The history of the development of poetry from the pre Qin period to the end of the Han Dynasty is br

The development of pre-Qin poetry has gone through a long process from oral to written, from folk to court, from collective singing to poet creation. As early as the Western Zhou Dynasty to the Spring and Autumn Period, China's poetry has produced a large number of brilliant chapters, which is marked by the emergence of China's first poetry collection "Book of Songs".

"Book of Songs": "Guan Ju", "Taoyao", "Papaya".

Pu Jia", "Huang Li", "Cutting Tan", "Zijin", "Cai Wei", "Shuo Mouse".

Chu Ci": "Mrs. Xiang" and "National Mourning".Xiang Yu's "Song of the Fall" and Liu Bang's "Song of the Great Wind".

Han Yuefu Folk Songs: "Thoughtful", "Shangxi", "Jiangnan", "Mo Shangsang", "East Gate Travel", "Fifteenth Military Expedition", "Sad Song", "Long Song Xing" (Qingqing Garden Zhongkui), "Drinking Horses Great Wall Cave Walk" (Qingqing River Grass), "Song of Resentment", "Dry Fish Crossing the River and Weeping", "Gongwu Crossing the River", "Pickled Dew".

Nineteen ancient poems: "Xingxing Xingxing", "Morning Glory", "Qingqing Riverside Grass", "Shijiang Picking Hibiscus", "Bright Moon He Jiaojiao", "Mengdong Cold Solstice", "Birth is Less than 100 Years", "There Are Strange Trees in the Court".

There are "Book of Songs", "Chu Ci", "Han Yuefu", "Nineteen Ancient Poems", "Han Dafu" and so on.

The style, thought, and writing art of pre-Qin narrative prose have directly inspired the creation of historical and biographical literature in later generations. The style of the "Records of the Historians" is an innovation and development on the basis of the chronicles of the pre-Qin period and the history of the country, while the "Han Chronicles" and "Zizhi Tongjian" are the direct inheritance of the chronicles of the "Spring and Autumn Period" and "Zuo Chuan". The pre-Qin narrative prose was characterized by straightforward writing and distinctive praise and criticism when describing historical events, and the superb writing art of "Zuo Chuan" and "Warring States Policy" had a profound impact on the creation of historical and biographical literature in later generations.

The great historical literary work "Historical Records" absorbs the writing techniques of "Zuo Chuan" and "Warring States Policy", and uses some of the historical facts with slight changes. A few particularly wonderful articles are even entered directly without modification. Sima Qian, Ban Gu, Chen Shou, Fan Ye, and others inherited the tradition of writing history that not only narrates stories but also describes characters vividly in Zuo Chuan, and they are not only historians, but also literary scholars, and their works are both historical and literary works.

The narrative art of Zuo Chuan, such as the emphasis on the causal relationship and development process of historical events, the description of historical events as a fiction, and the orderly and varied narration of historical events, have been fully embodied in the historical literature of later generations. The concise and concise language style of "Zuo Chuan" has been inherited by later generations of historians, and the strange style of "Historical Records" is obviously directly related to the unbridled debate of "Warring States Policy". In short, the pre-Qin narrative prose is the first achievement of China's historical and biographical literature, and it is self-evident that it has been touched by later generations.

Folk songs and ballads in ancient times are a kind of folk literature. In ancient China, the song was a song, and the song was a ballad. Ancient ballads were an important tool for the ancestors to express their thoughts, express their feelings, and promote production, and they were produced in the primitive era when productivity was extremely low, and they were the earliest literary styles that appeared.

According to the subject matter, it can be divided into labor ballads, sacrificial ballads, totem ballads, marriage and love ballads, war ballads, etc. They are collective, comprehensive and direct in reproducing life, with simple words and smooth rhythms, and Fu is the main means of expression. Preservation of Ancient Ballads:

Ancient ballads are scattered in the classics of the pre-Qin and Han dynasties, and the collected editions of the descendants include: Shen Deqian's "Ancient Poetry Source" in the Qing Dynasty, and Lu Qinli's "Poems of the Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties" is the most detailed. But it is not entirely credible, and some such as "Kik Song", "Qingyun Song", and "South Wind Song" are out of the false trust of later generations.

The pre-Qin ballad selects the poems of the Qin Dynasty before the unification of the countries as the pre-Qin poems. Pre-Qin poetry includes the Book of Songs, Chu Ci, some traditional folk songs of the Spring and Autumn Period and the Warring States Period, and some primitive social ballads. Folk songs and ancient ballads are collected in the "Ancient Poetry Source".

Pre-Qin poetry is the source of traditional Chinese poetry, among which the Book of Songs is the source of Chinese realist poetry, and the Chu Ci is the source of Chinese romantic poetry.

1 Selected songs of the pre-Qin Dynasty Playing songs and breaking bamboos. Flying earth chases the ròu.

2 Selected songs of the pre-Qin Dynasty Songs were composed at sunrise. Daily income. Sink a well and drink. Plough the fields and eat. What is Dili to me?

3 Selected Songs of the Pre-Qin Dynasty Song of the South Wind and the Fragrance of the South Wind. It can relieve the sorrow of our people.

When the south wind blows. It can help the wealth of our people.

愠yùn 阜fù) 4 Selected Songs of the Pre-Qin Dynasty Qingyun Song Qingyun is rotten. It's a lot of people. The sun and the moon shine. Dan Fu Dan Xi.

Obviously to the sky. Rotten Star Chen. The sun and the moon shine. Hiroshi in one person.

The sun and the moon are constant, and the stars are in line. Four o'clock from the scriptures, the surname Yuncheng.

Yu Yu talks about music, with the spirit of heaven. Move to the virtuous sage, don't listen to it.

The falcon is like a drum, and it is like dancing. The essence has been exhausted, and the clothes are gone.