From not being favored to the Golden Horse actress, why is Zhou Dongyu starring in On the Balcony

Because Zhou Dongyu's acting skills are very good, and the theme of the drama "On the Balcony" is novel, it is exciting.

Because her acting skills are very good, she can attract people's attention and make people want to continue watching.

I mainly because the plot of this drama is still very interesting, some of the content told in it is very surprising, and after Zhou Dongyu becomes a golden ant, of course, there will be more fans to support and follow.

For Zhou Dongyu, this movie has become her MV, and the most intuitive image it gives people is not the successful portrayal of a marginal girl with IQ problems, Shanshan, but just a pure and sympathetic Zhou Dongyu.

I think Zhou Dongyu's performance in this film is still very good, although many people say that she has a problem with this character setting.

Zhou Dongyu's performance in "On the Balcony" was very good, his performance was very successful, he won the love of many audiences, and his image was very perfect.

I think Zhou Dongyu's performance in "On the Balcony" is very good, Zhou Dongyu is not sexually strong, both the girl's weakness and the boy's coolness, this image perfectly fits Shanshan's image, and shows Shanshan's character to the fullest.

"On the Balcony" is a literary film directed by Zhang Meng, starring Zhou Dongyu [1] .

The film is adapted from the same name**, focusing on the theme of "revenge", telling the story of the male protagonist who was forced to die by his father who was demolished and forced to die, and in the process of "revenge", he has complex feelings for the "enemy" daughter played by Zhou Dongyu [2] .

Chinese name on the balcony.

Director. ZHANG Meng[2].

Starring. Zhou Dongyu [2] release time.

Director Zhang Meng's name is ordinary, but he is actually a well-known director, and many of his works have a lasting aftertaste. "Ears are Blessed" and "Piano of Steel" all reflect the hard life of the little people at the bottom, and all the plots portray three words - not easy! Fortunately, all these works are sad but not sad in the end, giving a comforting ending.

Shot with a shoulder camera. The shaky end gives people a sense of unease. Cramped environment, low and gloomy dwellings. A piece of cake has to make the local dining table, and the image of Shanghai's low-level citizens jumps out. I can't help but think of the hit drama Snail House a few years ago.

The self-confidence of the rich is incomparable to that of the poor, and the inferiority of the poor may also be innate, which can be reflected in the comparison between the sandwich and the fried bun.

The protagonist is a typical child of another poor family, a poor family raising a delicate child. Timid and cowardly, he was frightened by a shout, and he could only find a tricycle to vent his anger. followed a somewhat ruffian Northeast brother, who was once instigated to steal, but fortunately, his conscience was still clear, and he did not fall into the abyss in the end.

Hug your favorite girl, and your heart can be released! A heavy rain at the end seems to have washed away the dust, and the world has been calmed, the revenge story of this world has been put down, and the heavy rain has awakened the sleeping people.

"On the Balcony" is a literary film directed by Zhang Meng and starring Zhou Dongyu and Wang Qiang, which was originally intended to be released on June 1, 2018, but after internal discussions with the film producer, it was decided to postpone the release.

The movie "On the Balcony" is adapted from Ren Xiaowen's eponym**, which tells a story that happened during the demolition and reconstruction of the old city of Shanghai. Zhou Dongyu plays Lu Shanshan, the daughter of Lu Zhiqiang of the ** Demolition and Relocation Office, while Wang Qiang plays Zhang Yingying, the son of the demolished Zhang Suqing, Zhang Suqing died of a sudden heart attack because of a quarrel with Lu Zhiqiang during the demolition process. After that, Zhang Yingying met Lu Shanshan with intellectual problems by chance, Zhang Yingying found that he gradually fell in love with the daughter of the "enemy" through his interaction with Lu Shanshan, this psychological change made Zhang Yingying at a loss, should he still go to "revenge"?

Lu Shanshan, played by Zhou Dongyu, is a girl with intellectual problems, and Wang Qiang is making a movie for the first time, and this film is a big challenge for both of them. In order to act in this movie well, Zhou Dongyu often has to figure out the words and deeds of a girl whose psychological age is only 10 years old, while Wang Qiang walks through the old alleys of Shanghai in order to find the feeling of the characters in the film. They all hope to make this work even more perfect through their own efforts.

This is a movie that focuses on the life of the people, through a story that often happens to present the psychological changes of the characters, although there are no ups and downs of the plot, but through the nuanced plot portrayal, the characters in the film are very three-dimensional, as if they are in front of your eyes.

Recently, "On the Balcony" produced by Zhou Dongyu was released, but this movie does not seem to have much advantage in the movies of the same period, before the release of the TV Good Hunger Movie, many people knew that Zhou Dongyu was the producer of this movie, and he would also play a special role in the movie, it is because of the slippery wax that everyone is not sure whether Zhou Dongyu is the heroine of "On the Balcony", Zhou Dongyu also starred in the introduction of the movie cast, but I didn't see who the heroine of this drama was.

In fact, the heroine of the film is Zhou Dongyu, because the producer of this movie is also Zhou Dongyu, so the movie will be marked as a special star. This is Zhou Dongyu's first work as a producer, the content of the movie is very good, and Zhou Dongyu's acting skills have also been unanimously recognized by netizens, but because this movie is a literary film, it has not received the attention of many netizens. The literary film market has not been very good, and the results of "On the Balcony" this time are already very good, and I believe Zhou Dongyu should not be too disappointed.

After Zhou Dongyu made his debut and became popular with "The Love of the Hawthorn Tree", he has always liked literary films, and film movies are also Zhou Dongyu's favorite, and this time "On the Balcony" completely satisfies Zhou Dongyu's preferences, so she still has a lot of investment in this movie. Originally, Zhou Dongyu didn't want to take over this movie, but she and Zhang Meng, the director of "On the Balcony", are very good friends, and the two met by chance at the Shanghai Film Festival, Zhang Meng sent an invitation to Zhou Dongyu, and Zhou Dongyu liked the theme of "On the Balcony" very much, so he decided to star.

When filming "On the Balcony", Zhou Dongyu learned that the crew was relatively tight in terms of funds, and "On the Balcony" itself was a small-budget film, so Zhou Dongyu decided to invest in this movie, and naturally became the heroine and producer.

**It's good, but of course there are some regrets in the film. Although the rookie male protagonist is cute, his jerky acting skills still limit his interpretation of the role, and the pidgin Shanghainese dialect is not authentic enough, and the audience is not able to feel the psychological transformation of the character through his always wooden expression. As for Zhou Dongyu's performance, at first glance, her too shrewd appearance is difficult to convince the audience that she is playing a mentally handicapped girl.

But on another level, Zhou Dongyu is not just a girl with an intellectual disability, but Lu Shanshan in the eyes of Zhang Yingying, and after adding this filter, her lightness and agility have a more reasonable way to interpret it.

Zhang Yingying's kind of dazedness is very representative. Zhang Yingying's frustration and open-mindedness are also very representative. These people are all over "On the Balcony", forming a group of familiar group portraits, they live in Shanghai of "On the Balcony", and they also live around us.

They are like fish in a pond, exhaling and inhaling blankly, and on top of them is a patch of algae, and even the sunlight is eaten. It seems that at some point in time, we are also them. With such a heavy topic, Zhang Meng used a weightlifting technique to present it.

is trying to restore the kind of literary nature of Ren Xiaowen's eponymous **, without constructing a strong dramatic conflict, but "very much in line with the world in Zhang Yingying's eyes". There is only a touch of rose red in the world in Zhang Yingying's eyes, which belongs to Lu Shanshan. Other than that, they are all ordinary scenery that the audience can perceive.

However, such a niche movie is too picky for the audience, it is scattered, bland, alienated, and even a little self-conscious. It's like the creators insisting on using film, which is a bit outdated and a bit emotional.

The volume of the short film has expanded into a feature film, which will inevitably lead to a weak script, and a few unnecessary characters and bridges are designed to drag on time, originally the male protagonist of a Shanghainese was reduced to "Shanghai drifting" in Shanghai, this thing can be filmed a lot, but the result is completely reduced to the background, just the growth of the focused characters, and the shooting is very messy, first the revenge of a cowardly teenager, then sexual ignorance, and finally becomes a weak person to the weaker person to apply malice, the sudden darkness of the plot made me a little unresponsive. In addition to the flaws in the plot, the technical level is still good, overhead shooting, handheld, shallow focus, foreground occlusion, close-up and even close-up, completely established a set of snooping (rear window) and tracking system, coupled with the special texture of film, the photography is too noisy. Subjective score, photography accounts for 1 point.

Because I like Zhou Dongyu, I watched this movie, and I wanted to give up halfway through it....It took a couple of hours to continue watching it....The soundtrack is no problem.,It's pretty good.,The theme is not bad.,But the male and female protagonists honestly make me feel like I'm not on the point.。 I want to say to the director that Lolita is a good benchmark for filming the innocence and ignorance of young girls, but I believe that that kind of artistic conception can be filmed in other ways, and the scene where the heroine washes her hair is not fresh or brilliant...It's a bit the same as chewing wax. As a suppressed boy with a story in his heart, his eyes are very cold and empty, there is no story, maybe your heart is very turbulent, but in movies and dramas, your expressiveness can't infect the audience through your eyes, it's really meaningless.

From the use of some shots alone, the setting of some overall scenes still vaguely shows Director Zhang Meng's conscience. But the lack of storytelling and conflict, and Zhou Dongyu's shrewd face, this role was not interpreted well. It feels too bland, maybe it's because the male protagonist is a newcomer, I feel like the male lead can't hold it, and the whole plot is a bit floating.

At first, I thought this movie was not good, but after watching it slowly, I found some uniqueness in the movie. There is a scene in it that particularly touches me, that is, Zhang Yingying tells his mother that he wants to move out to live. Originally, the mother and son were sent under the fence and were ostracized, and now even their own children have left, and I seem to really feel the feeling in my mother's heart at that time - loss, loneliness, helplessness, and relief.

I rarely watch literary films or anything like that, but I can watch this **, I watched it, and I watched it, so I don't think it's that bad. I like the feeling it gives me, because I am from Shaoxing, and I feel very kind when I listen to Shanghainese. Maybe there are very few people who can accept this kind of **, but I think it's good.

Good movie, the director has a compassionate heart.

It feels like she didn't play much.