Internet as a gentleman who has a heart for the world, allows literature and martial arts, and cannot become a stereotyped person like a utensil, limited to one function. Here the "gentleman" is considered to be a person who conforms to his "Tao" proposed by Confucius, Confucius is really a great educator, and the "gentleman" is quoted here to the ordinary people, children's education, self-improvement, workplace development, and side hustle training, not only confined to one place, but also involves a wide range of fields.

Before reading the classics, we can collect information to understand the historical background of the author at that time, gain insights into his thoughts and value pursuits, look at what he did from different angles, and try to resonate emotionally with the author.

It is also important to examine the politics, economy, culture, life, ideology, and family and friends of the author's specific era. The classics themselves are rich and uncertain, and the content and depth will definitely bring a certain degree of difficulty to the reader's interpretation, because of this, many people first read the interpretation version, and it is very difficult to jump out of the circle after the preconceived ideas, and the interpretation of the senior teachers is only one of the "Hamlets".

China's 5,000-year-old profound heritage has rich literary works, these works are the cultural core of the famous nation, and the inheritors need to inherit and innovate, standing on the shoulders of their predecessors to interpret from a new perspective, is not a new confrontation. Poetry and wine are in their prime, and the rest of their lives are slow to taste. Thank you!

Poetry is not up to the truth, the text is not up to the interpretation" The meaning of this sentence is:

It was originally a method or principle for reading and applying the ancient "poems" (i.e., the "Book of Songs") proposed by the Confucian scholars of the Han Dynasty according to the situation of "giving the words and aspirations of the poems" and taking the words out of context in the Spring and Autumn Period.

Notes: "Da", the meaning of understanding and knowing; "Xu", interpreting the ancient saying in today's words.

Expansion: In view of the idealistic tendencies and practical purposes of these Confucian scholars, they believed that the time of the ancient poems had passed, that things had changed, and that it was difficult to explain, so that they did not have to be faithful to the original works at all, but could distort and quote them according to their own needs. For example, "The Book of Poetry, Wei Feng, and Van Tan" is obviously a "thorn" poem that angrily attacks the exploiters who have earned nothing, but Dong Zhongshu severed the organic connection between the part and the whole according to his statement that "the poem is not up to the mark", and turned the "thorn" into "beauty".

In this way, understanding and applying "Poetry" is not up to the mark, and an ancient "Poem" is dismembered beyond recognition.

"Poetry without attainment" refers to the understanding of the same literary text, which can be seen by different readers. In other words, literary works do not have a definite and unchanging meaning, nor do they have a definite and unchanging understanding and interpretation. Because "poetry has no attainment", there is no end to the understanding of the artistic conception, meaning, and meaning of poetry, and there is no perfect answer.

As one of the traditional appreciation propositions of Chinese classical literature, poetry has a strong vitality. "Da" is the meaning of accessibility, understanding, and understanding, and "Xu" is exegesis, and the ancient meaning is explained in modern words, and "Dazhi" is the explanation of accessibility. The meaning of poetry is that poetry cannot be explained in words, it depends on understanding rather than words, and poetry has no exact explanation.

These are intimately related to the fact that our poetry relies on imagery to convey affection.

Poetry without attainment", the original work "Poetry" without comprehension", was first seen in Dong Zhongshu's "Spring and Autumn Dew Essence" in the Western Han Dynasty. "Da", understand, Xiaochang meaning; "Xu", interpreting the ancient saying in today's words. It was originally a method or principle for reading and applying the ancient "poems" (i.e., the "Book of Songs") proposed by the Confucian scholars of the Han Dynasty according to the situation of "giving the words and aspirations of the poems" and taking the words out of context in the Spring and Autumn Period.

The meaning of poetry is that there is no accessible or immutable interpretation of the Book of Songs, and there are differences from time to time and person, and the pronunciation is shīwúdágǔ, which is from Dong Zhongshu's "Spring and Autumn Dew" Volume 5 "Essence": "Poetry has no reach, and the text has no interpretation." ”

Da Xu" example sentence:

1. The so-called poetry is not up to the mark, nor is it purely the victory of the reader's reaction, because what a good poem seeks and evokes in later generations, the endless stirring of life in those specific time and space, will eventually have its similar ripples.

2. The reader's aesthetic reading is different due to the difference in experience, knowledge level, and mood, which is the so-called poetry without attainment.

1. Dong Zhongshu, a Han Chinese, said that "poetry has no mastery", which means that there is no accessible or immutable interpretation of the "Book of Songs" of the Haochai clan, and there are differences from time to time and from person to person.

2, "Poetry has no mastery", speaking out of Dong Zhongshu's "Spring and Autumn Dew" volume 5 "Essence". "Dasu" means exact exhortation or explanation. In the Spring and Autumn Period and the Warring States Period, the "Book of Songs" was taken out of context, "Zuo Chuan: Xianggong Two Friends Eighteen Years", "The people of Qingshe said Lu Puhui:

The "poem" is out of context, and the rest is taken from what you want. This is innumerable in the texts of the time. Since each takes what it needs and is "out of chapter", borrowing the ancient language to say "I" feelings, therefore, the meaning of the poems quoted varies from person to person, and the so-called "Zuo's quotation of "poems" is not the purpose of the "poems" (Zeng Yi's "Textile Lecture Hall Anthology" volume 5 "Fu Zeng Shu Prayer Book").

The Western Han people also used this method to interpret "poems", such as "Han Poems Biography". Therefore, it is called ""Poetry" has no Zhaozao", and the so-called "Poetry" is amorphous, and those who read "Poetry" have no definite solution" (Wen "Baojingtang Anthology", Volume 3, "School-based Korean Poems, Preface").

1. Dong Zhongshu, a hailstorm man in the Han Dynasty, said that "poetry has no reach", which means that there is no accessible or immutable interpretation of the "Book of Songs", and there are differences from time to time and from person to person.

2, "Poetry has no mastery", speaking out of Dong Zhongshu's "Spring and Autumn Dew" volume 5 "Essence". The meaning of "Da Xu" is to imitate Sokuansi as an exact exegesis or explanation. In the Spring and Autumn Period and the Warring States Period, the "Book of Songs" was taken out of context, "Zuo Chuan: The Twenty-eighth Year of Xianggong", "The Scholar of Qingshe said that Lu Puqi said:

The "poem" is out of context, and the rest is taken from what you want. This is innumerable in the texts of the time. Since each takes what it needs and is "out of context", borrowing the ancient saying to say "I" feelings, therefore, the meaning of the poems quoted varies from person to person, and the so-called "Zuo's quotation of "poems" is not the purpose of the "poems" (Zeng Yi's "Spinning Hall Anthology" volume 5 Beiliang "Fu Zeng Shu Prayer Book").

The Western Han people also used this method to interpret "poems", such as "Han Poems Biography". Therefore, it is called ""Poetry" has no reach", and the so-called "Poetry" is amorphous, and those who read "Poetry" have no definite solution" (Wen "Baojingtang Anthology", Volume 3, "School-based Korean Poems, Preface").