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You can listen to the recordings of so many masters at home and abroad, and if you don't understand the blues, you can listen to Xiaoyue Senlan's popularity, all kinds of pressure. You can use the software if you like, and you don't need to ask if you practice the software.
Learn to press the sound: lay the foundation, the more solid the foundation of the harmonica, the easier it is to press the sound, and the single tone is not allowed how to learn; Watch the online method twice, practice it twice, memorize it in your head, don't read it a third time, delete it completely. Then pick up the harmonica, find the feeling, trust your ears.
Do you remember the story of Zheng Ren's purchase of shoes? If you don't believe in your feet, you have to believe in size.
Three Confucius learns three paragraphs: the first sentence of daughter's love; Why are the flowers so red? Rain. What does it mean to be pressed?? The melody of the tune is blown out, and the pitch is there.
Someone asked what stage of the monophony is considered to be passed - this time I don't say that I will grind for a lifetime, just talk about the entry: find the tune you like, a bit can be blown, without pressure, the popular country god horse music style is OK, practice 10 songs, and be able to blow down coherently with the accompaniment, no rhythm problems during the period, no noise, you can not consider the ** sex, the recording of others listen to it and think it is like that - qualified. 10 songs, oh, not one, but also with accompaniment, the recording sounds like this song.
Take more time to cultivate a relationship with your piano, and the boat will naturally go straight to the bridge.
Try to change the mentality of learning the piano, don't use it if you can't press the sound, some are songs that can be played, and playing the harmonica itself is a happy thing, and you have to be upset by some skills, isn't it putting the cart before the horse.
Su Mengbi musical instrument team will answer for you, if you are not satisfied, you can continue to ask, I wish you all the best and good health!
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You must first practice the inhalation pressure. The mouth shape of the blow pressure sound is the same as the breath pressure tone. You can adjust the relative position of the piano and the lips appropriately, and tilt it a little.
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Let's start by clarifying the concept. The English word for pressure is the meaning of bend, in the harmonica is to change (bend) the air flow to make the pitch lower, this is the pressure sound, the pressure is divided into inhalation pressure sound and blowing pressure tone, the bass is pressure suction, and the high tone is blowing pressure. And the so-called super blowing, in fact, should be divided into super blowing and super sucking, I think maybe because most wind instruments can only blow, and in the super sucking only the harmonica has, so it is not very mentioned, in addition, generally speaking, super blowing includes super sucking.
The principle of overblowing is to use a perfectly controlled airflow to stabilize the blowing reed, and let the inspiration reed make a blowing vibration sound, and its pitch will be one and a half tones higher than that of ordinary inhalation. Generally speaking, the pressure sound is a must be mastered to learn the blues harmonica, and it is relatively easy, and the super blowing is a lot more difficult all of a sudden, and many people can't get it in a lifetime, (among them, the 6-hole super blowing is quite easy), and the super suction is even more difficult, and most people can't learn it.
To sum up, the combination of pressing down and superblowing raising the pitch allows a blues harmonica to blow out all the whole tones and semitones in the range.
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The pressure sound is divided into blowing pressure sound and inhalation pressure tone, relying on the effect of air flow change, so that the blowing and inspiration reeds are lowered on the basis of the original pitch. Usually on a 10-hole harmonica, 1 6 holes can suction pressure, and 8 10 holes can blow pressure. And overblown.
Many people will think that it is the blowing spring vibration, but in fact, the principle is that when blowing, the blowing reed is stuck on the spring plate, and the air flow makes the suction reed vibrate. Therefore, many people think that superblowing is a rise of 1 and a half degrees or 1 degree in the pitch of the reed, but in fact, it is a half degree increase in the pitch of the inhalation reed. The usual superblowing is 4 5 6 holes b3 b5 b7.
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How do you blow blues harmonica bass 4 and 6? How to suppress the sound?
Pressure can start from 4 holes or 6 holes, 4 holes are 1, 6 holes are 5, and then pronounce "eat" and "go" two Chinese sounds, to feel the changes in the mouth and the position of the tongue when pronouncing these two sounds, use the mouth shape of "eating" to suck the 3rd hole of the harmonica (suck a long tone), while tightening the mouth, and put the tip of the tongue against the root of the lower jaw, the absorption of the mouth shape "go" is bass 6, and the second hole of the harmonica with the mouth shape of "go" is bass 4.
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Summary. If you want to learn the pressure tone, you must first know the principle of pressure sound, because a hole in the blues harmonica has two sound reeds, one blows and one inhales, so in the performance, because of the different breaths, the two reeds will affect each other, so that it is a change in timbre and voice pitch, and this is used as a technique is to press the tone, because the first 6 holes of the blues harmonica have a higher inhalation sound than the blowing tone, and the last six holes are the opposite, saying that the previous six holes can be used to do inhalation pressure, The last six holes blow the air pressure sound, here we talk about the inhalation pressure sound, there are many methods, now the more mainstream is to lift the root of the tongue, so that the airflow of your inhalation is concentrated on the reed of the lower seat plate, that is, on the suction reed, at this time, because of the change of airflow, the suction reed of the lower seat plate is close to the seat plate, and the blowing reed of the upper seat plate is far away from the seat plate, and at the same time, the sound is synergistically produced, and the sound obtained will be more than half a tone lower than the normal inhalation sound, the pressure sound is there, the theory is like this, the place to pay attention to is, First of all, it is necessary to ensure that you can play a normal, clean and full single note, which is the basic, and then you must control the breath reasonably and concentrate it on the suction reed of the lower seat, and then you must play it with a more concentrated and full and uniform breath than the single note, otherwise.
How do you press the blues harmonica? Does the pressure sound noticeable......
If you want to learn the pressure tone, you must first know the principle of pressure sound, because a hole in the blues harmonica has two sound reeds, one blows and one inhales, so in the performance, because of the different breaths, the two reeds will affect each other, so that it is a change in timbre and voice pitch, and this is used as a technique is to press the tone, because the first 6 holes of the blues harmonica have a higher inhalation sound than the blowing tone, and the last six holes are the opposite, saying that the previous six holes can be used to do inhalation pressure, The last six holes blow the air pressure sound, here we talk about the inhalation pressure sound, there are many methods, now the more mainstream is to lift the root of the tongue, so that the airflow of your inhalation is concentrated on the reed of the lower seat plate, that is, on the suction reed, at this time, because of the change of airflow, the suction reed of the lower seat plate is close to the seat plate, and the blowing reed of the upper seat plate is far away from the seat plate, and at the same time, the sound is synergistically produced, and the sound obtained will be more than half a tone lower than the normal inhalation sound, the pressure sound is there, the theory is like this, the place to pay attention to is, First of all, it is necessary to ensure that you can play a normal, clean and full single note, which is the basic, and then you must control the breath reasonably and concentrate it on the suction reed of the lower seat, and then you must play it with a more concentrated and full and uniform breath than the single note, otherwise.
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The method of pressing the sound.
1. Before practicing, you should ensure that you have been able to blow well and breathe every note, such as blowing some very simple tunes with full volume, such as simple songs such as Little Bee and Ode to Joy.
2. The difference in the height of the clear tone that can be distinguished, this is very important, you can blow and breathe the two sounds "1" and "7" to distinguish what is a semitone, that is, a minor second interval.
3. Pronounce the two Chinese sounds of "eat" and "go", and feel the changes in the mouth when pronouncing these two sounds, as well as the location of the tongue.
4. The sound pressure technique is to change the direction of the airflow of blowing or sucking the harmonica to increase the amplitude of the harmonica sound absorption or blowing reed, and the vibration frequency will be small and the pitch will be low when the amplitude is large.
5. We use the mouth shape of "eating" to suck the third hole of the harmonica, suck a long sound, tighten the mouth at the same time, and put the tip of the tongue at the root of the lower jaw, the mouth shape is the sound of "go" but absorb! Is there a change in sound? Practice a few more sides by yourself, it may not be obvious but there should be a feeling of sound falling, so that on the basis of just now, use the mouth shape of "eating" to suck the third hole of the harmonica, suck a long tone, and at the same time tighten the mouth without paragraphs, and put the tip of the tongue against the root of the lower jaw, the mouth shape is the sound of "go", and then tighten, in the tip of the tongue like the top down, the middle of the tongue up to the top only a very small gap between the middle of the tongue and the upper jaw, the mouth shape is similar to the appearance of "cool" and "carving".
Is there a big difference in the pronunciation of the words "eat", "go" and "cool"? That is, the position of the tip of the tongue is getting lower and lower, and this is the method of suppression, after tightening the distance between the mouth and the upper jaw of the tongue, the degree of pressure is increased by changing the downward position of the tip of the tongue.
Okay, do you have a guitar or any other instrument at home? Used to compare pitches, practice first: the "7" sound is to suck the sound of the third hole, and then use the method of "go" to lower a semitone to pronounce "7b", which is "6" and "6b" in the fall.
Notes on sound suppression.
If you don't have a loud blow, but you want to blow a single note but you blow two notes, you can try to pout your lips and use your inner lips to hold the piano, and then put your mouth into the smaller one possible, which will be better. If you feel dizzy after blowing for a while, you can try to use abdominal breathing, (you bend down and touch your abdomen with your hand to feel the method of breathing at this time, it must be abdominal breathing) and rest for a while before blowing, which is what every player will encounter.
Don't rush to practice the technique of overblowing, but first practice the "overblow" well, blow each note accurately, and master the second position of the scale, and soon you will find that the sound of each note (tone*) will be more useful than the practice of those techniques.
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The difference between pressure sound and talking about rotten super blowing and suction: 1. The vibration is not the same as the pressure sound: it is a double reed vibration.
Super blowing: It is a single reed vibration. 2. The effect is not the same
Pressure is to lower the pitch of the pitch and brighten it. Super blowing: It is to raise the pitch and blow out the whole tone and semitone that are respectful in the vocal range.
3. The pitch is not the same: the pitch is easy to control. Super Blowing:
The pitch is not easy to control. 4. Timbre pressure: mellow timbre.
Super Blowing: The tone is exciting. 5. The principle is not the same
It is the vibration of the interaction of the two reeds. Super Blowing: It is to make a reed vibrate irregularly.
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