What are the characteristics of the opening exhibition of the One Total and Three Points of the Na

First of all, the Chinese version includes various resources with the imprint of Chinese civilization in ancient and modern China and abroad. There are not only ancient books and bronzes that carry a heavy history and culture, but also food stamps, cloth stamps, books, newspapers, tapes, etc., which are closely related to our daily life and have a distinct mark of the times. In short, as long as you can think of cultural carriers, they are basically version resources.

Learned the definition of versions.

The second is the collection of various publications, and at the same time absorbing Chinese ancient books, revolutionary documents, religious documents, prints rubbing, inscriptions, genealogies, coins, stamps, etc. "Edition" in the National Edition Museum of China is a broad concept. As the historical and cultural carrier of edition resources, in addition to the well-known book editions, all resources with the imprint of Chinese civilization in ancient and modern China and foreign countries can be called "editions".

Since the founding of the People's Republic of China, the digital version of film and television dramas and foreign boutique editions with historical and cultural heritage value.

Moreover, the Chinese version includes various resources with the imprint of Chinese civilization in ancient and modern China and abroad. There are ancient books and bronzes that carry a heavy history and culture, as well as newspapers and food stamps that are closely related to our daily life, and even tapes, books, newspapers, and even the first line of the health code. In short, any cultural carrier you can think of is basically a version resource; Editions are the "golden seeds" that record history and witness civilization.

The "storehouse" used to store and store the "golden seeds" of civilization, that is, the gene bank of Chinese civilization seeds.

It is important to know that the National Edition Museum of China is a national version resource bank and a seed gene bank of Chinese culture. As one of the branches of the "Three Points" of the National Edition Museum of China, the Xi'an National Edition Museum (Xi'an Branch of the National Edition Museum of China) is divided into ten categories according to the imprint of Chinese civilization. Editions are included in it, and efforts are made to build a unique resource gathering center for Chinese versions, a regional center for the western region and a center for local versions, which mainly undertakes the functions of collection, display, research and exchange of Chinese cultural versions.

The biggest feature of the first point is that the whole exhibition is very wonderful and distinctive, and the second point is that the whole exhibition brings us more charm and different color values.

It is very characteristic of Shaanxi's culture, and also has the characteristics of the Chinese classic version dominated by the west.

First of all, the facilities inside are relatively prosperous, and we can see a lot of culture, which allows us to understand the history.

First of all, it is necessary to enhance cultural self-confidence, display the image of a great power, and promote dialogue among civilizations。**Headquarters (Wenhan Pavilion) and Xi'an Branch Library (Wenji Pavilion), Hangzhou Branch Library (Wenrun Pavilion), Guangzhou Branch Library (Wenhan Pavilion) are planned and constructed simultaneously. Qin Pavilion).

After the completion and opening of the museum, the "three points" of the Chinese version of the museum will give full play to the functions of the national version of resource planning and coordination, census collection, collection display, research exchange, publicity and use. It is a national edition collection center, exhibition center, research center, exchange center and national publishing information management center.

The second is to strengthen all kinds of resources that bear the imprint of Chinese civilization. There are ancient books and bronzes that carry a heavy history and culture, as well as newspapers, food stamps that are closely related to our daily life, and even tapes, books, newspapers, and even the first line of the health code. In short, any cultural carrier you can think of is basically a version resource; Editions are the "golden seeds" that record history and witness civilization.

The four museums in the four places are responsible for the preservation of the editions。"Investing" in civilization also requires strategic vision. It can be seen that we attach great importance to the inheritance, promotion and development of cultural undertakings.

The project shouldering the important task of "inheriting Chinese culture, enhancing cultural self-confidence, displaying the image of a great country, and promoting dialogue among civilizations" must be of high quality. For ordinary people, it is an important cultural landmark, and it is also a public space for everyone to receive the influence of Wenzen. Whether it is the building itself, or the content, it must be a boutique.

We need to know that we have a lot to do with our daily lives, such as tapes, books, newspapers and magazines, and even the first line of the health code. In short, as long as you can think of the carrier of culture, it is basically a version resource; The version is the "golden seed" that records history and proves civilization. The Museum of Editions is planned by the state from the strategic height of cultural security and cultural rejuvenation, for the storage and preservation of the "golden seeds" of civilization.

The National Version of the National Version Resource Library and the National Version of the Chinese Culture Seed Gene Bank were completed.

First of all, the Xi'an Fenzhou Chi Museum will show the characteristics of western culture, fully display the civilization of the Silk Road, and then display and disseminate the Chinese version of the culture in the Hangzhou Pavilion, and then build the Chinese cultural palace of the land of Southern Guangdong in the Guangzhou Pavilion.

National culture is the foundation of the nation, and the national archive should summarize the national culture in detail in sections, and show the spirit of the national culture from it, so as to build a national cultural palace in the new era.

This needs to be combined with the characteristics of traditional Chinese architecture, as well as the characteristics of the new era, and then there can be a certain amount of innovation, and it can also show the charm of the Chinese nation.