What would you say of Baby Anne s Lotus?

From a personal point of view, it cannot be denied that Baby Anne has a certain talent, she does have some potential as a writer. Sensitive nerve fibers, meticulous descriptive skills, and a wide range of knowledge. However, personally, in order for a writer to become good, his words can be circulated, he still needs more life grinding, more time to precipitate, and more elements to accumulate on him, rather than just indulging in his own spiritual world or imaginary characters.

However, at the same time, it is undeniable that my dislike for Baby Anne's works and my disapproval of her works are very likely due to the shallowness of my personal literary cultivation and the limitations of my personal literary understanding.

After reading the lotus in one go, I felt that my soul was washed by the rain, thank you to the person who sent me the book. The story is still simple and plain, but it goes straight to the heart, I have always liked Baby Anne because she has never given up her persistent pursuit of the essence of life, and those who really understand her will not think that Anne is pretentious, she is indeed writing with her heart. Every book is a similar story, even a similar plot, but it never feels boring, only likes, because those sentences, those paragraphs have a soul, just like the person you love, you never get bored because he repeatedly appears in front of you, but every time you are surprised.

The worst thing is that she really doesn't like to write responsible stories, or she can't grasp the grand scenes of those responsible stories. If you think about it, people like Anne are full of contradictions. So using shady words and simple stories is enough to express what she wants to illustrate.

What she wants to illustrate: people are lonely, lonely, lonely. People need love so much, and they can't get it.

Reading Baby Anne's book, always the same mood, very depressed, very low, can not make people happy, whether it is August Weiyang, the other side of the flower, or the lotus, Baby Anne always with her delicate brushstrokes, jumping words, mysterious atmosphere, to interpret a period of sad love, in addition to death what can show the nobility of love? The decadent text is always full of blood, and the sublime love product is always the cold operating table in the hospital, always the bloody labor pains and the depravity of human nature.

In the new work "Lotus", Baby Anne adheres to a consistent cold style. In Lhasa, the woman meets a man who can accompany her, and one end of the man's life connects the real and the false in real life, and the other end is a long and difficult trek. The two of them crossed the Grand Canyon of the Brahmaputra River to visit the woman he was talking about.

Such three lives, when they meet in a different place, when the past gradually becomes clear, the road ahead is still bleak.

With the pirated bookstall at the door also selling lotus, I suspect that the book has begun to become popular. So I snatched it from the female classmate next to me for the price of an ice cream. The cover design of the book is really good.

White, how pure. If I get a lotus flower on it, I think it's a Buddhist scripture, and if I put n more lotus flowers, I think it's a plant introduction. I hadn't read much of Baby Anne's books before.

But at that time, it left a petty bourgeois impression on me. In my head, that's what those people wrote.

The book tells the story of a young woman, Kyungaki, who is sick and stranded on the plateau, waiting for death. The middle-aged man Ji Shansheng has just finished chasing fame and fortune, and the long-suppressed darkness in his heart has awakened, and he is ready to go to the isolated Motuo to find his old friend Suneihe. Sunehe is a woman forgotten by the world and has a bad fate.

Along the way, Shansheng tells Qingzhao about his past and the inland river, and the strange and dangerous obstacles in the valley of the Brahmaputra River are just like the painful and displaced transformation process of the successive generations in the narrative.