A brief introduction to the Qin dialect of the China Qin Dialect Art Festival

Qin dialect is one of the most historic dramas in China, and has a deep and extensive mass base in Northwest China. In order to keep this ancient opera genre in step with the times and rejuvenate itself, the China Qinhua Art Festival, jointly sponsored by the Chinese Dramatists Association, the cultural departments of relevant provinces and regions, the Federation of Literary and Art Circles and other units, came into being.

1. Qin dialect, also known as "Bangzi dialect", one of the oldest dramas of the Han nationality, originated in the Western Zhou Dynasty and originated from Xifu [the core area is Qishan (Xiqi) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province]. Matured in Qin. It is one of the national intangible cultural heritages.

2. In ancient times, Shaanxi and Gansu belonged to the Qin State, so it was called "Qin Cavity". Because in the early Qin dialect performance, it was often accompanied by jujube wood bangzi percussion, so it was also called "bangzi cavity". After the Qin cavity was formed, it spread throughout the country, and because of its complete set of mature and complete performance system, it had a different degree of influence on the opera genres in various places, and directly influenced the Bangzi cavity to become the ancestor of the Bangzi cavity opera.

Qin's performance skills are simple, rough, bold, full of exaggeration, strong life atmosphere, and rich skills.

Introduction to Qin Cavity

1.Qin dialect, also known as Bangzi opera, is one of the oldest operas of the Han nationality. Originated in the Western Zhou Dynasty and originated in Xifu [with Qishan (West Banner) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province as the core]. Matured in the Qin Dynasty. It is one of the national intangible cultural heritages.

2.In ancient times, Shaanxi and Gansu belonged to the Qin State, so they were called "Qin Opera". Because in the early Qin performances, early wood bangzi percussion accompaniment was often used, so it is also called "bangzi opera".

After the formation of the Qin cavity, it spread throughout the country. Due to its mature and complete performance system, it has had varying degrees of influence on local opera, and has directly influenced Bangzi Opera, becoming the originator of Bangzi Opera. Qin Yan's performance skills are simple, rough, bold, exaggerated, with a strong atmosphere of life and rich skills.

1. The Qin cavity, also known as the random play, originated from the West Qin cavity, is popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in the northwest of China. At the end of the Ming Dynasty, the legend of the anonymous "Lotus in the Bowl" used the song card of the two offenders of the Western Qin dialect, so it is known that it originated in Gansu. Gansu was called West Qin in ancient times, hence the name.

During the Kangxi Dynasty of the Qing Dynasty, Zhang Dingwang, a native of Jingyang, Shaanxi Province, wrote "The Theory of Qin Cavity", which shows that Qin cavity has developed to maturity at this time. During the Qianlong period, Wei Changsheng entered Beijing to perform the Qin dialect, which caused a sensation in Beijing. It has a direct impact on the formation of the sound cavity of Bangzi in various places.

It is one of the eight monsters of Shaanxi.

2. Classification of Qin cavity: Qin cavity singing cavity is a plate variant, which is divided into two types: happy sound and bitter sound, the former is good at expressing cheerful and joyful emotions; The latter is good at expressing sadness and desolation. Choose to use it according to the plot and character needs of the play. There are slow boards and two plates.

Sixth, the generation plate, the board, the sharp plate, the rolling plate and the cavity, the cavity is particularly distinctive. The main instrument is banhu, and the pronunciation is sharp and crisp.