Beautiful sentences in Talking about Beauty ?

"Talking about Beauty and Books" is a book by Mr. Zhu Guangqian, a master of modern Chinese aesthetics, which contains his profound thoughts and incisive insights on aesthetics, art and aesthetics. Here are some beautiful sentences from "Talking about Beauty":

1."Art is the expression of taste, and the root of interest is in life. ”

2."Everything in life is art, as long as you have an eye for appreciating art. ”

3."True beauty does not come from the external appearance, but from the inner emotion. ”

4."Only those who are truly spiritually fulfilled can find beauty in life. ”

5."Beauty does not exist objectively, but is the result of subjective feelings. ”

6."It takes talent to make art, but it only takes common sense to appreciate art. ”

7."The best paintings are those that can turn abstract thoughts and emotions into concrete images. ”

8."A true artist should convey his or her voice to the audience, rather than just pursuing the mastery of technique. ”

9."Beauty is a feeling, and feelings vary from person to person. ”

10."Art is not an embellishment of life, but life itself. ”

Mr. Zhu Guangqian said: "Beauty is a value. ”

When talking about beauty, it is always inseparable from the subject of people. There is nothing more complicated and therefore difficult to understand in the world than people, and if you understand people, you will understand yourself.

The encouragement of a person's many noble things can eliminate vulgarity and improve one's personality. This kind of improvement is more problematic in the United States and China.

Mr. Zhu Guangqian wrote: What is beauty? What is beauty? What does beauty have to do with beauty? Is beauty purely objective or subjective?

Li Bai's "The Difficulty of Shu Dao" suddenly becomes a hero, which makes people get a sense of horror in the sublime style, and the rhythm is slow and uneven. Han Yu's "Listening to Yingshi Play the Piano" is varied and rippling repeatedly. This presents beauty and beauty from a physiological point of view.

This is also the case that highlights the need for poetry in all kinds of art.

Of course, talking about beauty also includes romanticism and realism. Mr. Zhu Guangqian believes that in great artists, realism and romanticism seem to be always combined.

Gorky once accused critical realism of "failing to show people a way out". Of course, in the ...... revolutionOf course that's his opinion, and all of this is an important question.

I have finished reading "Talking about Beauty and Books", and I like "the beauty of stone flowers is charming, that is, the beauty of static forms into flowing movements", and I know that "appreciating the small bell can see the big, and there must be an aftersound outside the strings", but I dare not say that I deeply understand "talking about beauty".

Life, "for the needs of life, is still constantly transforming nature and society, and at the same time constantly transforming itself" remains, this is a process of seeking beauty. I can't embellish the book with too many flowery words, because I know that I can't match the height. But I think friends who like literature and aesthetics can take a good look at Mr. Zhu's "On Beauty".

Ideals and reality are often two parallel lines that go against each other, one to the east and the other to the west. Ideal and reality are separated by a gulf-like gap. I'm looking at the ideal here, and the ideal is mocking me over there. The ideal is plump, and the reality is skinny.

1.The right road is not necessarily a flat straight road, it is inevitable that there will be some twists and turns, some bends, and even misguided.

Overview of the content of "Talking about Beauty": "Talking about Beauty" is the author's "twilight years of painstaking management", and it is also the first book to systematically introduce aesthetic knowledge after the founding of China. The book gives a more popular and detailed explanation of how to learn aesthetics, the Marxist-Leninist aesthetic system, beauty and aesthetic sense, typical characters, image thinking, creative methods and other aesthetic categories.

The author uses the form of letters, and can combine his own personal experience of many years of research, so it is more intimate to read.

There have always been many major differences in aesthetic research, and there has been no unified understanding of what the object of aesthetic research is from the beginning to the present. What Zhu Guangqian has been engaged in throughout his life in the process of aesthetic research and the "unsolved cases" in which he has argued with aestheticians of various schools is involved. In his later years, after in-depth and long-term reflection, he answered these questions one by one without reservation, such as:

What is the essence of beauty? Did Marx oppose the theory of human nature? Does art originate from labor or play?