What poems did Du Fu write before he was thirty five years old?

Ascend the Yanzhou City Tower.

Du Fu Dongjun tends to the court day, and the south building is at the beginning;

The floating clouds connect the sea dai, and the plains enter the green Xu;

The lonely Qin monument is there, and the deserted city is more than the palace.

It has never been ancient, and it is hesitant to look at it.

"Wangyue", "Ascending Yanzhou City Tower".

Fang Bing Cao Huma", "Painting Eagle", "Night Banquet Zuo's Village".

Linyi Shedi Shu Zhi, Bitter Rain" (Five Words Pai Rhythm), "Gift to Li Bai" (Gift to Li Bai's earliest five-character poem), "Accompany Li Beihai Banquet to the Pavilion", "Gift to Li Bai" (Du Fu's earliest quatrain, seven words). These are all poems written by the poet before the age of 34, which can be regarded as the preparatory period for Du Fu's creation.

Du Fu wrote countless poems in his lifetime, but about 1,500 have been preserved, most of which are collected in the "Du Gongbu Collection".

Introduction to Du Fu. Du Fu (712 770), whose name is Zimei, was a native of Gongxian County, Henan Province (now Gongyi City, Zhengzhou, Henan) in the Tang Dynasty, and called himself Shaoling Yelao, a great realist poet of the Tang Dynasty, and Li Bai was collectively called "Li Du". In order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du", and Du Fu is often called "Old Du".

Du Fu's influence on classical Chinese poetry is very far-reaching, and he is called the "poet saint" by later generations, and his poems are called "poetry history". Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang. The core of Du Fu's thought is the Confucian idea of benevolence, and he has the grand ambition of "to the monarch and the gentleman, and then to make the customs pure".

Although Du Fu was not famous during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature. A total of about 1,500 poems by Du Fu have been preserved, most of which are collected in the "Du Gongbu Collection".

Du Fu's poetic achievements.

Poetry occupies a very important position in Du's poems. The achievement of Du Fu's poetry lies first in expanding the scope of expression of poetry. He not only wrote about entertainment, songs, detention, banquets, and landscapes in rhythmic poems, but also wrote about current affairs in rhythmic poems.

Writing current affairs with rhythmic poems is more difficult because the number of words and rhythm are limited, but Du Fu can use it freely. Du Fu wrote the poems in a wanton manner, doing everything he could to change, conforming to the rhythm but not seeing the constraints of sound and rhythm, and neatly fighting but not seeing the traces of the battle. For example, "Ascending", which Yang Lun called "the first of Du Ji's seven words", is such a poem:

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back. Boundless falling trees and Xiao Xiao, endless Yangtze River rolling. He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass. "The whole poem is extremely precise and exquisite in terms of rhythm and sentence structure. All eight sentences are true, and the first couplet is also true.

The tight battle is covered up by the fluidity of the image, and the tightness becomes untenable.

The highest achievement of Du Fu's poetry can be said to be to write this style smoothly and smoothly, without a trace, and if it is written casually, it makes people forget that it is a poetry. For example, "Happy Rain on a Spring Night": "Good rain knows the season, when spring happens."

Dive into the night with the wind, moisturizing things silently. The wild trails are all black, the river boats are unique, the red wet places are seen, and the flowers are heavy in the official city. The last four sentences are written with flowing water, the charm of the spring rain is written in one go, silently and unexpectedly, and the last couplet writes a surprise that suddenly looks back, and the rhythm is rigorous and unambiguous.