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Agree with 2l, ** on the more difficult to deal with, because this storm is a storm deep inside.
A little bit of the background of the creation is good for playing:
The Tempest is the last work written by Shakespeare in his later years (1611), and is known as Shakespeare's testament written in poetry, in which he expressed his good intentions to love life and advocate ideals. At the same time, Beethoven wrote The Tempest Sonata at a time of hearing loss and mental crisis, and in his "Testament of Hailigenst", written a few months later, he said that "how bad my health has been for six years......But I can't say to people, 'Lour, I'm deaf,'......This sense is ...... I should be especially superior to othersI don't kill myself because art keeps me.
I don't feel like I can leave this world until I've done all of what I feel I feel is a mission. ”
Shakespeare's protagonist in The Tempest also struggles with a rough fate, and Beethoven's own fate resonates with it, so he can compose such a great "Tempest Sonata".
Anton Schindler, Beethoven's student and secretary, once asked Beethoven what was the content of the Tempest Sonata? Beethoven was "You go read Shakespeare's The Tempest!" ”
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That's the diploma (play the diploma tune!)
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**It's! Absolutely professional, technically it is also level 90.
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You can play it at about level 10, but the song is a little longer.
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The piece is divided into three movements. The general tempo layout is Allegro, Adagio, and Allegro. All three movements are pressed.
Sonata style principles are written.
The first movement is preceded by an introduction, with a slow, solemn, summoning tone and anxiety
The contrast of tones that is uneasy and as if in a hurry to speak is followed by a dramatic atmosphere
This ** goes through the modulo and transition, and goes directly to the first theme, Allegro:
The bass is majestic, and the corresponding answer is high, sad, and weak, and the three envy legato in the middle provides no.
Calm background. These tones are hinted at in the introduction.
The dramatic atmosphere grows stronger, leading to the second theme, which is scorching and eager:
On the basis of the above theme tones, after careful work, it enters the part where the reproduction begins.
Divide. At this time, a monophonic line is inserted between the solemn tone and the anxious tone of the reproduced introduction.
The recitative, which is very creative, achieves an exceptionally charming artistic effect:
It's a sudden silence after an intense dramatic experience, with all the other sets, characters.
All gone, as if there was only one singing heart left in the whole universe, and how sad and lonely this song was.
Alone! The end of the first movement fades away in the prolongation of the D minor third chord. Extension and subtraction of tones.
Weak, tending to be calm, the petty pie dismantles the dullness of the three chords, and feels that "the matter is not over yet". At this time, the second movement.
The Adagio begins with a warm BB major third chord. The arpeggio articulation of the chords carries a sense of happiness in chic:
In this movement, forgetting the contradictions and uneasiness of the first movement, Beethoven came to nature.
Bosom. Nature, which he always feels dear, sacred, and loved with all his heart; He is inspired.
The source of the wellsprings, the soothing that his wounded heart longs for, can always be found in nature.
The third movement seems to be a kind of novelty that has been "purified" of the soul by the second movement.
The state of mind, which is woven from beginning to end by 16 notes in 3 8 beats, is flowing, and there are also warm moments.
carving, but in general is elegant, delicate. There are a lot of transpositions, mainly in minor keys, which inevitably creates a sense of anticipation. Pass through.
After a long meandering, tactful flow, the dust and the date disappears on a monophonic d, ending the third movement and ending the whole "Tempest".
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Beethoven's Piano Storm Sonata No. 17, divided into three movements, composed in 1802, the sonata is distinctive, strong and heavy, and perfectly expresses the mature ** style, the first movement and the third movement are equivalent to the tenth level piano music, which is more difficult;
In this sonata, the master Beethoven deduced a strong romantic spirit, and also made the world feel the very characteristic and poetic beauty of the storm;
The sonata also depicts a profoundly unfortunate drama and the traditional style of folk songs, and is one of the most popular piano sonatas among many ** works, showing Beethoven's compositional principles and creative achievements.
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Both movements are of 10 levels of difficulty.
Overall, it's very easy to read.
This pronunciation teaching is okay, and the pronunciation test is a little easier.
It is not advisable to choose the third movement, as it is less popular with the first movement. It won't be too difficult to get a high score. And the first movement is also expressive.
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Grade 10 or above, for the general professional examination, the piano main item of the Department of Education can be used for this, and the performance can also be selected.
Thoughts on listening to Beethoven's sonata "The Tempest". >>>More
Hello! This song is said to be level 8-10 on the Internet, which is not very difficult in my personal opinion, but the emotions are not suitable to grasp. It is not recommended to play this piece after learning piano for half a year, the first one is too long. >>>More
The Moonlight Sonata is Beethoven's 1801 work, Opus 27 sharp C minor, No. 27 bis. >>>More
Beethoven's Piano Sonata No 11 op.The second movement of 22 is a slow movement in sonata form. The following is an analysis of the form of the movement: >>>More
Introductory - Presentation - Part - Reproduction - Ending.