What are the four characteristics of Fu? What are the characteristics of Fu

It flourished in the Warring States and flourished in the Han and Tang dynasties, and declined after the times. Fu is a marginal genre between poetry and text, which is closer to the poetic style. The poems are intertwined and influence each other.

The difference between Fu and poetry is that there are few poems and more voices, and there are fewer voices and more words. Fu is roughly divided into asanas: Sao Ti Fu, Four Words Poetry Fu and Scattered Fu (or big Fu).

Fu is somewhat similar to prose poetry in modern literature. It has three main characteristics: First, the sentence is precedent.

Fourth, six-character sentences are the mainstay, and the pursuit of puppetry; Second, the phonetic requirements are harmonious; Third, the rhetoric pays attention to algae decoration and dictionaries. Puppet rows and algae ornamentation are a major feature of Fu.

The poems and songs have four characteristics: first, personalization, that is, what Mr. Mao Dun said, "making hats according to the head"; second, episodic, which is not free, but combined with the plot; third, borrowing the topic to play, the most typical, such as "Furong Daughter"; Fourth, hinting at the future, that is, having the nature of a prophecy, the most obvious manifestation is the judgment and the song.

Characteristics of Fu: Sentences are used to.

Fourth, six-character sentences are the mainstay, and the sentence structure is staggered and pursues couples; Phonology requires harmonic vocal rhythm; The rhetoric pays attention to algae decoration and diction.

The content focuses on writing scenes and borrowing scenes to express lyricism. Pai puppets and algae ornaments are Han Fu.

A major feature. After a long process of evolution, it developed into the Middle Tang Dynasty, in the ancient literary movement.

Under the influence of scattered culture, there is a trend of loose culture, which does not talk about puppetry, rhythm, uneven sentence structure, and rhyme is relatively free to form a fresh and smooth momentum of prose, which is called "Wenfu."

Main introduction

Fu is a marginal genre between poetry and literature, and in between, Fu is closer to poetry. From the Han Dynasty to the early Tang Dynasty, Fu is close to poetry and far from the text, and from the theme point of view, the theme of Chu Ci style works is relatively simple, and most of them are "sad people do not meet".

And its form is also relatively fixed, all of which are modeled after Qu Yuan.

The style of the work is like Qu Yuan's writing of his own misfortunes and sorrows. Qu Yuan's The Conjuring.

The extravagance and exaggeration of the whole article has a self-evident impact on Han Dafu.

Fu has a strong literati atmosphere since the day of its birth, which is the reason why it is deeply influenced by Chu Ci. Sao Tifu mostly adopts the "vanilla beauty" of Chu Ci's comparison technique.

It also often follows Chu Ci's "analogy" technique.

Fu Jian has the characteristics of literature and philosophy, and is a literary genre in ancient China.

The characteristics of Fu's literary style include ornate rhetoric, rich rhetorical devices, beautiful rhythm and unique artistic style. The philosophical characteristics of Fu are reflected in his dialectical thinking and speculative character.

Literary characteristics of Fu: First of all, as a literary genre, Fu often uses a variety of rhetorical devices, such as borrowing scenes to express lyricism, using metaphors and exaggerations. Secondly, Fu's performance in rhythm is also very outstanding, including flat rhyme, neat battle, etc., which makes Fu have a good taste and auditory effect.

In addition, Fu also has a unique artistic style, and is good at expressing the author's opinions and emotions through detailed descriptions and emotional expressions.

Philosophical characteristics of Fu: In terms of content, Fu not only involves the trivial affairs of social life, but also penetrates many profound philosophical thoughts. As a literary form, fu emphasizes the importance of poetic expression and speculative character.

Dialectical ideas that often appear in Fu, eg"The extremes of things must be opposed"with"Simplicity"etc., all with deep philosophical reflections. In addition, Fu also often uses fables, myths and other techniques to embody philosophical ideas, and through the comparative analysis of ancient and modern Chinese and foreign cultures, it presents a rich humanistic connotation.

Fu has the characteristics of both literature and philosophy, not only with gorgeous rhetoric, rich rhetorical techniques, beautiful rhythm and unique artistic style, but also has profound philosophical thinking and speculative character. As a treasure in the treasure house of ancient Chinese literature, Fu has been widely used in literary creation and philosophical thinking, leaving many precious cultural heritages for future generations.

Fu is not only an important part of ancient Chinese literature, but also an important carrier of Chinese cultural inheritance and innovation. Fu's artistic style has not only influenced other literary genres in the history of Chinese literature, but also served as an important reference for the literature and art of other countries and regions in the East Asian cultural circle.

In modern times, although Fu as a literary form is not as popular as it was originally, its imagination, literature and artistry still contain profound cultural connotations, and have become an important resource in contemporary literary creation and cultural inheritance.

The characteristics of Fu are as follows: 1. The number of words in a sentence is mainly a four-character or six-character sentence; 2. In terms of sentence structure, it not only pursues staggeredness, but also pursues tolerance and couples; 3. The voice party pursues the harmony of sound and rhythm; 4. In terms of rhetoric, we pay more attention to algae decoration and dictionaries; 5. In terms of content, it tends to write scenes and use scenes to express lyricism.

What is Fu

Fu is a literary style in ancient China, between poetry and prose, similar to the prose poems of later generations, it pays attention to literary style, rhyme, and has the nature of poetry and prose. It is characterized by "paving the collection of texts, writing the body and objects", focusing on writing scenes and borrowing scenes to express lyricism.

The development of Fu has gone through several stages: it first appeared in Zhuzi's prose, called "short Fu"; The "Sao Ti" represented by Qu Yuan is the transition from poetry to Fu, called "Sao Fu"; The Han Dynasty formally established the style of fu, called "ci fu"; After the Wei and Jin dynasties, it increasingly developed in the opposite direction, which was called "Pifu"; In the Tang Dynasty, it was transferred from the pun body to the legal body, which was called "legal fu"; In the Song Dynasty, fu was written in the form of prose, called "wen fu".

Han Fu four families

Sima Xiangru, Yang Xiong, Ban Gu, and Zhang Heng were praised by later generations as the four masters of Hanhu Sohufu.

Sima Xiangru, the word Changqing, Han nationality, Western Han Dynasty Cifu family, outstanding representative of Chinese cultural history and literary history.

Yang Xiong, Ziyun, Han nationality. Western Han Dynasty officials and scholars. He was the most famous cifu scholar in the Western Han Dynasty after Sima Xiangru, and was the inheritor and developer of Taoist thought in the Han Dynasty.

Ban Gu was an official, historian, and writer in the Eastern Han Dynasty. Good words, representative works include "Two Fu" and so on.

Zhang Heng, whose name is Pingzi, was a native of Nanyang Xi'e (now Shiqiao Town, Nanyang City, Henan), a great astronomer in the Eastern Han Dynasty of China, who made indelible contributions to the development of Chinese astronomy, mechanical technology and science.

The three characteristics of Fu: Dan knows that the sentence is to.

Fourth, six-character sentences, and the pursuit of puppetry, phonetically requires harmonic rhythm, and the rhetoric pays attention to algae decoration and dictionaries. Fu is a kind of literary style in ancient China, which pays attention to literary style and rhyme, and has the nature of poetry and prose.

It is characterized by "paving the collection of texts, writing the body and objects", focusing on writing scenes and borrowing scenes to express lyricism. The development of Fu has gone through several stages: it first appeared in the prose of Zhuzi, called "short Fu", the "Sao style" represented by Qu Yuan is the transition from poetry to Fu, called "Sao Fu", the Han Dynasty formally established the style of Fu, called "Ci Fu", after the Wei and Jin Dynasties, it increasingly developed in the direction of the pun, called "Punfu", and the Tang Dynasty transferred from the pun to the legal body called Shi Chiju "L. Fu", and the Song Dynasty wrote Fu in the form of prose, called "Wen Fu".

Famous endowments include: Du Mu's "A Fang Gong Fu", Cao Zhi's "Luo Shen Fu", Ouyang Xiu Sobi's "Qiu Sheng Fu", Su Shi's "Former Chibi Fu", Yu Xin's "Wailing Jiangnan Fu" and so on.

The main characteristics of Fu lie in the following five aspects:

1) The number of words in a sentence is mainly four-character or six-character sentences;

2) In terms of sentence structure, it not only pursues staggeredness, but also pursues puppetry;

3) Phonological harmony is pursued;

4. In terms of rhetoric, we pay more attention to algae decoration and dictionaries;

5. In terms of content, it tends to write scenes and use scenes to express lyricism.

Extended Material: Introduction to Fu.

Fu is a rhyming style in ancient China, between poetry and prose, similar to the prose poems of later generations. It is literary and rhythmic, and has the nature of both poetry and prose. It is characterized by "laying out the text, writing the body and objects", focusing on writing the scene and borrowing the scene to express lyricism.

It first appeared in the prose of Zhuzi, called "short fu"; The "Sao Ti" represented by Qu Yuan is the transition from poetry to Fu, called "Sao Fu"; The Han Dynasty formally established the style of fu, called "ci fu"; After the Wei and Jin dynasties, it increasingly developed in the opposite direction, which was called "Pifu"; In the Tang Dynasty, it was transferred from the body to the body of the law, and Qi Ku was called "law fu"; In the Song Dynasty, fu was written in the form of prose, called "wen fu". Famous endowments include: Du Mu's "A Fang Gong Fu", Cao Zhi's "Luo Shen Fu", Ouyang Xiu's "Autumn Sound Fu", Su Shi's "Former Chibi Fu" and so on.

1.Fu is a very typical style of writing in China, and I have collected the following developments and characteristics of its information, because the characteristics of each period are different, and I can't generalize them, I hope to help you.

2.By the time it arrived in the Western Han Dynasty, it was enough to become a representative of the literature of the Han Dynasty and even influence the history of Chinese literature for thousands of years.

3.Fu is roughly divided into five types, and it is also five important periods: the Western Han people regard the works of Chu poets Qu Yuan and Song Yu as Fu body, without certain restrictions, and this is called the Chu style of Fu.

4.Han Fu is longer, more regretful and hungry with question and answer style, rhyme is scattered, its sentence pattern is mainly four words, six words, but there are also five words, seven words or longer sentences, Han Fu likes to pile up words, easy to use difficult words, and try to lay out the ability to compare, but it is regarded as the authentic body of Fu by later generations, also known as ancient Fu.

5.The Six Dynasties Fu is a variant of the Eastern Han Dynasty's lyrical short fu, which is characterized by short length and neat sentence structure, mostly composed of four words and six words, and pays attention to plainness, rhyming throughout, also known as haifu.

6.The Tang and Song dynasties also had a law, the title was clear, the number of words rhymed, and the level was strictly limited.