What are the reasons why Ouyang Xiu is drunk

Indulge in the joy of mountains and rivers, the joy of banquets, the joy of guests and Taishou and the fun of being able to have fun with the people.

The Legend of the Drunken Man's Pavilion is an essay written by the Northern Song Dynasty writer Ouyang Xiu. In the fifth year of Song Renzong's Qingli (1045), Fan Zhongyan, the governor of the political affairs, and others were slandered and resigned, and Ouyang Xiu wrote a letter to defend them, and was demoted to Chuzhou as the governor for two years. After taking office, he was depressed in his heart, but he was still able to play the style of "being lenient and simple without disturbing" and achieved some political achievements.

The Legend of the Drunkard Pavilion was written during this period. The article describes the deep and beautiful natural scenery of the four seasons in Chuzhou, the peaceful and quiet life of the people of Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink. The whole text runs through the word "music", which contains more complex and tortuous content.

One hints at the feelings of a feudal local governor who can "enjoy with the people", and the other hides unspeakable hardships behind the love landscape. At the age of forty, he called himself a "drunkard", and he often traveled, coupled with his various performances of "drinking less and getting drunk" and "being depressed", all show that Ouyang Xiu is using the joy of mountains and rivers to relieve the boredom of living in the house. The author is drunk in two places:

One is to revel in the beautiful scenery of mountains and rivers, and the other is to revel in the joy with the people.

Drunken scene: Indulge in the joy of mountains and rivers.

Drunkenness: the joy of the banquet, the joy of the guests and the pleasure of being able to enjoy with the people.

The scenery is beautiful and drunk, and the people of Chu live and work in peace and contentment, Ouyang Xiu is very pleased, because he is drunk because of drinking.

The reason for drunkenness: intoxicated with the joy of mountains and rivers, the joy of banquet guests, the joy of guests and Taishou when they travel and the relationship between drunkenness and happiness when they can enjoy with the people: the whole text runs through the word music, "drunk" and "music" are unified, drunk is the appearance, music is the essence, writing drunk is to write music, drunk is a high summary of the ideological and emotional realm.

The whole text skillfully unifies drunkenness and music, and fully expresses the political ideal of "having fun with the people".

Good prose should be poetry, and it should create a beautiful artistic conception. The so-called artistic conception includes two categories: intention and mood, and it is an artistic picture that is infiltrated with the subjective feelings of the author. Good prose should have beautiful pictures, give readers a unique aesthetic feeling, and be pleasing to the eye.

The ideological context of "The Legend of the Drunken Man's Pavilion" is the word "music", the joy in "drunk", which is like a colored thread connecting each picture.

And "the drunkard's intention is not in the wine", but in the mountains and rivers". Loving the forest and intoxicating the landscape, this is the author's true intention. The idea of the prose is like setting up a book, and the author writes a beautiful "environment" according to this "meaning", so as to achieve the blend of love and scenery, and the harmony of meaning and environment.

The author depicts the realm of prose from these aspects.

The beauty of mountains and rivers. In the author's pen, the distance to the left and right of the drunken man's pavilion is a landscape painting. There are mountains, springs, forests, and pavilions, but the author does not use ink in isolation, but intertwines them, which are both beautiful and diverse.

Langya Mountain, which is beautiful and beautiful, is beautiful and verdant. Mountains are used as a backdrop and are circled in a circle. The forest is deep and the road is curved, and the spring flows and turns, then "there are pavilions and wings on the spring".

In this way, the mountain and the spring depend on each other, the spring and the pavilion are contrasted, and the landscape pavilion in a painting constitutes a beautiful artistic conception of poetry.

Ouyang Xiu. In his famous work "The Story of the Drunkard Pavilion".

in Israel".The pale face covers the frank hair, and the things are scattered and depressedThe two sentences vividly depict the state of Taishou (i.e., Ouyang Xiudu) when he was drunk.

"The Legend of the Drunken Man's Pavilion" was written in the sixth year of the Qingli of Song Renzong (1046 AD), when Ouyang was appointed as the Taishou of Chuzhou. Ouyang Xiu came to Chuzhou from the fifth year of Qingli who was demoted. Before being demoted, he served as the Taichang Cheng Zhiyuan, the Right Zhengyan Zhizhi, and the Hebei Metropolitan Transit Envoy.

The reason for the demotion was that he had always supported Han Qi, Fan Zhongyan, Fu Bi and others to participate in the Northern Song Dynasty reform movement that implemented the New Deal, and opposed the conservative Lu Yijian, Xia Zhu and others. Han Fan and others had been demoted as early as January of the fifth year of Qingli, and in August of this year, Ouyang Xiu was added to the charge that someone in his relatives had committed a crime and was implicated in the matter, and he was removed from the court and demoted to Chuzhou.

Ouyang Xiu implemented lenient politics and developed production in Chuzhou, so that the local people lived a peaceful and stable life, with abundant years and abundant resources, and there was an intoxicating landscape, which made Ouyang Xiu feel extremely happy. However, at that time, the entire Northern Song Dynasty was politically dim, treacherous and evil, and some people who were interested in reform and striving for strength were hit one after another, and he could not help but feel heavy worry and pain when he saw that the country's accumulated shortcomings could not be eliminated and the scene of decline and decline was growing day by day. This is his mood when he wrote "The Legend of the Drunkard Pavilion", and these two aspects are blended together and expressed in his works.

Liu Zongyuan was demoted to Yongzhou Sima by the emperor in the first year of Yongzhen (805 AD) for supporting Wang Shuwen's reforms, and Wang Shuwen was killed. Political frustration made him place his affection on the landscape, and through the specific description of the scenery, he expressed his sad and miserable thoughts and feelings that could not be discharged after being degraded, and became a model for later generations to write landscape travelogues.

Fan Zhongyan and others implemented the "Qingli New Deal" failed, they were demoted one after another, Ouyang Xiu was demoted to the prefect of Chuzhou because of the letter to defend them, and the people who were generally demoted were pessimistic, hesitant, and addicted to the landscape. Ouyang Xiu is different, although he was demoted, but he did not sink here, but rejoiced with the people of Chuzhou, and attributed the stable life of the people of Chuzhou to the Song Dynasty's policy of recuperation and recuperation.