Does anyone know that after the chaos, the Liugou Temple will be appreciated? Kneel and beg!! 10

This is a lyric poem with strong feelings, and it reads like listening to the poet pour out his own suffering from the chaos. In this era of war and famine, the ancestral family business was wiped out, and the brothers and sisters left their families unemployed, and they were detained and served. Looking back at the countryside of his hometown after the soldiers, it was desolate and desolate.

Although the dilapidated garden house is there, the separated compatriots are running around on the road of a foreign land. The first two couplets of the poem start from the disaster of the era of "times of hardship and famine", and summarize the typical suffering of war, home and sibling separation with personal experience. Then the poet compares "geese" and "peng":

The siblings are scattered on one side, like the lonely goose that flies thousands of miles, and can only hang their shadows and pity themselves; Bidding farewell to his hometown and wandering away, how much like the fluffy grass that breaks its roots in late autumn, with the bleak west wind, flies away, drifting uncertainly. "The hanging shadow is divided into thousands of miles of geese, and the roots of the words are scattered as nine autumn pengs", which have always been recited by people. The poet not only made an apt analogy with the lonely geese for thousands of miles and the broken canopy in the ninth autumn, but also gave them a lonely and miserable mood with the vivid description of the hanging shadow and the dispersion of the roots, and profoundly revealed the suffering of the scattered people who had experienced the war.

The lonely poet couldn't sleep at night in a panic, looking up at the bright moon hanging in the lonely night sky, he couldn't help but think of the brothers and sisters scattered all over the place, if everyone was looking at the bright moon that seduced infinite homesickness at this time, they would also be as tearful as themselves! I am afraid that in this night, the hearts scattered in the five places that miss their homeland deeply will also be the same. Here, the poet uses Mianmiao's sincere poetry to construct a picture of the symbiosis and nostalgia of the five places looking at the moon, so as to close the whole poem and create a simple, true, and resonant artistic realm.

The whole poem uses the technique of white description and uses simple homely words to express the real emotions that people share but not everyone can express. Liu Xizai of the Qing Dynasty said in "Art Overview": "Ordinary words are easy, strange words are difficult, and the beginning of this poem is also."

Strange words are easy, common words are difficult, and the importance of this poem is also. Xiangshan is often strange, and this situation is not easy to reach. Bai Juyi's poem does not use allusions, does not paint algae, the language is plain and plain, but the meaning is profound, and the rhyme is moving, which can be called a masterpiece of "using often to get strange".

In the sixteenth year of Zhenyuan, Bai Juyi was in the middle, and he returned to Fuli for the fourth time. At that time, Xu Sihao made Zhang Jianfeng die, after the Xuzhou military rebellion, there was a fierce battle at Fuli Bridge, and in the face of the scene full of war, the poet was full of emotion and wrote two poems. One of them is "After the Chaos, Crossing the Liugou Temple" "In September, after the new war in Xuzhou, the sad wind was full of mountains and rivers.

Only Liugou Mountain Temple is still full of white clouds in front of the gate."

The first two sentences are written about the tragic scene brought about by the military rebellion in Xuzhou. The last two sentences say that only the white clouds in front of Liugou Temple are still there. Bai Yun is still affectionate and ruthless regardless of personnel changes. Before and after, people can't help but feel a lot of emotion.

Author] Bai Juyi [Dynasty] Tang Dynasty.

After the new war in Xuzhou in September, the sad wind was full of mountains and rivers.

Only Liugou Mountain Temple is still full of white clouds in front of the gate."

Bai Juyi (772 846), known as Lotte, Xiangshan Jushi, also known as Mr. Drunken Yin, was a native of Xinzheng, Bidawu, Henan (now Xinzheng City, Zhengzhou, Henan), a great realist poet of the Tang Dynasty in China and one of the three major poets of the Tang Dynasty. In the first month of the seventh year of the Tang Dynasty (772), Bai Juyi was born in Dongguo Zhai, Xinzheng, Zhengzhou (now Dongguosi Village, Xinzheng City). Bai's ancestral home was Taiyuan, Shanxi, and Bai Juyi's grandfather, Bai Qi, moved to Xiatai (now north of Weinan City, Shaanxi).

Bai Qi later served as the county magistrate of Gong County (now Gongyi City, Zhengzhou, Henan), and was friends with the neighbor Xinzheng County Commander at that time. After his death, he was buried in Luoyang, Henan, and the memorial hall of Bai Juyi's former residence is located in the suburbs of Luoyang City, and Baiyuan (Bai Juyi's tomb) is located in the Pipa Peak of Xiangshan in the south of Luoyang City. Bai Juyi's poems have a wide range of themes, diverse forms, and easy and popular language, and are known as "poetry demons" and "poetry kings".

The official is a bachelor of Hanlin and a doctor of Zuo Zanshan. There is "Bai's Changqing Collection" handed down, and the representative poems include "Long Hate Song", "Charcoal Seller", "Pipa Xing" and other imitation Hu.

Long Hate Song. Spring trip to Qiantang Lake.

Grass endows the ancient grass as a farewell.

Kanmar. Remembering Jiangnan, Jiangnan is good.

After the new war in Xuzhou in September, the sadness and hardship were full of murderous spirits. Only Liugou Mountain Temple is still full of white clouds in front of the gate."Poetic works: Posture ruler verticalAfter the chaos, cross the Liugou Temple