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1. Portrait. Portrait of Flaubert: Ancient Gaul gladiator-like beard with large blue eyes.
Portrait of Turgenev: fair face.
2. Language. Flaubert's language: His voice was particularly loud, like blowing a military trumpet.
Sometimes eloquent. He could end a debate with a very clear and profound sentence. His mind leaps over the centuries at once, and he finds two similar facts or two similar aphorisms from them, and compares them.
And so the spark of enlightenment burst out.
Turgenev Language: Speak slowly in a soft and somewhat hesitant tone. Whatever you do, it's all about extraordinary charm and great fun.
The conversation rarely touches on trivial matters and always revolves around events in terms of literary history. Very fluent in translating some verses of Goethe and Pushkin.
3. Action. Operation Flaubert: As soon as the doorbell rings, the red gauze carpet is placed on the desk.
Go open the door in person. Hug Turgenev like a brother. From this person to that person.
Bring the guests to the front room one by one, talk, shake hands, and pat on the shoulder.
Operation Turgenev: Sits on a couch.
4. Character. Flaubert's personality: enthusiastic and unrestrained, easily excited, amiable, erudite and wise.
Turgenev's personality: fanatical ideals, obsessed with literary career, erudite.
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Turgenev was not easily agitated and had a gentle personality.
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Flaubert: Loud voice, hospitable, knowledgeable!!
Turgenev: The voice is soft and hesitant!!
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Flaubert: gentle, passionate, erudite.
Turgenev: Erudite and heroic.
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Turgenev: His writing style was known for its simplicity. The content is profound, from the bland. Such as his "Sparrow".
Dapper. In addition, the description of natural scenery in his writing is very good. Later generations called him the "master of landscape painting".
Personality: hesitant, chronic.
Flaubert: His "objective and indifferent" creative theory and meticulous artistic style are unique in the history of French literature.
Personality: Bold, enthusiastic, erudite.
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They were both advocates of French naturalism in the 19th century and writers of critical realism.
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These men were contemporaries of writers and friends with each other, and Zola Flaubert was more similar in his German style.
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After graduating from high school, the famous writer Flaubert officially accepted Maupassant as his literary mentor. This strict and demanding teacher demanded Maupassant strictly, which had a great influence on his creation. Later, Maupassant respected Turgenev, who lived in France, as a teacher and humbly learned from him.
Dude, Zola, and Turgenev were close friends of Flaubert.
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Maupassant was Flaubert's apprentice. Zola, Dude, and Turgenev were close friends of Flaubert, all of whom belonged to critical realist writers, and they could be described as close friends.
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All Europeans. They are all great writers. It's almost the same era ...
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Maupassant was Flaubert's apprentice, and Dude, Zola, and Turgenev were Flaubert's good friends.
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They are all people who love literature and respect literature. A person who has a noble pursuit of this literature.
to, as a preposition, is equivalent to carrying a rough "give", to is often followed by the town doThe original form of the verb, it is time to do (to do something) for as a preposition, often followed by doing, can also be a person with a missing limb (equivalent to "right... or for).
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