Do you have to bow before playing the violin?

Bow before playing the violin. Violin on stageFor example, before you go on stage, bow to the audience before you start playing the violin, and understanding etiquette is very important for playing the violin. Drawing a longbow, the voice is harsh, sounding babbling, not in line with etiquette.

Conversely, picking at the rope, covering up, whispering, feeling estranged, and not in line with etiquette.

Benefits of playing the violinOur left and right hands govern different sides of the brain, simply put, the left and right hands are used together, most of the instruments need to be controlled by the left and right hands at the same time, and even need to use the feet or beat with the feet, such as the drum kit, which is not only for children but also for adults to use the left and right brain balance of a great help. In recent years, many parents abroad have given their children musical instruments to learn musical instruments, hoping that they will develop their left and right brains in a balanced manner.

Lots of etiquette! Personally, I think it's very important to move around!

On stage, the relative position of you and the accompaniment directly affects the effect of your performance.

Moreover, bias is extremely disrespectful to the audience.

Of course, it is better to bow and so on. The bow should not be facing the audience outward, it is better to relax naturally, holding the piano is related to the passage of the piece, but not suddenly, to give the audience some mental preparation.

Of course, if you play it well, then all the rules are in your subconscious behavior, generous, chic and neat.

You know, nature is beauty, health is the pursuit!

Pay attention to etiquette and bow before going on stage.

If it is a solo violin, bow to the audience when you go on stage.

There are a few things I do before I play the violin:1Tuning the strings. 2.Spice the bow with rosin and tighten the bow. 3.Wash your hands and cut your long nails. 4.Find the right location for the piano holder and towel. That's basically it

If you play the violin, you will definitely learn the stave, but if you just have a hobby, you can search for your favorite tunes on the Internet, and you can also recognize the short notation and play it for entertainment. You don't know how to combine the score with the violin, there is a certain process for this, at first you slowly look for it note by note, and then practice makes perfect, and you can play while looking at the score.

Your question is vague, what do you mean by "combining sheet music with violin"? Both sheet music and staff are expressions of musical notes, but the violin is a Western instrument, and violin music is also a stave, so it's best to learn, and it doesn't matter if it's just for your own amusement, depending on what you want to play.

Violin notation is a stave, simple notation is not good, first of all, you must be able to read staves, and then learn the knowledge of violin positions, learn to change positions, and practice the beginning of scales. Once the scale is familiar and the pitch is OK, you can watch the stave and play it yourself.

The violin is basically a stave, and even more so at a higher level, so you have to listen more and grasp the rhythm.

If you have graduated from high school, you are already an adult, you can only learn the violin one-on-one, and now there is no universal education for adult violins, beginners can buy a practice piano, ** at 300-500 yuan, and wait until you learn to a certain level to buy a better.

I am not afraid of learning the piano late, but I am afraid that I have no hobby and confidence, and it is a very good choice to master the violin as a hobby.

Learning violin must be one-on-one, the teacher can teach you hand in hand, this is not like a children's painting class where everyone is together or a children's dance class, there will be interference and the teacher can not guide you in detail.

In the winter I may need to freeze my fingers, but most of the time I don't use it. Maybe or not used to the violin? Or is your body temperature low?

If it's the former, you need to practice more, and if it's the latter, you can make a cup of hot tea, coffee, or cocoa 10-15 minutes before each pull, and warm your hands.

I guess that's how it should be. Before I play the piano, I also habitually play scales, arpeggios, broken chords, and Hanon a few times before performing to practice my fingers. This allows you to perform at your best.

== Is it that the place where you live is relatively cold and your fingers are frozen or you are too nervous and afraid that you will not be able to play well = = I used to want to go to the toilet when I took violin lessons = = . Everyone has their own habits, you have to do things according to your own habits, don't worry too much about others, o( o

That's for sure, just practice some kind of etude or something, move your fingers.

1. For the violin, even if you don't play the sound accurately, she can make a very loud sound, because the violin is a pure rhythm instrument, and the sound that can't be played on the piano is the sound in the crack of the piano keyboard, and the violin can be pulled out, so the more accurate the tone, the more stable the frequency of the tone, and the louder the sound is wrong. Only in the case of overtones is the more precise and louder. Your piano has such characteristics, which may have something to do with the way you play, no matter what the texture of the piano is, there will not be a loud sound on a string, and then move your fingers a little bit, the sound will become smaller, which should not be.

2. There is a standard for the height of the piano horse, and the general piano horse has to carry out a series of trimming before installing the violin, that is, it must be repaired with a knife. If the piano horse is high, it will cushion the strings high, resulting in the high position cannot be pressed, and the piano horse will be low, which will make the string vibrate irregularly. This height should be measured with a ruler.

3. It is normal for the bow hair to break, and there are many violinists who will break the bow hair when playing, as long as it is not broken very much and frequently, it is normal. It doesn't matter if the bow hair is broken, the bow hair can't be loose at both ends, so it must be handled at the piano shop.

4. The weight of the bow is based on the individual, but even if there is a difference in weight, it is minimal. The quality of the bow depends mainly on the materials from which it is made and the sensitivity of the assembly.

Other questions:

1. Pulling octaves, 10 degrees, and changing finger octaves is to train finger stretching and controlling hand shape. Generally, there is some finger stretching practice before learning these, and there is basically no amateur piano learning. Moreover, practicing double tones must be realistic, not virtual.

You don't have the talent to practice for five minutes each time, and if you practice too much and too hard, you will get hurt.

2. The main problem of sudden overtones is the left hand, and the bow with a hand should continue to remain stable, relying on the retraction of the left hand to change the vibration of the strings, and then change the timbre.

3. The leap staccato you said may be throwing the bow, first practice the bow method with a shorter string, and slowly increase the height and strength of the throwing bow, which requires a process, and will naturally no longer touch the string.

4. The fast jump bow and the continuous bow are wrist movements, and the left-hand and left-handed fights are typical left-hand coordination problems, or the left hand is faster than the right hand, or the left hand fingers are not fast, and the left hand needs to be practiced at a slow speed. You teachers are very irresponsible, what can only be understood but not spoken, and what kind of teacher cannot be spoken.

5. I don't know if you are practicing Paganini with these drastic changes you mentioned, some difficult tunes, even if you are slow, it is difficult to practice. This requires a high degree of proficiency with the arms and fingers in the usual practice. It's like if you're chatting with someone and you're using chopsticks to pick up the food, and you end up with the food in your nostrils, you must be putting the food in your mouth, and the moment you put it in your mouth, your mouth opens.

Familiarity with each position should be a subconscious action just like eating with chopsticks.

1、…Not necessarily...Even if the tone is extremely inaccurate, it can be pulled loudly (but the pitch is relative...).Someone deliberately lowered the strings and played the viola).

2. If you are a piano horse, it doesn't seem to be too high to buy it...However, the slope can affect the piano (e.g. accidentally touching the strings and double notes)...I really can't do it, ask the teacher to help you sharpen...But be careful to put the horse back on the piano and keep it perpendicular to the piano...Personally, I feel that it is very troublesome....

3. Is the bow hair easy to break? I've rarely tried this situation....Maybe it's because the rosin isn't enough...I've seen a strong man buy a bow two years ago, and now the bow has almost half of its hair....If the bow hair is broken too much, you need to consider changing it...

4. Personal preference....Someone will buy two bows for this....My bow is also heavy....

Jumping the bow may have something to do with the weight of the bow, but it is not necessarily necessary...Sometimes a bow that is too light will flutter and can't jump!

There are also a couple of technical issues:

1. Say....My knowledge of scale names has been confusing for ten years....

The two-tone scale is usually just two fingers...There is no question of the referent of reservations....

You don't need to press too hard, but if the string is too tight, it's hard to press...You might as well think about sharpening the piano horse...

2. The strength of the bow does not need to be empty....Overtones are just a matter of the left hand....Gently place your fingers on the string and try to pull the bow as usual.

And most importantly....Take your time at first....Take your time....One tone at a time....Take your time....

3. Control your right hand, your right hand...Try to pull with the lower half of the bow.

4. Pull slowly first....The important thing is the right hand....Take your time and feel....

Don't make too much movement, just the wrists and arms....Take it easy....First split the bow, then slowly jump...

Lianton Bow....Every time I pause, I put a hard push on my wrist...Join the bows....

I can't express my grief...

5. No way....You have to change it if necessary....Bear with me...

And you're supposed to be an etude?..Changing handles is also practice.

Why don't you ask the teacher?

First of all, the question about the piano:

1. If the pitch is in tune, it will resonate, and it will be there if you don't put it on the piano.

2. In fact, the piano saddles are the same.

3. There are many reasons, the quality of the bow, the environment in which it is stored, and all have an impact.

4. Weight is not necessarily some people prefer heavy and some people prefer light depending on personal preference

Technical issues:

1. This is an exercise of the 4 fingers, and I also encountered the problem you mentioned when practicing, that is, the 4 fingers are not relaxed enough, and the 4 fingers are not strong enough. It's painful, but it's useful

2. These problems can only mean that you have not practiced slowly. To put it down very slowly practice can be one note at a note by note superposition, to carry the bow very steadily For example, first one note, you can add another note later, when the two notes are fine, then add a third note, slowly first into a sentence, then into a paragraph, in the song

3. The method is the same as above

4. Jumping the bow is a very easy exercise of the forearm Don't deliberately use it as a jumping bow exercise at the beginning of the practice, first practice the fast splitting of the bow, the range of the exercise gradually decreases, and the speed slowly accelerates Even if you can't practice the jumping bow, it should have some effect

5. Changing from the 7th position 4 fingers of the E string to the 3rd position 1 finger of the G string, and then to the 5th position of the E string 1 finger, this is a leap change I can only tell you that it is disgusting

Changing from the 4th finger of the 6th position of the E string to the 1st finger of the A string, and then to the 3rd finger of the second position of the A string, I personally think that you can use the same fingering instead of the same finger from the 6th position of the E string 4 fingers to the 4 fingers of the 6th position of the G string, and then to the 3rd finger of the 6th position of the D string

The above views are all my personal opinions, I hope it will be helpful to you

Questions about the piano:

1.There is no necessary connection.

2.That's it for the high position. If you think it's high, use sandpaper to grind it off a bit, and if you think it's low, use leather to padd the strings.

3.It may be because the rosin melts away and then solidifies, causing the bow hairs to break.

4.Let's talk about it later.

Technical issues:

1.Mainly because you don't practice enough. I've never seen a tenth. The octave is easy to harmonize with a little imaginary.

2.It generally has nothing to do with bows. Overtones are mainly about putting your fingers flat to touch the strings. As an aside, the bow afterburner is mainly for the arm and wrist, not the fingers.

3.I didn't get it.

4.The first step in jumping is to feel the elasticity of the bow hairs and then control the bow so that it moves perpendicular to the string. There are two ways to jump the bow, one is wrist controlled, and the other is arm controlled, depending on the speed of the music.

That kind of serenary bow with a force at each pause with the wrist.

The 6th position of the E string is changed to the 1st position of the A string, and then to the 2nd position of the A string, 3 fingers: first change the string with one finger, then change the string with one finger, then change the string with one finger and then press the third finger string.

No matter how fast the speed is, the steps can't be messed up.

Yes, they were right.

If you don't rub the rosin, there must be no movement.

Be careful when rubbing rosin.

Try not to get your hands on it.

Sticky hands and then press the piano board.

Especially in the future, it will be even more uncomfortable after you change hands at level 4.

Problems with tuning.

There are a lot of them out there that sell this kind of thing.

But it's a lot.

I'm not allowed to make that a small cuboid.

Two holes on one side.

In fact, when you blow it, you can't hear it accurately.

When I was in class, my teacher used it.

A U-shaped metal rod.

One side is long and the other is short.

Knock on the table with one side first.

It's a very hard life muffled.

Tap it again with the other end.

It's a very standard la.

So you can make a reference for this.

But know that many of them are inaccurate.

Again, if you have the conditions, it's good to have a piano.

Basically, professionals have this.

Sometimes my teacher also tunes the strings on the piano.

However, the most important thing is !!

Ear! Ear! Ear!

Teachers often tell me that.

You pull the double tone of the empty string.

It sounds the most comfortable.

The ears should be trained slowly.

Don't rush to the end.

It is also necessary for you to buy a spinner.

Clip on the inside of the saddle.

Later, when you get acquainted with it.

You can pull the empty string with your right hand.

Left manual spinner.

Since I was a child, I have felt that my teacher's action is the most chic.

Hehe, that's probably all.

Hehe, don't rush.

Remember, nothing can be accurate.

Only your ears will always be faithful to you.

Practice your ears well.

Don't be in a hurry, Oye!