After watching Yellow Earth , I felt after reading the love song of Yellow Earth

"Yellow Earth" tells the story of 80 years ago, the story of a young man who passionately pursues his dreams, and is exciting in any historical and geographical context. Tsui Jo's character is a container for this universal value. But the film is not correct: "Patriarchal society", "arranged marriage" anger is not a simple criticism of nationality, nor is it a belittling of the backward ecology of the yellow earth, singing praises for revolutionaries.

A large area of loess is like a nation's **, and thousands of ditches are like the wrinkles of an old man. Chen Kaige and "Yellow Earth" (1984) are regarded as the pioneering works of the fifth generation of Chinese directors. Before the Fifth Generation Movement, Chinese cinema had inherited the tradition of civilized drama in the long process of development, always relying on the narration of a story to promote moral concepts, and showing natural scenery was neglected.

Looking at the loess, the mood is very depressed, although the sky is vast, the loess is boundless, and the vast soup soup, the rushing Yellow River, but the heavy thoughts outside the picture are tightly pressed in people's hearts, and they do not relax for a moment; Despite the loud Xintianyu, unrestrained, cheerful waist drum formation, how much sadness and sorrow is contained in it! The pain in "Yellow Earth" is not only Cuiqiao's misfortune, not only mental numbness, but more things are buried deep in the depths of the loess layer.

A man can only sing what he thinks is sincere, which is limited by his personality and history, and it is impossible for a man, despite his devout desire to understand all people. The history of one generation is different from one generation to another, which is the eternal guarantee of the generation gap. Ditch, it's not a bad thing, there are mountains and water, there are ditches, if the earth is so flat and flat, although I hope it is a good field, but the fact is likely to be all deserts.

Shi Tiesheng's "Love Song of the Yellow Earth".

In fact, the origin of pop songs should also be like this - singing the ordinary hearts of ordinary people, singing the ordinary thoughts of ordinary people, joys, sorrows, and sorrows are all true, unforgettable, haunting dreams, treasured or frankly, all of them are the actions of the heart, not the bazaar of the throat.

Shi Tiesheng's "Love Song of the Yellow Earth".

Because the author suddenly crippled his legs at the age of the most arrogant life, he experienced more pain in life, but when he was still struggling with fate, he found an ancient garden, where he spent one after another spring, summer, autumn and winter cycles, deeply felt the characteristics of each season, and experienced the value of each life.

He pondered death and life. Death is a sure destination, and when we feel tired, God will naturally arrange for us to rest. And living is a problem we need to think about all our lives, even if we are alive and full of vicissitudes, the world is still running, the ancient garden is still the ancient garden, we can not escape, we can only accept it gladly, and change our current self.

When we can have a pure land of our own, we should take care of the distractions in our hearts, know our true selves, and improve ourselves. Thinking about life is a necessary path for everyone, and different people have different results and contents of thinking.

Stetson is not only thinking about his own adversity, he is also thinking about the pain of his loved ones. "Time will prove everything", the author did not take into account the pain felt by his mother at the beginning, only immersed in his own sorrow, after the brewing of time, he sensed his mother's anxiety and helplessness. the author's understanding of his own career; Many good things can only be understood but not spoken.

Life is so complex but innocent and simple, that we have to spend a lifetime to think, the author in the fifteen years of thinking, gradually matured, clearer understanding, from loss, irritability to steady, affectionate. In such a vast world, we still need a pure land to savor life.

If "One and Eight" is the pioneering work of the fifth generation of Chinese directors, then "Yellow Earth" is a film work that marks the real rise of the fifth generation of directors. Chen Kaige's "Yellow Earth" has a strong film style and language, forming a new image, and deeply influencing the narrative tendency and style tone of the entire early fifth generation of directors. The cinematography of large color blocks and strong color vision, the folklore of the Yellow Earth in Northwest China, and the reflective narrative of Chinese culture give Chinese cinema a different style, and also mark the difference between the vision of the fifth generation and the historical perspective of previous Chinese directors.

China** Net).

"Yellow Earth" not only marks the birth of the fifth generation of directors, but also has a directional impact on the development of contemporary Chinese cinema with a reflective narrative of Chinese culture and a breakthrough and even revolutionary film language. (Rao Shuguang).