Cursive Writing Skills Thank you, Cursive Writing Rules Skills

It is said that Wang Xizhi raised geese for cursive writing....

Calligraphy skills are a kind of feeling, a kind of creation, but also a kind of personal style, can only be understood, not spoken, oh, hehe!

The structural principles of cursive writing are aimed at simplifying the complex, continuous, disjointed, and convenient writing. Although the structure of cursive writing has been different in history, the rules of cursive writing are basically the same, and there are many conventions and conventions. Therefore, its structural rules are strict, as those mentioned in the previous section on cursive identification.

1.Delete the complicated and simplified, the dot painting is the most standardized and standard book style, the line of the book is more free than the regular script, increasing the hairspring connected between the strokes, but all reduce the complexity and dot painting in the regular script, and the cursive script is more economical and concise, its one painting can replace four points, one stroke can become a word, it can be seen that the degree of its omission, and cursive can be replaced by a point, and a painting can also be used instead of a few points. We've already covered it in the stippling section.

2.The main brushwork of writing in one go is to make a turn, so the dot painting moves with the twist and turn of the penmanship when writing. Its lines are mostly arc-shaped, plus the hairspring traction in the meantime, so write out more circles, plus the line of writing smooth stretch, a stroke can even write a few words, sometimes write down on the circle, in one go.

3.The momentum is through, and the change is due to the momentum of cursive writing reflected in a whole article, the position and center of gravity of each word do not have to be straight and stable, as long as the momentum arrives, the top and bottom echo, and the whole looks like a whole. Therefore, sometimes the movement of the word is very powerful, not aligned up and down, and the shape of the word is also varied and varied.

Some words are slanted on their own, and the center of gravity seems to be unstable, but when viewed from the whole text, they are balanced and stable. Therefore, from appreciation to creation, especially the grass, it is necessary to start from the whole text and take care of the overall situation.

The rules and techniques for writing cursive are as follows:1. Simplicity-oriented.

2. Partial symbols are used instead.

If the structure of regular script is taken as the standard, the primary feature of cursive script is simplicity, and the strokes are provincial and provincial, simple and simple. Sun Guoting said: "The grass is transformed into shape, and the dot painting is the temperament."

That is, the body of cursive writing is mainly made to turn, and the body of the word is formed by one stroke, "the grass obediently turns, and cannot be written." It makes the taboo horizontal and vertical, angular and angular, so the movement of cursive dot lines is mostly arc-shaped, which is the inevitable use of penmanship due to the fast and smooth speed of the pen.

Cursive writing is often a stroke, the lines are implicated, sometimes two or three words are connected together, it is difficult to break the word, the shape changes are extremely strong, all kinds of pitching, sparse, to the back of the tong back inspection, welcome, the contrast can be exaggerated to the point of astonishment. The problem is not whether it is continuous, but whether there is a break in the process of the connection, etc., and whether it is broken, so the cursive script of the great calligrapher Wang Duo in the late Ming and early Qing dynasties is often ten and scattered, and because of its pen and pen explanation, it is still important for later generations.

In order to be simple, the cursive knot is replaced by symbols on the side, so that the form of cursive dot painting produces great changes, and there is a considerable gap with the knots of regular script and line script, which is the characteristic of cursive knots. But cursive should also be subject to the rules of the grass law, the grass law has strict rules, absolutely can not draw the symbols, do as you like, as the saying goes: "Cursive out of line, the gods do not know."

The grass law cannot be out of line, and this "grid" is the rule.

Cursive calligraphy skills mantra and **:Cursive penmanship.

The pen goes against the front, the front is extended in the painting, and the beginning of the dot painting is solid and clear.

Lift the pen to run, march the virtual lifting rod, draw the tendons out, and the lines are strong and strong.

The pen should not be fast, the pen is heavy and empty, the opening stretches the potential, and the grass is more surrounded.

The line of the pen is pushed forward, the stroke is complete, the uniform force on the paper, the cursive line view.

The clumsy pen is fast and slow, the change of the front must be instantaneous, the fast and clumsy are weak and weak, and the slow and clumsy avoid rigidity.

Squatting pen out of the light press, solid no sense of jump, such as a person's squatting, heavy steps.

The pen is jointed, deep to press, the cursive words are strong, and the force is through the back of the paper.

Stop the pen floating paper line, look forward to each other in a roundabout way, pragmatic and slippery pen, ink injection to gather the sharp edge.

The pen is lost and lingering, there is no trace of the beginning and end, and the god stays after the painting, and the pen is not painted first.

Leave the pen abruptly stopped, the pen temperament is seen, the anti-slip stagnation fails, and the edge is lifted into the air.

Grab the pen semi-virtual and real, the empty potential is at the horizontal end, the straight side of the empty real grab, the robbery method can be studied, the round squat out of the straight grab, the side grab the partial squat, the pen is wet when the air grabs, the real value of the ink dry.

The side pen makes a point posture, the writing point is not ordinary, the flying increases the momentum, and the danger can be sought in the Yizhong.

The pen is re-up, not like a return to the front, in order to make the strokes firm, the reverse pen is floating.

The astringent pen is sluggish and smooth, and the clumsy ginseng is charming, and the astringency should not be too much, adding a sense of rhythm.

The urgent pen is like lightning, the heart surges instantly, urging the rigidity and stubbornness, the grass body conveys the spirit, the pen shakes the spirit, the pen hangs in the air, like falling stone sand, and the brushstrokes are brilliant.

Write with a longitudinal pen, the bearing is extraordinary, let go of the strokes to write, and stretch the gestures.

The vibrating pen must be solid, the center breaks its difficulties, the stagnation is eliminated, and the flying posture is vivid.

The realm of the pen grass, the ups and downs of the ink waves, the five intersections are perfect, and the pen is short-term and long-term.