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The moon is high, ambushed on all sides, the overlord unloads his armor, lies in vain, the sand falls on the sand and the geese fall on the waves, and the jackdaws play in the water.
Trouble, thanks!
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The "Fahrenheit Score" had a great influence on later generations, and the complete score of the famous pipa song "Ambush on Ten Sides" (also known as "Huaiping Chu", called "Ten Sides" in the "Fahrenheit Score") was first seen here; The surviving work of the famous pipa artist Yang Tingguo in Wuxi "Pu'an Mantra" is also seen here; The other schools more or less adopted some of the pieces from the Fahrenheit tablature, and successively organized them into popular performances; The Wuxi faction also became famous because of this.
The Secret Book of the Two Schools of the North and the South" was published three times before and after, which provided valuable information for the study of the ancient pipa and had a great impact on later generations of scholars. There are not many descendants of the Wuxi faction, and now there are even fewer people who can interpret and apply the ruler spectrum. But in any case, the Wuxi School played a role in connecting the past and the next in the middle of the Qing Dynasty, and its contribution to the development of pipa art is indeed historical.
Pipa. Before the Sui and Tang dynasties, the pipa was a general term for the plucked plucker, which was called the pipa when it was played forward and called the pipa when it was picked backwards. Quxiang pipa originated in Persia, about the middle of the sixth century AD spread to the middle and lower reaches of the Yangtze River in China, and was played by the Tang Dynasty wooden pluck, and gradually improved to finger playing, with rich expressive colors and difficult performance skills.
Over the years, many pipa schools have been formed in China, including Zhejiang, Zhili, Wuxi, Pudong, Pinghu and Chongming, and each school of the same music has its own characteristics in terms of musical notation, fingering and performance style.
Hua Qiuping, also known as Wen Bin, (1784-1859), the representative of the Wuxi School, was the owner of the Yunguan and a native of Dangkou Town, Wuxi. He is good at piano and singing Kunqu opera, good at poetry, seal carving, painting, medicine, and has practiced medicine as a profession, and is a very wise and far-sighted artist.
He believes that the music score has always been directly taught and received between the masters and apprentices in various schools, and there has never been a music score that can be widely disseminated and collected, and in the process of copying, there are often "Lu Yuhai Pig's Falsehoods", which has caused the performance art of pipa to be restricted, which is very unfavorable to the development of pipa art.
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Famous pipa songs include "Plugged Song", "Ambush on All Sides", "Overlord Unloads Armor", "Big Waves Wash Sand", and "Zhaojun Goes Out of the Plug".
1. Plug the song
The song is a traditional pipa song, which expresses grief and grief by describing Wang Zhaojun's longing for his homeland.
2. Ambush on all sides
Ambush on All Sides is a famous large-scale pipa song, which can be called a classic in the song. The magnificence and splendor of the content of the music and the majestic and peculiar style are rare in the classical **. The decisive battle of Qixia was a famous battle in the history of our country. The pipa song "Ambush on All Sides" brilliantly.
The use of first-class means to show the fierce battle situation of this ancient war, showing the world a vivid and touching picture of the ancient battlefield.
3. Overlord unloads
Overlord Removing Armor is a famous traditional pipa martial arts song. This piece is based on the same material as "Ambush on All Sides", which is also a description of the fall.
The battle also adopts a chapter-back structure, but the idea is different. The protagonist is Xiang Yu, so the music is dull and tragic.
4. Big waves and sand
The Big Waves and the Sand is a solo pipa piece composed by Hua Yanjun, which expresses the author's infinite emotion about the unequal world and his fate.
Attitude. 5, Zhaojun out of the plug
The pipa solo piece "Zhaojun Out of the Stopper" was composed by Hua Yanjun, and the music expresses the author's feelings by depicting the emotional changes of Zhaojun when he came out of the stopper.
The infinite emotion of this historical event.
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There are a lot of them. Pipa, formerly known as "Pi", is a plucked stringed instrument, one of the ancient Chinese national musical instruments, which has a history of more than 2,000 years. The pipa has been passed down to modern times and has gradually been loved by more and more people.
Ambush on All Sides is a famous big lute arpeggio that can be called a classic. **The grandeur of the content and the grandeur of the style are rare in the classical**. The Battle of the Moat is a famous battle in the history of our country.
The arpeggiated pipa "Ambush on All Sides" skillfully shows the fierce battle situation of the ancient war with the best means, and shows the world a vivid and moving picture of the ancient battlefield.
"Big Waves Sweeping the Sand" is Hua Yanjun's pipa solo, expressing the author's infinite emotions and attitude towards fate in the world. This book was written by Hua Yanjun. **By depicting the emotional changes of Zhao Jun's performance, the author's infinite emotions for this historical event are expressed.
Overlord Takes Off His Armor is a well-known traditional pipa military music. The song is based on the same material from Ambush on All Sides, which also describes the battle of Gaixia. It also adopts the structure of chapters and responses, but with a different line of thought.
The protagonist of "Ambush on All Sides" is Liu Bang, so he is tall and strong; The protagonist of "Unarmored Overlord" is Xiang Yu, so it is dull and agitated.
The Song of Saizanne is a set of large-scale traditional pipa music scores, which describes Wang Zhaojun's longing for his homeland and expresses his sorrow. "Sunset Small Drum", also known as "Xunyang Night Moon", "Xunyang Pipa", and "Xunyang Song", is a lyrical and melodic prose song. "Yangchun Snow", also known as "Yangchun Ancient Song", or simply "Yangchun Ancient Song", is a widely spread pipa excellent ancient song.
The simple and rich language expresses people's positive, optimistic, and infinite spiritual temperament of nature. The whole song presents a vivid color, with a fresh and smooth melody and a lively and light and powerful rhythm, depicting a scene of vitality and spring. It sounds refreshing and becomes an excellent tradition that is both elegant and popular**.
<> Leergao's score was first seen in the "Records of the Immortals" compiled by the Mongolian Rong Zhai during the Jiaqing period of the Qing Dynasty, and later appeared in the "Pipa Score" written by Hua Qiuping. **The outline is basically the same as that of Le'ergo, but the title of each section of the song is changed to the subtitle of the lyrical landscape. The whole song has a total of 12 sections, which are divided into four parts: qi, cheng, qi, and he.
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The characteristics are as follows: 1. Pipa literary music: lyrical, freehand;
2. Pipa martial arts: narrative, realistic;
3. Pipa Wenwu Song: It has the style characteristics of Wenqu Moyan and Wuqu, which is allegorical in the scenery and blends in the scene.
In traditional Chinese pipa music, according to the different styles and expressions of the music, it can be divided into Wenqu, Wuqu, and Wenwuqu
1. Literary songs: with lyrical and beautiful, simple and moving melodies, it profoundly expresses the thoughts and feelings of the characters, and vividly displays the desirable artistic conception.
2. Martial arts: use vivid ** language to express a certain storyline, the momentum is more grand, the structure is relatively large, the representative works include "Ambush on All Sides" and so on;
3. Wenwu Song: Comprehensive use of the performance techniques of pipa music and martial arts, with the characteristics of both performance styles, not bound by the style of traditional literature and martial arts, with novel style, lively and cheerful music, and the composition of "Yangchun Ancient Song" on behalf of Wang Biao.
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The characteristics are as follows: 1. Pipa literary music: lyrical, freehand;
2. Pipa martial arts: narrative, realistic;
3. Pipa Wenwu Song: It has the style characteristics of Wang Wenqu and Wuqu, which is allegorical in the scene and blends the scenes.
In traditional Chinese pipa music, according to the different styles and expressions of the music, it can be divided into Wenqu, Wuqu, and Zhizai Wenwuqu
1. Literary song: with lyrical, beautiful and simple and moving melody, it profoundly expresses the inner thoughts and feelings of the characters, and vividly shows the desirable artistic conception of the music model rock song, the representative works include "Autumn Moon in the Han Palace", etc.;
2. Martial arts: use vivid ** language to express a certain storyline, the momentum is more grand, the structure is relatively large, the representative works include "Ambush on All Sides" and so on;
3. Wenwu Song: Comprehensive use of the performance techniques of pipa and martial arts, with the characteristics of both performance styles, not bound by the style of traditional literary songs and martial arts, with novel styles, lively and cheerful music, representative works include "Yangchun Ancient Songs" and so on.
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