N questions about sketching character heads

I'm not very good at sketching, but I've developed some skills in the past four years. First of all, you have to learn to divide the block surface, look at the whole area, first find the deepest block surface, and first make a few layers of lines [I usually use charcoal to hit a layer and then use my fingers to wipe it]. Then go on the light and dark handover block surface [remember to come together as a whole].

Special attention should be paid to the concave and convex surfaces of the characters' faces, and the deepest surfaces must be deeper, and the shallow ones should be wiped ...... with your fingers[I prefer to wipe the ...... with my hands.]Embarrassment! because it is easy to make the transition natural]. Small things like eyes, nose, lips and so on are important, as well as the inner parting of the face.

Pay attention to the contrast between the various parts. It's the same with hair, [there are some things that can be lost behind the hair].

Of course, you have to distinguish the block surface, which is not accurate, it is "not painted on the structure", this method MS is very effective, I also copied and sketched at the beginning, it was completely two people. In the future, just pay more attention when drawing. Good luck

In a word, learn to analyze the three-dimensional.

'Hello, I'm also studying art

I just didn't learn for long

How long have you been studying?

How many points do you have in this joint entrance examination?

Hey hey

You must have copied too many drawings and too few physical paintings. When copying, we see a flat surface, while painting a real thing is three-dimensional, before painting, we need to turn the three-dimensional into a flat first, and then draw it on paper. You must have been stuck in the stereo to plane link.

Needless to say, there is no shortcut to art. I've also been all the way.

It's ......Try to apply the skills you have learned in copying to sketching, copying is to learn, to apply what you have learned, and then you can practice makes perfect when you draw more......

The best way to do this is to understand the structure.

I bought a skull before and came back looking for this lamp. Take a look at the changes in light and shadow from different angles.

First of all, it is necessary to divide the block, that is, to determine what tone this piece is on, and the general tone is laid first.

Then on each piece, under the light, understand where the light is protruding (brightening) and where the light is not (deepening), and then overdo it.

Actually, it's not that hard.

If you really can't understand it.

Read more books. Look at different angles. Models of different ages.

To put it simply, it is to copy.

Remember where the people in the demonstration painting emphasize deepening and where they are brightening.

Recite it out and draw a few pictures in silence.

It's a formula in the exam room.。。

Step 1: Observe the object carefully before drawing.

Step 2 The composition should be full, generally leave a little more in the place where the face is facing, start as a whole, pay attention to the relationship between the head, neck and shoulders, and pay attention to the perspective of the shoulders.

Step 3 The basic position of the five senses is determined, the perspective of the corners of the eyes and mouth should be accurate, and the dark side can be unified with the upper tone to enhance the volume of the object, and pay attention to the volume of the hair.

Step 4 Wipe the dark side with paper to unify the dark side, you can deepen the facial features so that it jumps out on the face, and then analyze the details of the facial features.

Step 5 Pay attention to the dark side to be transparent, the eyes to highlight the sense of volume to be strong, and pay attention to the dark side of the sense of space

Pay attention to the relationship between light and dark on the liquid surface, neck, and collar, and then pay attention to the adjustment of details.

Step 6 is basically completed, the color of the hair should be different from the color of the clothes, and the neck should not have too many details, the key is the sense of volume, the facial features are vivid, the sense of space before and after is obvious, and it is a good sketch demonstration.

Eyes: Young women's eyes should be treated with particular care. The eye can be understood as a semicircular body, and the eyelids have a certain thickness, and the structure of the inner and outer corners of the eyes, and the changes in the upper and lower eyelids should be carefully analyzed. The pupils are heavily pigmented, the highlights are brighter, and the black and white are distinct.

Nose, Mouth: In this work, the head is slightly tilted, and special attention should be paid to the structure of the nose and the perspective relationship. The nostrils should be drawn breathable.

The change of mouth is the outward manifestation of the character's temperament. The changes in the corners of the mouth in this painting echo the eyes, vividly portraying the inner temperament of the character, which is both rigid and soft. In addition, young women's lips are more bright red and have a soft texture, so candidates should pay attention to the difference between the color of their faces when handling them.

Jaw, neck:

The bones of the jaw should be drawn hard, and the muscles of the neck should be handled softly. Women's ** delicate, fair, can not be painted too heavy, can be gray, so as to show the characteristics of women.

Hair: The texture of the hair is soft, fluffy and shiny, and the color is relatively heavy, so special emphasis should be placed on the relationship between the virtual and the real and the change of density.

Step 1: Draw the outline of the human body with light straight lines and handle the composition.

Step 2: With the help of the relationship between the structure of the body, the relationship between perspective and the relationship between actions, the outline is more accurate and concrete.

Step 3: Use accurate and powerful lines to start from the part of the drawing, gradually draw the shape of each part, and apply simple tones to enhance the expression of the volume.

Representation of character characteristics.

Character avatars not only have complex structures, but also rich expressions. In the step-by-step sketch sketching, first train to grasp the "shape", and after mastering the basic laws of the shape more proficiently, gradually achieve "writing the god with the form, and having both the form and the spirit", which requires the head to pay attention to the image characteristics of the model.