Book Yamamoto Borrow a Mr. Chen from Mr. Jia Pingwa to open a skylight in life

Mr. Jia Pingwa is one of my favorite writers, he has a new work every year, and the output is rare among writers, but his works are not because they are prolific and neglect the quality, on the contrary, each of his works has improved. is also the story of Qinling, he never repeats himself.

The publication of "Yamamoto" in 2018 is also impressive, especially the strange people in the book, who are lifelike, although bizarre but not outrageous, and whose characters are more like neighbors next door to hail caves or strangers from the same village. For example, the strange man Zhou Zhou Mountain is a military advisor with the ability to predict the unknown, and he is also proficient in the language of birds and beasts.

is very good at military operations, and it can be said that Jing Zongxiu would not have been able to succeed without him. In addition, he also has his own views on feng shui, he said: The feng shui of the family is actually a woman, a woman is good and the family is prosperous, and a woman is not good and the family is defeated.

Ma County Magistrate is also a strange person, he is very interested in Qinling, the evaluation and positioning of Qinling can be described as unique, he said: Qinling can be blocked by the wind and sand in the north into a high wilderness. Brew three waters to form two originals, adjust the momentum and establish three capitals; Without the Qinling Mountains, the Loess, Guanzhong, Jianghan Plain, Hanjiang River, Jingwei River, Chang'an, Chengdu, and Hankou do not exist, directly affecting and changing the ecological pattern of half of China.

It can be seen that the influence of Qin Yu Trembling is great. At the same time, he also has research on black tea, he said: one year is tea, two years is medicine, and three years is treasure.

Mr. Chan is a man who is a man with excellent medical skills, and he is also insightful and helpful. His philosophy of studying medicine is: to turn unfamiliar things into familiarity, to repeat familiar things constantly, to constantly experience Taoist things in repetition, and then to give full play to the best things.

His views on personnel are also unique: he said that the likes and dislikes between people are often not caused by major rights and wrongs, but most of them are caused by trivial things.

In short, each character in "Yamamoto" has its own uniqueness, and these people are Jia Pingwa's views on the world and personnel in the final analysis.

Mr. Jia is 67 years old this year, and he is at the peak of his life experience, and he wishes him to write more works.

We might as well say that "Yamamoto" is a ** that writes about "mountains", not ** about "people". If you go back to the modern literary period, you can find that "Yamamoto" has a very obvious genealogy, that is, Lu Yan's "Tale of Orchard City" and Xiao Hong's "The Biography of the Hulan River" - they both belong to the ** that is biography for the same place. In this kind of textual structure, "place" occupies a central position above all else, and the so-called "people" are completely structural parts that belong to "place".

From the internal point of view of the textual composition, the "figures" do not have a priority over the flora, fauna, or landscapes, and this textual strategy itself tortuously reflects Jia Pingwa's own worldview, which is not so much "Jia Pingwa's" worldview as it is derived from Zhuangzi's "Theory of Things". Jia Pingwa expressed the "characters" in the ** in the afterword: "Once I went to a village, where there was a long drought, the men even went to the Dragon King Temple to pray for rain, first sacrificed the pig's head, burned high incense, and then injured themselves with a knife, and then simply carried the Dragon King Elephant out of the temple and beat it with a whip under the scorching sun.

And the women can even put the stone cliffs, pines and cypresses, and springs in front of the door and behind the house at home, and they are named xx gods, xx gongs, and xx kings, and kowtow one by one, chanting a song praying for rain in their mouths: Grandpa Tian, the earth is big, not for adults to be dolls, some are down, some are bigger, and the wind and rain grow the crops. Once go to the top of Taibai Mountain to see the old man's pool, there is no aquarium in the pool, but often put five-color light, 10,000 words of light, pearl light, oil light, there is a kind of bird by the pool, such as thrush, smaller than thrush, the coat pattern is lovely, the sound is loud, where there is a leaf in the pool, it goes again, people call it a net pond bird.

These may be the virtues of the characters in "Yamamoto". ”

It can be found that the "characters" have disappeared into the "natural creations" in "Yamamoto", and they themselves fade out and become an integral part of "chaos". If the depiction of the "environment" in classic realist works is intended to portray "typical characters", then in "Yamamoto", the characters and environments are all equal and identical. Heaven and earth, man, god, birds and beasts, all things are one, and they can even reach the point of mutual transformation.

There was a flower in the east wall of the courtyard, and the flower was walking, oh, it wasn't a flower, it was a butterfly. "It can be seen that the flower and the butterfly are the same, and then" Jing Zongxiu looked at it infatually, and a flower flew up, flew over the wall, and went up and down in the street, and when he turned his head to look, it was not a flower, it was a butterfly, and the chrysanthemum stood in the distance. The flower became a butterfly, and the butterfly pulled the chrysanthemum.

So the butterfly people are all the same. Here, isn't it possible to see the imprint of "Zhuang Zhou's dream butterfly"?