The story of the ink animation Little Tadpole Looking for Mother . Do you know the secret?

In fact, I think it is a deep affection for the children's mother, which has a certain dependence, and also has a certain liking, very deep emotion.

Of course, I know, the most mysterious thing is that tadpoles will change and evolve into frogs, which illustrates the process of biological change.

The background of the creation of this ink animation was the proposal of animation designer Xu Jingda to make ink paintings into animation form, and then at the 1960 Fine Arts Film Exhibition, this proposal was supported by the **Marshal,**The guidance given by the marshal was to make Qi Baishi's paintings move. The prototype of this animation of "Little Tadpole Looking for Mother" is the thing in Mr. Qi Baishi's painting.

"Little Tadpole Looking for Mother" is China's first ink-style cartoon.

"Little Tadpole Looking for Mother" is adapted from the fairy tale of the same name created by Fang Huizhen and Sheng Lude, based on the images of fish and shrimp created by painter Qi Baishi, and is China's first ink animation produced by Shanghai Fine Arts Film Studio in 1960. Sheng Tewei, Qian Jiajun, and Tang Cheng are the directors, and Fang Huizhen and Sheng Lude are the screenwriters.

Video reviews

In 1960, the first ink cartoon "Little Tadpoles Looking for Mother" was born, in which the small animal shapes were taken from Qi Baishi's pen, a group of small tadpoles are just a group of ink dots, but the film uses their swimming formation changes and fast and slow rhythm to show delicate feelings and the charm of Chinese landscape painting.

Baishi is treasured in the world, Junyi is fresh, Rongbao is good at copying, and it can often be messed up. When the film industry Yan, create frightening ghosts and gods. Famous paintings are really moving, and diving is lifelike.

The willow leaves are raining, and the hibiscus is fragrant. The tadpole looked for his mother and ran to ask for help. is only one by one, and repeatedly admits the wrong mother.

Don't laugh at tadpoles for being stupid, and so do people. The understanding is not comprehensive, and good intentions do bad things. Mo Xiao's story is born, and there is a philosophy in it.

Painting and poetry, three beauties are all available.

Qi Baishi.

"Little Tadpole Looking for Mother" is China's first ink animation produced by Shanghai Fine Arts Film StudioThe small animal shapes are based on the images of fish and shrimp created by painter Qi Baishi. The prototype of the protagonists tadpoles comes from Qi Baishi's ink masterpiece "The Sound of Frogs Ten Miles Out of the Mountain Spring".

The film tells the story of a mother frog who leaves after laying tadpole eggs, and a group of small tadpoles go to find their mother according to the mother's characteristics described by the shrimp father. Along the way, they mistake goldfish, crabs, turtles, and catfish for their mothers. Eventually, the tadpoles finally found their mother.

Although the length of "Little Tadpole Looking for Mother" is only 15 minutes, it combines traditional Chinese ink painting techniques with animationIts biggest innovation and breakthrough is to make China's unique "ink painting" move and express the charm of Chinese landscape painting. The water creatures of different shapes are depicted vividly and flexibly, and the innocent and childlike joy is vividly depicted on the paper into the art of light and shadow, and the expression of Chinese style forms the aesthetic expression of animation.

"Little Tadpole Looking for Mother" has amazed the international animation community with its meticulous ink paintings and delicate action design. He has won the Silver Sail Award for Short Film at the 14th Locarno International Film Festival and the Special Award for Short Film at the 4th Annecy International Animation Film Festival in France. This is not only the accumulation and precipitation of the spirit of traditional Chinese art for decades by the older generation of animators in China, the thick land of traditional ink art, but also the crystallization of the inspiration of traditional Chinese aesthetics.

Little Tadpole Looking for Mom is an animated work that incorporates many Chinese elements, including:

1.Ink Painting: The scenes and characters of this animation are in the form of traditional Chinese ink painting to express the unique charm of Chinese culture.

2.Traditional Instruments**: The soundtrack in the animation uses traditional Chinese instruments such as the guqin, bamboo flute, and erhu. The sound and playing style of these instruments are imbued with the characteristics of traditional Chinese culture, which further reinforces the Chinese style of animation.

3.Traditional Chinese Stories: The storyline of the animation is based on traditional Chinese stories, such as "The Little Tadpole Finds Its Mother", which is a children's story that has been circulating in China for a long time and has been widely disseminated through the form of animation.

4.Integration of traditional cultural elements: "Little Tadpole Looking for Mother" also integrates traditional Chinese New Year paintings, architecture, sculpture and other elements, making the animation more characteristic of Chinese culture.

The fusion of these elements makes "Little Tadpole Looking for Mother" a distinctly Chinese style animation work, which is deeply loved by audiences at home and abroad.

Ink painting, traditional Chinese concepts, and the idea of harmony.

The story of the little tadpole looking for his mother tells us that if something is to be successful, it is necessary to go through thousands of mountains and rivers, and the following points are analyzed:

1. Blood is thicker than water, and mother and child are connected. While the little tadpole is struggling to find her mother, her mother is also looking for her own baby. And the mother frog was ecstatic when she saw her baby. It shows the deep mother-child love between animals.

2. Because they missed their mother, the little tadpoles began to look aimlessly, they first looked for the duck, and the duck said, "I'm not, your mother has a pair of big eyes." As a result, when the tadpole saw two fish with big eyes, he took the fish for his mother;

3. When the tadpole finds the fish, the fish tells the tadpole, "I'm not, your mother has four legs." As a result, when the tadpole saw the four-legged tortoise, he took the tortoise for his mother;

4. When the little tadpole happily greeted it and called the mother turtle, the turtle said that it was not me, and your mother's belly was white;

5. When the little tadpole looked for it and saw a big white goose, it happily ran over and called the mother white goose, and the white goose shook his head and said, "No, I am not your mother, your mother is wearing a green dress." ”

6. When the tadpole swam up to the frog and asked if the frog had seen my mother? The frog said happily, "Child, I am your mother". Then the family was happily reunited.

7. This story, analyzed separately, is mainly to tell everyone that when looking at a problem, we can't just look at the surface, nor can we look at the problem from a certain feature, but to comprehensively express one thing, a person, in order to avoid detours.

8. The story of finding his mother from a tadpole also tells us that the tadpole is more lucky and meets a kind person. Just do your best to give the tadpole a maze. Although he took many detours, he was able to find his mother smoothly.

"Little Tadpole Looking for Mother" is the first ink animation made in the world, of course I have seen it。The story of "Little Tadpole Looking for Mother" has accompanied the childhood growth of many children, and many post-70s and post-80s generations should have seen the ink animation created by this story when they were young, which is simply a turning point in the history of Chinese animation, and it is still a classic even today. Compared with the gorgeousness of modern animation, the ink painting of "Little Tadpole Looking for Mother" gives people an ethereal beauty, which is completely different from other pictures.

You must know that ink painting itself is a Chinese painting in the sense, representing thousands of years of traditional Chinese painting techniques, combining ink painting and animation with ingenuity, creating a new pattern of Chinese animation. In Qi Baishi's pen, many small animals are vividly shaped, which is also the biggest difference from other animations. Although there are no obvious contour lines, each stroke is natural.

For the animation industry at that time, it took a lot of time and effort to make such an anime.

The whole animation uses a special processing technique, and then these ink paintings and compositions are all filmed, and then they are continuously screened, and finally a classic ink animation is formed. The production team involved is very strong, except for some animation masters of the older generation, even famous Chinese painting masters are involved in art direction. It is this patience that no country in the world dares to compete with.

However, it is precisely this intention that makes this anime far from commercial value and highlights its artistic value.

Although the whole anime is only 15 minutes, it is also a childhood memory for many children, and every shot in it is a beautiful ink painting, which is of great help to children's enlightenment. Although the cartoon "Little Tadpole Looking for Mother" has been remade many times, everyone still can't forget this original version. Even if I watch it again, there is still a sense of shock that cannot be dissipated for a long time.

Little Tadpole Looking for Mother is the world's first ink animation; I've seen this anime, it has a unique art style, and I like it very much.

Of course it is, I saw it when I was a child, it was very hot, and when I saw that the little tadpole couldn't find its mother, I would be very sad.

It was produced by Shanghai Fine Arts Film Studio in July 1961, and it was also the world's first ink cartoon.

The first ink cartoon "Little Tadpole Looking for Mother", in which the animal design is taken from Xu Beihong's book. Different from ordinary animation, the ink animation has intermittent wheel corridor lines, and the ink pen strokes on rice paper are of course 3D rendering, which is integrated, and each scene is an excellent color ink painting. The operation and expressions of the characters are beautiful and dynamic, the environment of the ink-splashed landscape is bold and magnificent, and the gentle tone is full of poetry and painting.

It shows the artistic aesthetics of Chinese painting "like and not like the middle", and has a long-term poetic meaning.

Because it is necessary to render and color in layers, the processing technology is more complicated, and a lot of time and human resources are unexpected. Ink animation is a successful trial production of Shanghai Fine Arts Film Studio in the early 60s. Generally, the modeling design of cartoon characters is all "single-line elastic painting", but ink cartoons have the characteristics of color ink painting, which is the fine style of Chinese national art painting.

Rationalization of food webs. Why is it a mother chicken in the movie and not a mother duck in the original story, because the mother chicken is only on the shoreside theme activities.

The mother duck can be caught in the water, and if the mother duck talks to the tadpole, it is very easy to cause confusion among the audience with social experience, and it will leave a logical flaw in this beautiful legend. According to this idea, the big white goose in the original story was also deleted from the movie. Secondly, the convenience of production.

The overall goal of this animation is to reproduce Qi Baishi's paintings, so it is best to use Qi Baishi's paintings as a reference. Chickens, shrimps, giant crabs, small turtles, and silver carp are all common targets in Qi Baishi's paintings, and only the character of "beckoning fish" Xu Beihong is not involved.

The task of making the beckoning fish was finally assigned to Dai Tielang, and he kept changing it 6 times to succeed. This adaptation of the fairy tale of the same name, based on the artist Xu Beihong's personal images of fish, shrimp and other personal images, the ink pen animation improves the traditional animation single-line painting technique, and applies the unique ink pen fun of Chinese painting to the filmIt has created a unique way of animation, which once established the international influence of China's animation.

During the production, it cost nearly one million dollars in production costs, and in this process, a large number of ink paintings were required, and the scene of the frog diving was repeatedly tested, and all the colors were colored, and they were shot separately for editing.

The cartoon "Little Tadpole Looking for Mother" is loved by everyone, and it took a lot of effort to produce it under the conditions at that time, and a lot of manpower and material resources were also invested.

It took a lot of work to make it, and it was very difficult to make such an anime at that time.