Lao She, Chinese modern home, home, home. What are the masterpieces?

Updated on amusement 2024-03-01
8 answers
  1. Anonymous users2024-02-06

    Lao She, the word Sheyu, is a modern Chinese scholar, writer and dramatist.

    Representative works: "Camel Xiangzi", "Four Worlds in the Same Hall", "Teahouse", "Two Horses", "Dragon Whisker Ditch".

  2. Anonymous users2024-02-05

    Lao She, a modern Chinese scholar, a writer and a dramatist. Representative works include "Camel Xiangzi" and "Four Generations in the Same Hall".

  3. Anonymous users2024-02-04

    Lao She's main works include: "Xiaopo's Birthday", "The Story of Cat City", "The Biography of Niu Tianci", "Camel Xiangzi", "Teahouse", "Dragon Whisker Ditch" and so on.

    1. "Poe's Birthday".

    Xiaopo's Birthday is a book published by the People's Literature Publishing House in 2000, and the author is Lao She. This book features Po, a boy living in Nanyang, and his sister as the protagonists, and tells interesting stories about Po's life.

    2. "The Story of Cat City".

    "The Story of Cat City" is a long story written by Lao She with irony and science fiction color**. The book is structured in a travelogue-like structure and is written in the first person. "The Story of Cat City" reflects Lao She's sad state of mind when he was created, and contains Lao She's deep thinking about social reality and deep love for the country.

    3. "The Biography of Niu Tianci".

    The Biography of Niu Tianci is a book published by Wenhui Publishing House in January 2009, and the author is Lao She. **Write about a couple surnamed Niu who adopted a child who was found at their door, and this child was given by God, so it was called Niu Tianci. God-given will not do anything, and as soon as his adoptive parents die, he will finish playing.

    Fourth, "Camel Xiangzi".

    Camel Xiangzi is a masterpiece of the famous modern Chinese writer Lao She, which was originally published in the magazine Cosmic Wind in 1936. The work depicts the poignant story of a rickshaw driver in old Beijing in the 20s. This ** uses a large number of Beijing colloquial language, dialects, and some descriptions of the customs and customs of old Beijing, which is a classic laughing stove work of modern vernacular literature.

    5. "Teahouse".

    Lao She's most important play, which is also one of the classics in the history of Chinese drama, has been published for more than 60 years and has been translated into many languages. At the same time, it is also a repertoire that is often performed on the drama stage, and the Beijing Renyi version of "Teahouse" has become a repertoire with far-reaching influence at home and abroad.

    Introduction to Lao She

    His real name is Shu Qingchun, the word Sheyu, the pen name Lao She, a Manchu Zhenghongqi person, born in Beijing. He is a modern Chinese writer, a famous writer, an outstanding language master, and a people's artist. The first writer in New China to win the title of Cong Shengpi People's Artist.

    Lao She's literary language is simple and simple, unpretentious, humorous and witty, with a strong Beijing charm.

  4. Anonymous users2024-02-03

    Now the cave is only dedaina and laughs.

  5. Anonymous users2024-02-02

    Lao She's life experience:

    Lao She (February 3, 1899 - August 24, 1966), formerly known as Shu Qingchun, the word Sheyu, was born in Beijing, a Manchu in Beijing, graduated from Beijing Normal University, a modern Chinese writer, a writer, a language master, a people's artist, and the first writer in New China to win the title of "People's Artist".

    In 1913, Lao She was admitted to Beijing Normal No. 3 Middle School (now Beijing No. 3 Middle School), but dropped out a few months later due to financial difficulties. In the same year, he was admitted to the publicly-funded Beijing Normal School and graduated in 1918.

    From 1918 to 1924, he successively served as the principal of the No. 17 Higher Primary School and the National School (now Fangjia Hutong Primary School), a student in the northern suburbs of Beijing, a teacher in Tianjin Nankai Middle School, and a teacher in Beijing No. 1 Middle School.

    In the autumn of 1924, Lao She went to England and became a lecturer in Chinese at the Department of Chinese Studies at the Oriental College of the University of London.

    In the summer of 1929, he left England and stayed in Singapore for half a year, teaching at the Huaqiao High School.

    He returned to Beijing in the spring of 1930.

    From 1930 to 1937, Lao She taught at Qilu University in Jinan and Shandong University in Qingdao.

    At the beginning of 1938, the All-China Association of Literary and Art Circles to Resist the Enemy was established in Wuhan, and Lao She was elected as the executive director and director of the General Affairs Department. In March 1946, Lao She accepted the invitation of the United States to give lectures in the United States.

    In December 1949, he returned to Beijing at the invitation of the literary and artistic circles.

    On August 24, 1966, he sank in Taiping Lake.

  6. Anonymous users2024-02-01

    Combined with Lao She** pair"Civic World"Talk about the uniqueness of Lao She's artistic perspective?

    Culture" has an impact on human nature and human relationships. (1) The image description of the old-school citizen contains Lao She's writing and reminiscence of the virtues contained in the traditional culture itself, which is a tearful criticism and mourning. Including Lao Ma ("Two Horses"), Brother Zhang ("Divorce"), Old Lady Qi, Qi Ruixuan ("Four Worlds in the Same Hall").

    2) The image of the new-school citizen is a degenerate image that blindly "pursues the new", blindly pursues the "Western-style" life style, and loses its personality. is a group of "Hutong gentlemen", such as Zhang Tianzhen in "Divorce". Lao She's comic depictions contain reflections and criticisms of Western civilization, including the "New Wave" introduced after the May Fourth Movement.

    3) The image of a decent citizen was not successful. Implicit in it is the pursuit of ideals that transcend the ills of both tradition and modern civilization. Including Li Jingchun ("Zhao Ziyue"), Li Zirong ("Two Horses") and so on.

    4) The image of the urban poor runs through the critique of capitalist civilization. Including Xiangzi, Xiaofuzi ("Camel Xiangzi"), Sha Zilong ("Broken Soul Gun"), Fang Baoqing ("Drum Book Artist") and so on. The civic world contains Lao She's critique of the negative elements of Beijing and the entire Chinese traditional culture, as well as the caution and even rejection of foreign culture.

    The situation of the mother and daughter in "Crescent Moon" reflects Lao She's unique judgment on the ideological trend of personality emancipation from the position of the low-level poor.

  7. Anonymous users2024-01-31

    Lao She's main works are: "Camel Xiangzi", "Zhao Ziri", "Lao Zhang's Philosophy", "Four Worlds in the Same Hall", "Two Horses", "Xiaopo's Birthday", "Divorce", "Cat City Story", "Under the Red Flag", the script "Residual Mist", "Fang Pearl", "Face Problem", "Dragon Whisker Ditch", "Chunhua Autumn Fruit", "Youth Commando".

    Drama Collection", "Willow Well", "Female Clerk", "Family Portrait", "Teahouse", reportage "The Nameless Heights Have a Name", novella ** "Crescent Moon", "My Life", "Export Chapter", short story ** collection "Catch the Market", "Sakura Sea Collection", "Clam Collection", "Train Collection", "Anemia Collection" and the collection of works "Lao She Anthology" (16 volumes), etc.

  8. Anonymous users2024-01-30

    Lao She (February 3, 1899 - August 24, 1966), male, formerly known as Shu Qingchun, the word Sheyu, and also pen names Jieqing, Honglai, Fei I, etc. Because Lao She was born in the beginning of spring in the lunar calendar, his parents named him "Qingchun", which probably means to celebrate spring and have a bright future. After going to school, he changed his name to Shu Sheyu, which means "to abandon oneself", that is, to "forget oneself".

    Lao Ma Tremor is committed to the popularization of literature and the transformation of folk art, and is a pioneer in the reform of folk art. Among modern Chinese writers, Lao She is the only writer who can combine literature with quyi, pay attention to the development of quyi for a long time, and personally participate in the socialist transformation of quyi, especially the main genre (cross talk) after the founding of New China.

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