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Kid fishing. Excerpt from "All Tang Poems".
Kid fishing. The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
This paragraph] is in Braille.
1 Unkempt: Hair that is unkempt.
2 Child: a child of young age;
3 Diplen: Fishing; Lun: silk thread for fishing;
4 Berry: a small grass;
5 Mosses: bryophytes;
6 Ying: Shaded Ying.
5 Asking: Inquire of men;
6 Haruka: far away;
7 Fear: Fear.
8 Fish Frightened: The fish flee because they are frightened.
9 Answer: Answer.
This paragraph] explains the poem.
A small child with unkempt hair is learning to fish, sitting sideways on the moss, with the green grass reflecting his figure.
When someone asked for directions, he beckoned his hand from afar, but he didn't dare to answer loudly for fear that the fish would be scared away.
This paragraph] is an appreciation of the whole poem.
The Tang Dynasty poet Hu Lingneng's "Children's Fishing" is like a beautiful hibiscus out of the water, without gorgeous colors and deliberate carvings, revealing a bit of innocence and infinite childlike fun in the plain and easy narrative.
The first and second sentences focus on the writing form, and the third and fourth sentences focus on expressiveness. The poet does not whitewash the appearance of this fishing child, and writes directly about the original face of the unkempt hair of the mountain child, which makes people feel natural and lovely, real and credible. "Sitting sideways" means to sit down at will.
From this, you can also imagine the scene of children focusing on fishing without any informality. "Grass Reflection" is not only a portrait of children, but also a foreshadowing for the next sentence of "passers-by asking". Because passers-by asked him, because they could see him.
The subject of "remote beckoning" in the last two sentences is still a child. The reason why he wanted to use action instead of answering was because he was afraid of startling the fish away. His gesture is "waving from afar", indicating that he is not indifferent to the questioning of passers-by.
As for how he whispered to the "passer-by" after "beckoning", that was something in the reader's imagination, and the poet had no need to explain, so after explaining the reason for "beckoning from afar", the poem came to an abrupt end. This poem depicts the children's fishing expressions vividly and vividly, full of life, and can be called a masterpiece!
This paragraph] author's profile.
Hu Lingneng is a hermit in Putian, and the Tang poet is less of a negative nail. The dreamer dissected his abdomen, and in a book, he could chant, and the far and near numbers were Hu nail hinges. The four poems are all written very vividly and vividly, exquisite and extraordinary, and they are worthy of being poems given by the immortals.
Children's Fishing" (selected from "Quantang Poems") writes an "unkempt child" to learn fishing, "sitting on the side of the berry moss grass reflects", passers-by beckoning to him, want to ask about some things, but the child is "afraid of the fish frightened" (afraid of startling the fish and not a word), it is really vivid, vivid, its artistic achievements are no less than Du Mu's famous "Qingming" poem.
The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
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The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
Don · Hu Lingneng
Hu Lingneng: Year of birth and death unknown, poet of the Tang Dynasty. His poetry has a strong interest in life.
Unkempt: Hair that is unkempt. Bright and dusty.
Child: A child of a young age.
Criplen: Fishing. Lun: silk thread for fishing;
Berry: A small grass. Mosses: bryophytes.
Ying: Shaded. Ask: Ask someone.
Haruka: Far away.
Afraid: Afraid. Fish Shock: The fish is frightened and runs away.
Answer: Answer. A small child with unkempt hair was learning to fish, and he sat casually sideways on the grass and moss, his figure hidden in the grass.
Hearing someone asking for directions, he hurriedly waved from afar, afraid that the fish would be scared away, he didn't dare to ask the person for directions.
This is a poem that describes the joy of children's lives. In the easy-to-understand language, the poet writes the innocence of fishing children and expresses infinite childlike fun.
The first two lines of the poem are a description of the appearance of the "child", the poet chooses the typical characteristics of a child, a child with unkempt hair, sitting on the grass and moss very casually, writing the child's original appearance, showing his natural loveliness, and also writing the scene of the child ignoring the outside world and focusing on fishing.
The last two sentences of the poem Jingzi focus on conveying the spirit, passers-by ask, the child "beckons from afar", "beckoning" and "waving hands" are different, "waving hands" means that they don't know, and "waving" explains: I know the question you asked, but I can't be loud, you come closer, I whisper to you, this is all to not scare my lust away. The child's fishing expression is vividly depicted.
The whole poem is like a hibiscus flower blooming in clear water, showing the most natural and natural colors and forms, and the fishing child is real and natural, as if it is right in front of our eyes.
After reading this poem, do you also want to go fishing? If you have time, you can enjoy fishing yourself, but be sure to join your parents.
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Hu Lingneng, a poet of the Tang Dynasty (Tang Zhenyuan, Yuanhe period), a native of Zhongmu County, Zhengzhou, Henan Province, once lived in seclusion in Putian (Zhongmu Putian, Zhengzhou City, Henan Province). When he was young, his family was poor, and he made a living by repairing pots and pans, and was known as "Hu Nail Hinge". Hu Lingneng admires Liezi and is proficient in Zen, his poetic language is simple but exquisitely conceived, and his interest in life is very strong.
"Children's Fishing" was written by Hu Lingneng after going to the countryside to find a friend and asking the fishing children for directions.
Children's Fishing" Tang Hu Lingneng.
The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
Explanation of terms. 1.Unkempt: The appearance of unkempt hair describes a child as naughty and cute.
2.Child: A young, ignorant child.
3.Hammer Lun: Fishing. Lun: silk thread for fishing;
4.Berry moss: A type of weed. Mosses: bryophytes.
5.Ask: Ask someone.
6.Fish frightened: The fish is frightened.
7.Should: respond, agree, heed.
Appreciation of the whole poem. A child with unkempt hair is fishing in a pond like an adult, and he sits sideways in the thick grass, the color of the grass reflected on him. Passers-by asked for directions, and Xiao'er waved to passers-by, for fear of alarming the fish, so he didn't dare.
This is a poem on the theme of children's life, and the picture of children's fishing is vividly and vividly, with both form and spirit, and full of interest. The first two sentences vividly portray the image of a simple and natural child in a mountain village, and "remote beckoning" replaces the answer with action, which expresses the child's psychology of being afraid of startling the fish, which is vivid and interesting.
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The original text of "Children's Fishing": Unkempt children learn to weep, and sit on the side of the berry moss. Passers-by beckoned by asking Yao, and they were so frightened that they were shocked. This is a poem on the theme of children's life, and the whole poem portrays the image of fishing children vividly and full of childlike fun.
Children's Fishing" Tang Hu Lingneng.
The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
Translations. A child with unkempt hair and a young face was learning to fish by the river, sitting sideways in the grass, the green grass on the moss reflecting his figure.
Hearing the passer-by asking for directions, the child waved his hand indifferently, not daring to respond to the passer-by, for fear of alarming the fish.
Appreciation. Poetic.
The first and second sentences focus on the situation of children's fishing, and "unkempt" writes about their appearance, highlighting the child's naivety and naughtiness, making people feel naturally cute and authentic. The last two sentences focus on asking for directions, and the child's action is "waving from afar", indicating that the child is not indifferent to the questions of passers-by, but because he is afraid of disturbing the fish, he uses actions instead of answers. This poem has no gorgeous colors or gorgeous rhetoric, but it reveals a bit of innocence, infinite childlike fun and some concentration in the plain and easy narrative, which can be described as a masterpiece of both form and spirit describing children.
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Hu Lingneng children's fishing.
The unkempt child learns to hang Lun, and sits on the side of the berry moss.
Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.
Notes] Childish: A child of young age.
Criplen: Fishing. Fiber: Silk thread.
Berry: A small grass. Mosses: bryophytes.
Appreciation. Hu Lingneng (785 A.D. - 826 A.D.), a poet of the Tang Dynasty, lived in seclusion in the garden (Zhongmu County, Henan). Tang Zhenyuan, Yuan and period people.
The family is poor, and when he was young, he made a living by repairing pots and pots, and was known as "Hu Nail". His poems are simple and exquisitely conceived, and the interest in life is very strong, and there are only seven and four poems that survive.
The poem describes a naïve and mischievous child imitating an adult fishing in a river. The psalmist vividly depicts the child's expression. In the poem, the poet first uses "unkempt" to reflect the child's innocence and cuteness.
The posture of "sitting sideways" shows the child's attentive expression. The descriptions of these two sentences are written from the outward shape, and they are both realistic. When the passer-by asked, the child was afraid that his words would alarm the fish, so he beckoned from afar and did not dare to answer.
This is a psychological portrayal of children, who are alert, intelligent, and experienced. The last two sentences focus on the demeanor. The whole poem uses simple and simple language to portray the vivid and lovely image of the fishing child from the two aspects of form and spirit, which is full of childlike fun and memorable.
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