Which big brother can explain what Huilong means in Peking Opera Thank you

Peking Opera "Huilongban" in Xipi.

There are both cavity and Erhuang cavity but there are differences: Huilong is a complete singing sentence with a unique structure in Erhuang cavity, either the previous sentence or the next sentence, and the form of the following sentence is more, and the common form is "Erhuang guide" to "Huilong" and then transferred such as "slow board", "original plate" or other plate styles, Erhuang Huilong occupies a whole sentence position in the singing section, and the structure of the singing section is incomplete without it. Xipi Huilong is not a complete singing sentence, the number of words is no more than 4 or 5, it is not the previous sentence itself nor the next sentence is additional, if it is deleted, it will not affect the integrity of the singing structure.

Although it can also be formed into independent sections, it is often attached to the "crying head" or "loose board" of Sipi, a tone that expresses euphemism and unfinished emotions, with few words and long tones, and the melody is tortuous and tactful.

Huilong cavity] is a more representative drag cavity in the Xipi vocal cavity of Peking Opera. Many Peking Opera masters have involved the use of [huilong dialect] in their representative repertoire. Over the years, through the continuous creation of the predecessors of Peking Opera, [Huilong Cavity] has played a unique role in artistic expression in deepening the different inner emotions of the characters and shaping various stage art images with its diverse art forms and rich artistic expression.

The title of Huilong cavity is related to its melodic form. Figuratively speaking, [Huilong cavity] is called"Eighteen beats", its melody is composed of several small segments connected and combined, similar to the shape"Duan Long"

Huilong is a kind of Peking Opera singing, and it is also a typical action in blanket gong. It refers to a long, roundabout tone that is usually used at the end of a song. Huilong is often preceded by a battlement clause or a sentence with a crying head, and there is always a relatively long drag cavity at the end, and the beginning of the board is sung, so it is called the board Huilong.

For example, in "Eight Hammers", Wang Zuo's singing "For the country, be loyal, and eat Junlu" is Huilong's tone.

There are quite a few versions.

1. [Pippi rocking board] The virtuous brother looked up and watched.

Pippi Flowing Water] team flag fluttering in the air. The eldest Taibao Ya looks like a gentle marquis, and the second Taibao is born with a slightly taller Tao. The three Taibao went up the mountain to capture tigers and leopards, and the fourth Taibao Ya was like a wave.

The fifth Taibao used the mountain axe, and the sixth Taibao went into battle to hang a white robe. The Seven Taibao Silver Spear is really mysterious, and the Eighth Taibao can make the Glaive Knife. The Nine Taibao doubles play well, Yasai is a Qin Shubao, and the Ten Taibao can play fire dragon darts with both hands.

Although he is young, one is taller than the other. Even if the Yellow Nest soldier comes, Lone will come with him gun to gun, knife to knife.

2. [Pippi rocking board] The virtuous brother looked up and watched.

Pippi Flowing Water] Erlang is all murderous. The eldest Taibao looks like a warm marquis, and the second Taibao looks like a wave. The three Taibao went up the mountain to capture tigers and leopards, and the fourth Taibao had a slight Tao in their chests.

The five Taibao silver guns are really mysterious, and the six Taibao are like white robes. The Seventh Taibao is holding a mountain opening axe, and the Eighth Taibao is accustomed to using the Qinglong Yanyue Knife. The Nine Taibao doubles play well, Yasai is a Qin Shubao, and the Ten Taibao can play fire dragon darts with both hands.

There is also a small Taibao, one is higher than the other. Even if the Huang Chao raises troops, Lone and him come with guns and knives.

3. [Pippi rocking board] The virtuous brother looked up and watched.

Pippi Flowing Water] team flag fluttering in the air. The eldest Taibao Ya looks like a gentle marquis, and the second Taibao was born with a strategy. The three Taibao went up the mountain to capture tigers and leopards, and the fourth Taibao went down to the sea to kill Jiao.

The five Taibao forces use the Kaishan axe, and the sixth Taibao holds the Qinglong Yanyue Knife. The seven Taibao flower guns are really mysterious, and the eight Taibao are holding eight spears. The Ninth Taibao is a good bolt, Yasai is a Qin Shubao, and the Tenth Taibao can play fire dragon darts with both hands.

Although he is young, one is taller than the other. Even if the Yellow Nest soldier comes, Lone will come with him gun to gun, knife to knife.

The virtuous brother raised his head to watch, and turned the water) The flag floated in the air. The big Taibao Yasai has Wen Hou Maung, the second Taibao was born with a slight Tao, the third Taibao went up the mountain to catch the tiger and leopard, the fourth Taibao went down to the sea to cut Jiao, the fifth Taibao used the mountain axe, the sixth Taibao held the Qinglong Yanyue knife, the seventh Taibao flower gun was really mysterious, the eighth Taibao held eight spears, the ninth Taibao played a good thunderbolt double gong, Yasai Qin Shubao, the tenth Taibao can fight the fire dragon with both hands, and the eleventh Taibao Although he is young, one is taller than the other, even if the Huang Chao soldier comes, Lone and he will fight gun-to-gun.

Xipi is one of the main vocal chambers of Peking Opera. Sippy's melody is lively and cheerful, and his singing voice is strong and powerful, and the rhythm is tight, which is very suitable for expressing joyful jumps, determination, and resentment. The plate types of Xipi are: original, allegro, slow plate, flowing water, guide plate, loose plate, rolling plate, rocking plate, two.

Sixth, Huilong, fast three eyes, doll tune, anti-Xipi and so on.

The characteristics of the Xipi assembly board are: 1 4 beat form, there are plates without eyes. Medium-fast pace.

The first line of the singing is sung from the board. The rest of the verses below can be sung on the board and over the board, but the other verses are more sung over the board. Because the flow board is in the form of a board without eyes, the so-called "singing over the board" is to sing from the second half of the beat.

The last word of each sentence should be landed on the board.

Erhuang is an opera tone. At the beginning of the Qing Dynasty, it evolved from blowing cavity and high plucking in the Hui class. In the past, most people believed that it originated from Huanggang and Huangpo in Hubei.

Hence the name; Some people also propose that Erhuang is suitable for yellow cavity; There is no evidence. In Peking Opera, Han Opera, Hui Opera and other operas, Erhuang is used in conjunction with Xipi accent, which is collectively called "Pi Huang". In Hunan opera, Guiju opera and other dramas, Erhuang is also called "South Road", opposite to Xipi called "North Road", or collectively called "North and South Road".

Peking Opera Erhuang includes the guide plate (inverted plate), slow plate (slow three-eyed), original plate, stacking board, loose plate, rocking plate, Huilong and other plate types. Compared with Xipi, Erhuang is generally more calm and steady, concise and serious. There is also an anti-Erhuang tone, also known as Erhuang anti-tone, which also includes a guide plate, a slow plate, an original plate, a loose plate and other plates, and the melody rises and falls more than that of Erhuang.

Sippi opera tone. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the Qin dialect spread to Wuchang and Hankou through Xiangyang, Hubei, and evolved in combination with local folk tunes. In Peking Opera, Han Opera, Hui Opera and other operas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang".

In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road". Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types. Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which also includes two.

Sixth, rocking plate and other plate type.

Xipi Flowing Water: A Peking Opera Vocal Cavity Plate Style.

According to the plate style of the flower drum play, it is divided into two or four plates, flat cavity, tight plate, straight board, loose board, etc., and the basic singing cavity is usually composed of 4 phrases, and 4 sentences are turned over.

The four sentences and one flat are sung very casually and peacefully.

In fact, it is the same meaning, four sentences and one peace and four peace and eight stability just describe the tone of Peking Opera is very stable and easy-going.

Xipi Erhuang, also known as Pi Huang, is the combined name of Xipi and Erhuang, and "Xipi" and "Erhuang" are two different vocal cavities. Xipi originated from the Qin dialect, and in the late Ming and early Qing dynasties, the Qin dialect was transmitted to Wuchang and Hankou through Xiangyang, Hubei, and evolved into Xipi in combination with local folk tunes; Erhuang is evolved from blowing cavity and high plucking. In Peking Opera, Han Opera, Hui Opera and other operas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang".

In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road". Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types. Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which also includes two.

Sixth, rocking plate and other plate type. It is the main singing voice of Peking Opera.

The Jinghu string of the "Xipi" singing voice is the "6 3" (la mi) string, that is, the inner string is the "la" sound with a low point in the simple score, and the outer string is the "mi" sound without high and low points; The Jinghu string of the "Erhuang" singing voice is the "5 2" (sou re) string, that is, the inner string is the "sou" sound with a low point in the simple score, and the outer string is the "re" sound without high and low points.

The different chords are due to the different properties of the two cavities. At the same time, this difference also forms the characteristics and styles of the two sound cavities. "Xipi cavity" was born from the Bangzi cavity, so its melody is high-pitched and passionate, with obvious northern characteristics.

There are two theories about the origin of the "two yellow cavities". One is said to originate from the Yihuang cavity in Jiangxi; One is said to originate from the Hui tone. Whether it originates from the Yihuang dialect or the Hui tone, in short, it is a southern opera, so its southern ** characteristics are more prominent.

Xipi is "the eyes rise and fall", that is, the drum is sung, and the board is recorded; Erhuang is "the board rises and falls", and the singing and radio are all on the board. This is an important difference in the plate type.

Xipi is divided by rhythm, which can be divided into "Xipi guide", and then "Xipi Adagio", also called "Xipi Three Eyes", such as the name is to play a board, the drummer of the drum should use a certain rhythm to beat the drum three times and then close the board, as a small paragraph, that is, "one board and three eyes". These three eyes are divided into the "cephalic eye", "middle eye" and "terminal eye" in order. The singer's singing begins with the second drum beating, which is the "middle eye"; Then there is the "Xipi original board", which is for "one board and one eye", and the singer's start of singing is in the eye.

But only Tsing Yi's original plate of Xipi is still one board and three eyes, and the middle eye must still be found when singing, which should be paid special attention to; Then there is the "Sippi flowing water", because the tempo is faster, the "eye" is omitted in the blow, and only the "board" is shed. But this is not without eyes, the eyes are in the middle of the two castanets, and it is up to the singer to experience it. There is also the faster "Sippi Allegro".

In the middle of the original board and the flow board, there is a plate type called "Xipi Erliu", the rhythm is slightly faster than the original board (some are almost the same), but there are also boards without eyes.

Among these regular plates, there are also "Xipi rocking boards" and "Xipi loose boards" for transition. The passage of the rocking board is similar to the flowing water and the allegro, which is often heard as "a dragon in the inside", but the singing is different.

In addition, there is also an "anti-Xipi" in the West Skin, but it is rarely used, and generally there are only rocking plates and loose plates.

Erhuang is similar to Xipi, and is also divided into "guide plate", "three eyes", "original plate", "two six plates", "rocking plate", "loose plate" and "huilong", etc., and the usage is almost the same. However, because Erhuang is the reason for "the board rises and falls", the flowing water and allegro of the "eye" are not omitted, and the "fast original board" is added. Erhuang will use "Huilong" as a starting board, called "Erhuang bumping board", and "Erhuang stomping board".

But Erhuang's Huilong is different from Xipi, and sometimes there is a large section, called "Huilong cavity", which is different from "Huilong Board" and only sings the last word. Erhuang also has a "Huilong board", so we should pay attention to the distinction.

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