Is China s pentatonic pattern a national tonality, and all other countries except China have a seven

China's national tone is the pentatonic scale, also known as the pentatonic scale, which is the ancient rhythm of the Han people, that is, the Gong Shang Jiao Zheng Yu, and the Tang Dynasty used the four Yi ruler Gong to represent, which is what we call the Gong Ruler Spectrum. In addition to the traditional pentatonic scale in China, there is also a pentatonic scale in Japan.

Country and blues in the United States also use the pentatonic scale

As the name suggests, pentathon.

A formula is a key that consists of five notes instead of seven. The pentatonic tone is widely used in ancient China and folk, and on this basis, various variations of the Chinese national tone and a complete theoretical system have been formed, so although the pentatonic tone can be seen in the traditions of many countries and regions, it is often called "Chinese tone" or "national tone".

The five notes in the pentatonic pattern are derived according to the ascending fifth relationship; Assuming that starting with do is:

do so re la mi, for the sake of convenience, we will use the brief notation below (so this part is placed in the chapter "Brief Notation Knowledge").

Arrange these five notes in order to get a pentatonic scale, the interval structure inside the scale is fixed, and each note has a name:

Each of the five notes can be the dominant note of the key, from which the five keys are produced:

Gong tone: 1 2 3 5 6 (1).

quotient: 2 3 5 6 1 (2).

Angular modulation: 3 5 6 1 2 (3).

Sign: 5 6 1 2 3(5).

Feather Formula: 6 1 2 3 5 (6).

Add a high in front of the key name to form a complete tonal name. For example, the 1=C pair is called "C", 1=D is called "D", and 1=E is called "......E".Another example is the sign modulation, 5=C is called "C sign", 5=D is called "D sign", and 5=E is called "E sign" ......And so on for other keys.

Compared with the seven-tone mode, the pentatonic mode lacks the two "partial tones" of fa and si, and there is no semitone relationship in the scale, which forms a minor third relationship between mi-sol and la-do, so the color is softer.

Secondly, do-mi (i.e., gong-jiao) constitutes the only major third interval in the key, which is an important symbol of pentatonic mode and the basis for distinguishing pentatonic mode.

A pentatonic mode is a key that consists of five notes instead of seven. The pentatonic tone is widely used in ancient China and folk, and on this basis, various variations of the Chinese national tone and a complete theoretical system have been formed, so although the pentatonic tone can be seen in the traditions of many countries and regions, it is often called "Chinese tone" or "national tone".

The pentatonic mode is arranged in a pure fifth interval relationship, and is a key composed of five tones. Since this tone is unique to our country, it can also be called a national tone. The names of these five sounds are: Gong, Shang, Jiao, Zheng, and Yu.

A pentatonic mode is a key composed of five notes arranged in a pure fifth, which is called a pentatonic mode.

1. Basic explanation.

The five-tone virtual search tone is a tone composed of five tones (instead of seven), which is widely used in ancient China and folk, and on this basis, various variations of the Chinese national tone and a complete ** theoretical system have been formed, which is often called "Chinese tone" or "national tone". The pentatonic mode is arranged in a pure fifth interval relationship, and the names of these five tones are: Gong, Shang, Jiao, Zheng, and Yu.

Second, the first characteristics.

1. The lack of semitones and tritones has a sharp tendency to miss the intervals, and the only major third (minor sixth) in the pentatonic pattern is formed between the palace horns, so it makes people feel particularly good. There are only do, re, mi, so, la.

2. The "triphonic group" composed of major second and minor third is the basic tone in the progress of pentatonic melody.

3. Performance.

The seven notes of natural major are one after the other, and each note is a second interval with no "gap" in between; Its fingering is connected by a three-note group with a four-note group by a big finger turn. In the pentatonic scale, the interval between the two pairs of tones from horn to sign and feather to gong is third, which means that there is a distance to "cross" when playing the two pairs of notes.

Its fingering is composed of a three-tone group and a two-tone group, which are connected after crossing two relatively long intervals from the angle to the sign and the feather to the palace. These characteristics are not only the difference between the pentatonic scale and the natural major, harmonic minor, and melodic minor, but also the focus and difficulty of using the pentatonic scale as a basic practice.

Palace, business, horn, sign, feather. According to the order of the fifth, starting from the palace sound to the feather sound, the order is: palace - Shang - horn - sign - feather; If they are arranged in order of pitch, they are:

1 2 3 5 6 Gong Shang Jiao Zheng (zhǐ) Yu. In the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used.

The pentatonic tone is widely used in ancient China and folk, and on this basis, various variations of the Chinese national tone and a complete theoretical system have been formed, so although the pentatonic tone can be seen in the traditions of many countries and regions, it is often called "Chinese tone" or "national tone". The pentatonic form not only requires the talent of the singer, but also the singing skills created by long-term training and training.

Palace (gōng), 商 (shāng), 角 (jiǎo), 徵 (zhǐ), feather (yǔ).

Gong Shang Jiao Zheng Yu refers to the traditional Chinese pentatonic form. As the name suggests, a pentatonic mode is a simple tone made up of five notes instead of seven. The pentatonic tone is widely used in ancient China and folk, and on the basis of this, various variations of the Chinese national tone and a complete theoretical system have been formed, which is often called "Chinese tone" or "national tone".

Mode. Each of the five notes can be the dominant note of the key, from which the five keys are produced:

Gong tone: 1 2 3 5 6 (1).

quotient: 2 3 5 6 1 (2).

Angular modulation: 3 5 6 1 2 (3).

Sign: 5 6 1 2 3(5).

Feather Formula: 6 1 2 3 5 (6).