About the essence of Mongolian literature, the content of one hundred articles on Mongolian literatu

Updated on educate 2024-07-23
8 answers
  1. Anonymous users2024-02-13

    Essence of ancient Mongolian literature: "The Secret History of Mongolia", "Jangar", "Gesar".

  2. Anonymous users2024-02-12

    Hello dear, I am glad to answer for you: "One Hundred Articles of Mongolian Literature" is a book that contains one hundred classic literary works in Mongolian history, which cover all aspects of Mongolian culture, including folklore, mythology, epic, poetry, **, biography, etc. Here are some typical works from the One Hundred Essays on Mongolian Literature:

    1."The Story of the Great Monk of Sumutu": tells the story of a great monk who established a monastery on the grassland.

    3.The Legend of Abaraksu: tells the legendary story of a hero who saved the Mongol people and eventually became king.

    4."The Story of Ulan Gumu": tells the adventure story of a young hero who communicates with animals.

    5."Prairie Love Song": A beautiful poem expressing the love between men and women.

    In addition, there are other classic works such as "The Elder", "General History of Gurban", "Selected Mongolian Short Stories", etc., which are indispensable and precious resources for understanding Mongolian culture.

  3. Anonymous users2024-02-11

    100 Essays on Mongolian Literature is an anthology of Mongolian folklore, ancient works, and modern literary works. The following are some of the representative works and contents: Ge-Monwenda:

    It tells the story of a legendary mythical beast "Erge", reflecting the Mongolian people's reverence for nature and life. Grassland Herdsmen – Zhao Dongling: It tells the life and traditional culture of Mongolian steppe herders, and embodies the perseverance and freedom-loving spirit of the Mongolian people.

    Traveler on the Train - Ai Li: tells the story of a young Mongolian who took the train to Beijing for work reasons, expressing his thoughts on modern civilization and lifestyle. Blood-colored moonlight - Bayin Chaolu:

    It tells the story of the sacrifices and struggles of the Mongolian people in the War of Resistance Against Japanese Aggression, reflecting the anti-Japanese spirit and patriotic feelings of the Mongolian people. The Dream of Youth - Russian-Japanese Tube: tells the story of a Mongolian youth's growth process and pursuit of dreams, reflecting the enterprising spirit and optimistic attitude of the Mongolian people.

    Retribution — He Duoduo: tells a story of joys and sorrows between men and women, reflecting the conflict between the human world and morality. Gallop - Sherpa:

    It reflects the spirit of sports competition and teamwork of Mongolian youth. Wishing Pond - Liu Qiti: It tells the love story of a Mongolian girl and her longing for her hometown, reflecting the romantic feelings and attachment of the Mongolian people.

  4. Anonymous users2024-02-10

    Summary. Qinqin, the discussion on the emergence of Mongolian literary theory is as follows: "The beginning of the study of Mongolian literary theory in China began in the 50s of the Benshi period, and in the 80s, the study of Mongolian literary theory has developed greatly; It has shown strong strength and achieved outstanding results in the expansion of the field of Mongolian literary theory, the exploration of research depth, the diversification of research methods, the expansion of the research team, and the setting of university courses.

    <> discusses the emergence of Mongolian literary theory.

    Qinqin, the discussion on the emergence of Mongolian literary theory is as follows: "The beginning of the study of Mongolian literary theory in China began in the 50s of the present century, and in the 80s, the study of Mongolian literary theory has developed greatly; In the expansion of the field of Mongolian literary theory, the exploration of the depth of research, the diversification of research methods, the expansion of the research team, and the setting of university courses, they have all shown strong strength and achieved outstanding results. <>

    <> Extension: Mongolian Literature: Appeared"A generation of Tianjiao"Genghis Khan, the Mongolian nation, a great man in the Shi world, is a great people with a long history and developed culture.

    After the Mongolian people came out of the vast steppe from the deep forests of the secluded Daxing'an Mountains in the ninth century of the A.D., due to Wang Fengshi's animal husbandry production from the trembling group"Accommodating the impermanence of water and plants", gradually forming a grassland nomadic culture that is completely different from the farming culture of the Central Plains of Jialing Orange; It is manifested in literature, which is developed with rhyme as zui. <>

  5. Anonymous users2024-02-09

    Modern Mongolian literature began in the early 20s of the 20th century. In the beginning, it was just a few poems and stories written by guerrilla fighters. At the beginning of the revolutionary regime in 1921, there were no professional writers, and the Sukhbaatar Club and the magazine "Revolutionary Youth League", which were responsible for propaganda, were the center of the lively literary creation of frank hunger.

    The two founders of modern Mongolian literature, Da Nachuk Dorji and Tse Damuddin Sulen, participated in the activities of the literary groups of these two departments respectively and played a key role. The Sukhbaatar Club Literary Group wrote the earliest plays, such as "Ushandar" and "The Sinful Cause of the Sandhu Governor". The previous script has been lost, and some of the songs have been circulated among the masses.

  6. Anonymous users2024-02-08

    Many famous poets and writers also write scripts. In addition to the old playwrights Namuda and Aoyun, there are also playwrights such as Ao Yidaobu and Wanggan. Namu Da has written more than 10 plays.

    Outstanding works of the post-war period include "In the New House," which reflects new social trends, and "A Class of Students," and "The Young Generation," which depict school life and the relationship between teachers and students. Oyun's "Staying Station" and "Brothers" played a role in promoting the shift of drama from reflecting historical themes to depicting realistic themes. Oydaub created Mongolia's first comedy, The King of Liars.

    The king of liars does not lie, but tells the truth; He ridiculed and fooled the exploiting class and their eagle claws, sympathized with and helped the poor in distress, and was an artistic image that the masses of the people loved very much. Another of his famous plays, "Meng He in Search of Happiness", is also different from previous historical dramas, the protagonists are no longer feudal aristocrats, but ordinary people. Both plays draw nourishment from folklore.

    Ao Yidaobu has also made remarkable achievements in exploring new themes and expressing new characters. The plays "Road" and "Chaole Gate" are considered to be excellent plays that reflect contemporary life. Wanggan is also a well-known playwright, best known for his work The Doctors, which reflects the life of intellectuals.

    Basta and Tsedenzab have worked together for a long time, and one of their most successful works, The Aribujihu Family, a play about the construction of farms and pastures. Plays that reflect agricultural and pastoral production, as well as "Go Your Own Way" by Sangha and Lod Yidangpa. The play "Treasure in a Bottle", co-written by two female playwrights, Oyun and Udabara, reflects industrial construction and is considered an excellent play of the 70s.

  7. Anonymous users2024-02-07

    Detailed??

    Mongolian spirit "China" means wolf in Mongolian.

    The land of China, the land of wolves! In the vast grassland, wolves are invincible creatures. They have unparalleled intelligence, perseverance, teamwork and courageous and tenacious group fighting ability.

    The skills that wolves possess in order to survive are worshipped.

    Culture The various peoples of the Turkic language family have culture, history, and civilization.

    The Mongols were barbarians and illiterate compared to the Turks.

    The Mongols were Turkic students.

    The barbarian Mongols once defeated the civilized Turkic peoples.

    But the Mongols, who penetrated deep into the Turkic tribes, were assimilated by the Turks, and when the Mongol tribes appeared as Mongols, they were uneducated and illiterate, and they were a blank slate.

    Only nomads must have nomadic customs.

    It's a very small tribe.

    Ethnicity is characterized by East Asian yellow race.

    The Turkic people had already developed to a higher level of literacy for junior high school students.

  8. Anonymous users2024-02-06

    The Mongols were wiser and invaded China for 97 years, not trying to wipe out Chinese culture while maintaining their own. Unlike the pig's tail, if you want to eliminate the Han culture, you will only attack the Han culture, but you will give up your own culture. If there is a nation in the world that has given up its own culture, it is a sorrow for the Manchurians.

    The Mongols have basically maintained and developed their own culture in Inner Mongolia, while Outer Mongolia has given up its own language and written language, and has compiled a new Mongolian script in the Slavic script, which basically does not speak Mongolian in Russia, and has been completely Russified.

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