The death of the image, which follows the dry feathers

From "The Legend of the Elephant Temple" (Wang Shouren), "Ganyu is both qualified": Shun ordered Yu to recruit Miao, thirty years, Miao Min rebelled, Yu class teacher. Shun Nai Guang Xiu Wende, dance dry feathers in the two steps, seventy years, there are seedlings to return to Shun.

Lingbo Mountain, there is an elephant ancestral hall.

Some of the common imagery in ancient poetry are mainly as follows:

1. Trees:

The crooks of the tree: the ups and downs or smoothness of career and life.

Yellow leaves: withering, ripening, beauty twilight, metabolism.

Green leaves: vitality, hope, vitality.

Bamboo: Integrity, positive.

Liu: Farewell, nostalgia, sadness, the beauty of spring.

Folding willow: It is the custom of the Han Dynasty to cherish farewell. The latter has the meaning of regretting and not being far away.

"Willow": Farewell feelings.

Smoke from the embankment willows: It can trigger the past like smoke, and is often used to express the sense of rise and fall.

Red leaves: Referred to as the thing of love, and later borrowed to refer to the love of poetry.

Pine and cypress: strong, proud, strong, vitality.

Pine: The pine tree is a model of frost and snow, and it is naturally the object of praise by everyone.

Li Bai's "Gift of Books and Serving the Yellow Clothes": "May you be a senior and be pine, be careful not to be a peach and plum." Wei Huangshang has always flattered the powerful, and Li Bai wrote poems to persuade him, hoping that he would be an upright person.

Liu Zhen, a native of the Three Kingdoms, "Gift to My Brother": "Wouldn't it be cold, pines and cypresses have nature." The psalmist exhorts his cousin to be as faithful as the pine and cypress, and to maintain a noble character in all circumstances.

Sycamore: Sycamore is a symbol of desolation, misery, and sadness.

For example, Wang Changling's "Long Letter Autumn Words": "The autumn leaves of Jinjing Wutong are yellow, and the bead curtain does not roll up the frost at night." The smoked cage jade pillow has no color, and the Nangong is long and long.

It is written about a girl who has been deprived of youth, freedom and happiness, in the desolate and lonely deep palace, lonely, lying and listening to the scene of the palace leaking. The first sentence of the poem breaks the theme with a yellow sycamore by the well, which sets off a bleak and lonely atmosphere. Yuanren Xu Zaisi "Double Tone Water Fairy.

Li Bai was Du Fu was a poet of the Tang Dynasty.

1 "Farewell to Kangqiao" (Xu Zhimo).

Gently I go, as softly I came;

I beckoned softly, and made a cloud of the western sky.

There are ten songs in total, and Gu Cheng has more of them, because he writes them all relatively short, so you can see for yourself whether it is suitable or not:

Error Zheng Chouyu.

I hit Jiangnan and walked through.

The face in the season is like the blossoming of a lotus flower.

The east wind does not come, and the catkins in March do not fly.

Your heart is like a little lonely city.

Just like the bluestone street is late.

The sound of trampling is not loud, and the spring curtain in March is not revealed.

Your heart is a little window closed.

My Dada's hooves are beautiful mistakes.

I am not a returner, but a passerby.

Broken Chapter - Bian Zhilin.

You stand on the bridge and look at the view, and the people watching the view are looking at you from upstairs.

The bright moon decorates your windows, and you decorate other people's dreams.

A generation of Gu Cheng The night gave me black eyes.

But I use it to find light.

Don't look at the city. In the spring, I waved my handkerchief, did I let me go away, or did I return immediately?

No, it's nothing, it's nothing, it's like a falling flower in water, like the dew on a flower......

Only the shadow understands, only the wind can understand, only the colorful butterflies that sigh and startle are still flying in the heart......

Far and near Gu Cheng You, look at me for a while, and look at the clouds for a while.

I feel that when you look at me, you are far away, and when you look at the clouds, you are close.

I love this land.

If I were a bird, I would also sing with a hoarse throat

This storm-stricken land, this river of grief that forever rags with us, this angry wind that blows endlessly, and the ...... of the dawn that comes from the woods

Then I died, and even my feathers rotted in the ground.

Why do I always have tears in my eyes?

Because I love this land so much......

Weight Han Han.

She put the bloody head on the balance of life, so that all the survivors were lost.

Weight. Shayanara.

Xu Zhimo is the most gentle with his bowed head, like a water lotus flower that is not shy, and he cherishes it, cherishes it, and there is sweet sorrow in that cherishment

Shayanara. Accidental Xu Zhimo.

I am a cloud in the sky, projected by chance in the heart of your waves.

You don't need to be surprised, let alone rejoice, to be wiped out in an instant.

You and I meet on the sea of night, you have yours, I have mine, direction;

It's better for you to remember, it's better for you to forget, the lights that shine on each other at this rendezvous!

Alley Gu Cheng.

The alleys are long and winding.

There are no doors and no windows.

I'll take an old key.

Knocking on a thick wall.

Arc Gu Cheng.

Birds in the wind.

Turn quickly. The boy went to pick it up.

One cent. Grapevines due to fantasy.

And the extended filaments.

The waves retreated.

And the towering back.

The beauty of the artistic conception is not only the dance of poetry, but also the sun in the heart is afraid of the nothingness of the shadow?

Nostalgia Modern · In the afterglow.

When I was a child, nostalgia was a small stamp, I was at one end and my mother was at that end.

When I grew up, nostalgia was a narrow ticket, I was at this end, and the bride was at that end.

Later, nostalgia was a low grave, I was outside, and my mother was inside.

And now, nostalgia is a shallow strait, I am at this end, and the mainland is at that end.

The imagery in ancient poetry is classified as follows:

Method 1: 1. Trees.

2. Flowers and plants.

3. Animals.

4. Wind, frost, rain, snow, water and clouds.

5. Utensils.

6. Color.

7. About people's qualities, behaviors and activities.

8. Location. 9. Others.

Method 2: 1. Farewell imagery (or express reluctance, or describe thoughts after parting).

2. Homesick imagery (or to express longing for hometown, or to express concern for relatives).

3. Sad imagery (or express sorrow and sadness, or render a bleak and desolate atmosphere).

4. Lyrical imagery (or to show noble quality, or to express emotion).

5. Love imagery (used to express love and lovesickness).

6. War imagery (or express disgust for war, or express yearning for peace).

7. Leisure imagery (or express a quiet and tranquil mood, or express the yearning for a secluded life).

Method 3: 1. Natural imagery:

1) Natural landscapes: moon, flowing water, slanting sun, wind, smoke, frost, etc.

2) Plants: willow, fallen flower, pine, chrysanthemum, plum, sycamore, ping, plantain, etc.

3) Animals: crows, cuckoos (Du Yu, cuckoo, Zigui), apes, cicadas, hongs, geese, blue birds, fish, mandarin ducks, partridges, etc.

2. Imagery of people or things:

1) Man-made objects: boats, lakes, long pavilions, baling (bridges), mirrors, lamps (candles, wax, torches), etc.

2) Behavior: climbing the stairs, leaning on the railing, playing the flute, blowing the sheng, drinking, folding willows, pounding clothes (pounding), etc.

Imagery is an extremely important concept in poetics. As a language art, poetry generally does not directly express abstract feelings in abstract language, but expresses them with the help of imagery. To put it simply, imagery is an objective image that integrates the poet's subjective feelings.

What the poem wants to express is the subjective world of the poet and the objective world that the poet faces. On the side of the subjective world, poetry mainly expresses feelings and beauty, that is, the poet's emotional experience, ideological understanding and aesthetic feelings about the world and life. What the objective world requires in poetry is the narrative and the form, the social matter, and the natural thing.

The objects and things described are often used as images to convey subjective feelings and aesthetics.