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<> "Xingshu has great flexibility in structure, and there are roughly three structural characteristics:
First, based on Kai, grass as God.
The structure of the line script is generally not far from the regular script, and although there are increases and decreases in strokes, it does not become difficult to identify like cursive script. The book pays attention to the ease and convenience of the pen, and the lines pursue smoothness and dynamics. It forms an indispensable part of the structure through the hairspring ribbon between the dot paintings, so that the dot paintings are connected up and down, and the structure is dense and substantial, producing a flowing charm.
Second, the dot painting jumps and changes in a variety of ways.
Although the dot painting of the line script is not as easy as the cursive script, it jumps and falls, and the volume is free and free, which is more vivid than the regular script. The dot painting of the line of calligraphy, avoid parallelism, avoid the same, the penmanship, the gesture are different, and you can change. For example, the Jin body is flattened, the Tang body is long, and the right army and Lu Gong have no deviation from the length of the body.
Yaowen is qualitative and colorful, so it has the taste of sprinkling nature.
3. Harmony and harmony.
The structure of the book is full of flexible, changeable, round, and convenient characteristics, and pays attention to the vividness of the rhyme. The method of running calligraphy is divided into two categories: one is through the change of the pen; The second is through structural changes.
The former is called "gestures" and the latter is called "gestures". The structure or "left and right", or "positive momentum", or "sparse opening and closing", seems to be partially unstable, but it is stable in danger, and the whole is coordinated and harmonious, full of charm.
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"Zhang" character line writing:
It is divided into two types: line block and line grass. It is developed on the basis of regular script, which is a font between regular script and cursive script, which is produced to make up for the slow writing speed of regular script and the difficulty of cursive script. "Xing" means "walking", so it is not scribbled like cursive and not as upright as regular script.
In essence, it is a cursive or cursive italization of regular script. The one with more regular method than the grass method is called "line of stocking traces", and the one with more grass method than the regular method is called "line grass". The practicality of the line is high in both emptiness and artistry, while the regular script is a text symbol, with high practicality and hard work; In contrast, cursive writing is highly artistic, but it is relatively less practical.
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Question 1: How to write the character with a pen looks good and laughs.
Question 3: Calligraphy Yan Ti Zhang Zi Writing Yan Ti was created by the Tang Dynasty calligrapher Yan Zhenqing, and Liu Gongquan is collectively called "Yan Liu", which has the saying of "Yan muscles and willow bones". "Yan Ti" is a needle disturbance to Yan Zhenqing's regular script, its regular script body is square and dense, the strokes are horizontal and vertical, the pen is strong and round, and the momentum is solemn and majestic.
The following is the word "Zhang" in Yan Zhenqing's face.
Question 4: How to write the book of the king character as shown in the picture (20 handwriting of famous artists, click to see the bad picture of the gods) Question 5: The line writing of Zhang Zi As shown in the figure (52 handwriting of famous artists, click to see the big picture) or see Question 6: How to write the Zhang character of the line of the book How to write the Zhang Zi.
Question 7: How to write a book.
Question 8: How to write cursive writing in Zhang Zi 20 points Buy a word to practice one of you.
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Horizontal, horizontal, vertical folding, hooking, apostrophe, horizontal, vertical lifting, pinching.
Xingshu is a kind of calligraphy, which is divided into two types: Xingkai and Xingcao. It developed and originated on the basis of regular script, which is a font between regular script and cursive script, which is produced to make up for the slow writing speed of regular script and the difficulty of cursive script.
"line" means "to walk", so it is not as loose and cursive as cursive, nor is it as upright as regular script. In essence, it is a cursive or cursive italization of regular script. The number of Nakai method is more than the grass method is called "line Kai", and the grass method is more than the regular method is called "line grass".
The practicality and artistry of the line script are high, and the regular script is a text symbol, with high practicality and hard work; In contrast, cursive writing is highly artistic, but it is relatively less practical.
Structural features of the book:
1. Both size and size. That is, the size of each word is different, there is a word of the pen and the pen are connected, and the words are connected with each other, both real and intentional, broken and connected, and the hope echoes.
2. Combination of retraction and release. Generally, the short lines are closed, and the long lines are released; The return front is to receive, and the flank is to release; Most of them are left and right, up and down, but they can also be converted to each other, and it is not excluded that they can be left and right, and they are put down and closed.
3. Dense and decent. Generally, it is dense at the top and sparse at the bottom, dense on the left and sparse on the right, and dense inside and sparse outside. The middle palace is tightly knotted, and the smaller the white space in the frame, the better, and the smaller the white space for the circled strokes, the better. The layout is tightly spaced, the line spacing is widened, and the stumbling is vigorous and colorful.
4. Blend of shades and shades. Writing should be relaxed, lively, and fast, and master the combination of good and slow, movement and stillness. The first word should be thick and the last word should be dry. The lines are long, thin, short and thick, light and heavy, and the shades are alternate. It's about the same as cursive, but not as cursive.
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As follows: <>
Zhang Caoshu: <>
Zhang Xingshu: <>
Zhang Pinyin zhāng
1. Open: open.
2. Store opening: opening.
3. Tension: Tension.
4. Expand, exaggerate: exaggerate.
Kanji strokes: <>
1, 贲张 [bēn zhāng].
The Chinese word is Jinghong.
2. nose zhang [bí zhāng].
The nose is rough.
3. Fat Zhang [féi zhāng].
Fat and bright lack of book appearance.
4. Cao Zhang [cāo zhāng].
Zhang Qin. 5. Hezhang [hè zhāng].
Refers to the grandeur of the appearance.
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How to write a book to start a group is good-looking, and the introduction is as follows:
How to write a good book.
1. Know how to write calligraphy.
As mentioned earlier, the strokes of the line script are not exactly the same as the regular script, and some of its strokes can be "brushed over", but in the process of "bringing", it is necessary to abide by a certain penmanship. The penmanship of the line of calligraphy omits some penmanship in the regular script, such as the back of the pen, which can be replaced by a sharp pen in the line of calligraphy, and the pen of some strokes can also be replaced by a sharp pen, and there is no need to do the action of closing the pen and returning to the front.
The main brushstrokes in the book include: center, paving, reverse in and out, lifting, hiding front, etc. In fact, this is also the basic process of writing a stroke, but it also includes the above-mentioned brushwork in the calligraphy.
2. Express a sense of agility.
Agility is the main feature of the book, if the line is too rigid, it will become a regular script, and it can not be called a book. Where does the sense of agility come from? To dismantle the slag is to learn to use wrist strength.
When writing, you can't be too stiff, the problem of stiffness is mainly on the wrist, usually to develop a habit of using the wrist, learn to use the wrist, do things quietly and skillfully, writing is the same, if you are idle you can practice such a habit in the air. The second is to catch the breath on the basis of dot painting.
The dot painting of Xingshu is originally a dynamic feeling, and every word must show this atmosphere, and the breath is there, and the style is also there. For example, "flowing clouds and water" refers to the breath. The two dot paintings and the two words must be connected, so that the breath will come alive.
3. Read more posts and copy more.
Reading the post, is to learn the predecessor's penmanship and glyph process, through the post, can increase our sensory ability, so that people's brain thinking to follow up the predecessor's calligraphy. Copying is also a process of enhancing practical ability, through the writing at hand, let one's cognitive ability into writing ability, in the long run, you can achieve the effect of both hand and eye familiarity.
4. Glyph principle.
In addition to dot painting, there is also its glyph, the dot painting is exquisite, and the glyph is in place, you will think that the book has reached a very beautiful state. How to grasp the glyph characteristics? One is the difference in size.
No matter which ancient people, including Wang Xizhi's calligraphy, did not write each character to the same size, which is a sign of good and bad calligraphy.
The second is the principle of retraction and release. It is impossible for us to write every word very tightly or very loosely, and only when it is free and just right can it be considered to be wonderful. The third is sparse and dense.
In the writing of calligraphy, the dense strokes should be dense, and the sparse ones should be opened, which is in line with the laws of nature.
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As follows: <>
Zhang Caoshu: <>
Zhang Xingshu: <>
Zhang Pinyin zhāng
1. Open: open.
2. Store opening: opening.
3. Tension: Tension.
4. Expand, exaggerate: exaggerate.
Kanji strokes: <>
1, 贲张 [bēn zhāng].
The Chinese word is Jinghong.
2. nose zhang [bí zhāng].
The nose is rough.
3. Fat Zhang [féi zhāng].
Fat and bright lack of book appearance.
4. Cao Zhang [cāo zhāng].
Zhang Qin. 5. Hezhang [hè zhāng].
Refers to the grandeur of the appearance.
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Xingkai Zhangzi refers to a font style that combines Xingshu and regular script, which has the beauty and practicality of calligraphy. The following are suggestions for writing block letters:
Posture: Sitting or standing upright, body relaxed, arms hanging down naturally, pen steady, wrist flexible.
Horizontal drawing: First of all, write horizontal drawing, which requires one go, smooth and smooth, and should not break the pen. The horizontal painting should be harmoniously stretched and the length should be appropriate.
Vertical painting: Vertical painting should be straight and straight, moderately wide and narrow, and connected naturally up and down, without broken brushes or misalignment.
Folding pen: There should be a sense of frustration at the folding pen, and the strength should be moderate, not too light or too heavy.
Dotting: Dotting should be stable, appropriate in size, and accurate in position.
Writing speed: The writing speed should be moderate, not too fast or too slow, and pay attention to the rhythm and beat.
Writing rhythm: Be rhythmic, don't be monotonous and stiff.
Brush: It is recommended to use a brush, choose a medium and thick hard brush, which is more suitable for writing letters.
In short, writing regular characters requires more practice, mastering the basic rules of strokes, and constantly improving the speed and beauty of writing, so as to write a beautiful line.
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