Find out which one of Su Shi s works you think best reflects his style?

Preface to Fixing the Storm: On March 7, it rained in Shahu Road. The rain gear went first, and the peers were embarrassed, and the rest was unaware. It has been clear, so I made this word.

Don't listen to the sound of the forest beating the leaves, why not roar and walk slowly. Bamboo cane shoes are lighter than horses, who is afraid? A cloud of smoke and rain is Ren Ping's life.

The steep spring breeze blows the wine and wakes up, slightly cold, and the mountain is obliquely shining but welcomes. Looking back at the bleak place, there is no wind and rain and no sunshine.

This poem vividly shows Su Shi's optimistic, open-minded, and easy-going character. Don't be frightened by wind and rain, don't be trapped by adversity, "Who is afraid?" "There is no wind and rain and no sunshine" all reflect Su Shi's pampering and humiliation!

I think it's Su Shi's "Dingfeng Bo, Mo Listens to the Sound of the Forest Beating the Leaves", and I don't hear through the sound of the forest beating the leaves.

Su Shi's "Fixing the Storm and Mo Listening to the Sound of the Forest Hitting the Leaves".

Don't listen to the sound of the forest beating the leaves, why not roar and walk slowly. Bamboo cane shoes are lighter than horses, who is afraid? A cloud of smoke and rain is Ren Ping's life. The steep spring breeze blows the wine and wakes up, slightly cold, and the mountain is obliquely shining but welcomes. Looking back at the bleak place, there is no wind and rain and no sunshine.

In this poem, Su Shi uses the chic and slow behavior in the rain to show his stubborn character and open-mindedness that is not afraid or depressed despite adversity and repeated setbacks.

Don't listen to the sound of rain in the bamboo forest.

It is also sunny and rainy.

First, the idea is subtle, profound and unique.

Su Shi's articles are good at choosing themes, refining themes, and placing far-reaching sustenance. As he himself said, "Novelty is in the law, and wisdom is outside the boldness." "The largest number of Su's poems, and the most characteristic of them, are the uncompromising expressions based on deep sorrows.

On the one hand, there is the tragedy of impermanence and bumpy career, and on the other hand, there is the expansiveness of transcending this sorrow, and the two are entangled with each other to form a stream of consciousness throughout Su Shi's poems. Whether it is an official in the early stage or a demotion to Lingnan in the later period, whether it is the chanting of natural scenery or the narration of daily life, this stream of consciousness is always fluctuating in light or dark, strong or weak. Such as the poem "Dongpo":

The rain washes the east slope at night, and the city is full of wild people. Don't be suspicious of the slope of the road, self-love sonorously dragged the sound of the cane. "The poet likes to walk alone on a moonlit night after the rain, and although the road is uneven, he can find a kind of pleasure in it.

This shows the poet's attitude to life in the face of adversity without being depressed. Another example is the poem "Hundred Steps of Flood", which renders the turbulence of flowing water with unbridled brushstrokes, and does not focus on the expression of emotions. And the most important thing is the experience and perception of flowing water from the turbulence of flowing water to the thinking of people's lives, deeply feel that the years disappear quickly, the world has to compete for fame and fortune, in the end it is nothing more than a drunken dream, Guangxia Huawu turned into a mound in a blink of an eye.

It can be seen that Su Shi can penetrate through a layer and go deep into a realm, because of the small to see the big, because of the common strange, from the ordinary people to reveal a profound theme of essential significance.

Second, the thinking is ingenious and free.

Su Shi has had a bumpy career in his life, and the emotions accumulated in his heart are quite rich. But it is not only emotions that trigger the poet's creative interest, but a profound experience of life. Su Shi wins with his intentions, but he also inadvertently shows the sense of freedom of his thoughts.

He is not stuck in the image, not bound by the stereotype, swaying freely, unhindered, like a thousand springs, gurgling, pouring for thousands of miles, doing what he should do. Stop at the must, and get a super wonderful charm. For example, Su Shi's "Visiting Jinshan Temple", first write the river scenery of Jinshan Temple in Zhenjiang, thousands of miles rushing, the smoke and waves are vast, the spirit is magnificent, and it leads people to reverie.

Then write about mountain climbing. When climbing to the top, it is natural to look at the hometown in the distance, but the sight is blocked by countless green mountains. This "country" is closely related to the "my family" at the top, and paves the way for the "sorrow" in the second half of the year.

Standing on the top of Zhenjiang, you can see your hometown thousands of miles away! This kind of writing is exactly the ingenious feature of the author's thinking. The infinite nostalgia, the unsatisfactory grievances hidden in the depths, don't you just vent it tactfully with the idea of "nostalgia"?

It arouses a lot of people's imagination. At the same time, scattered culture and argumentation have become the characteristics of Su Shi's poetry. Qing Zhao Yi's "Oubei Poems" said:

Take the text as a poem. From the beginning of Changli, to the east slope of Yida to let go of the words, a new face, into a generation of grand view. As a talented poet, Su Shi's wonderful thoughts are not like the result of Chen Shidao's meditation and hard thinking, but often by chance and shining everywhere.

Third, the artistic conception is profound and interesting.

Su Shi's poetry is profound, and he is not satisfied with copying the external form of the scene.

What impressed me most about Su Shi's poem was a poem for 10 years, which was unforgettable without thinking about life and death.

Summary. Pro-<>

Su Shi was one of the great masters of the Song Dynasty, and his literary achievements were not only reflected in his literary skills, but also in his thoughts. In his works, one can see the changes in his ideological realm in different periods.

Su Shi's works in different periods reflect different ideological realms, let's take an example to analyze.

<>Su Shi was one of the great masters of the Song Dynasty literary circle, and his literary achievements were not only reflected in literary skills, but also in thought. In his works, the Terrans can see the changes in the realm of Zhaochun in different periods of his thoughts.

Let's also give examples.

1.Youth: When Su Shi was young, especially before entering the office, he paid special attention to the artistic conception and artistic expression of jujube art in poetry.

For example, Su Shi's works such as "Red Cliff Fu" and "Luoyang Daughter's Journey" have profound artistic conceptions, rich in philosophical posture and ideology, showing his talent and literary level when he was young.

2.Officialdom career: Su Shi faced all kinds of difficulties and pressures in the early days of his officialdom career, he gradually matured, and his ideological realm also changed.

For example, his poem "Nian Nujiao Chibi Nostalgia" is plain in its rhetoric, highlighting the arduous life and noble personality, and showing his worries and admiration in the officialdom.

3.Later stage: Su Shi's ideological realm in his later years was very deep and subtle, especially his thoughts on life were sincere and touching.

For example, Su Shi's poem "Jiangchengzi Heavy Crossing Ding Yang" has fluent language, profound thoughts, and touching and profound matching, showing his deep understanding of life and perception of fate.

Classmates <>

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