What traditional moral spirit is embodied in the righteousness in the Romance of the Three Kingdoms?

"Romance of the Three Kingdoms" is a cultural classic in my country. The moral concept of loyalty as the core advocated by it has influenced generation after generation of ChineseWe should analyze and distinguish it from a historical and dialectical perspective, take the essence of it, and remove the drossCarry forward the fine traditions, serve today's society, and make it glow with new vitality and vitality.

The cultural spirit of the Three Kingdoms is condensed by the Chinese nation in thousands of years of struggle, it embodies the traditional psychology of the Chinese nation's ethics and morality, and is a cultural treasure house shared by the Chinese nation and even the world.

Implications

Related to the spirit of loyalty and righteousness is also the spirit of martial arts and wisdom. Liu Bei's military advisor Zhuge Liang is like a god, surprisingly victorious, and has endless tricks, he is the embodiment of the wisdom of the Chinese nation. Guan Gong is the representative of the Chinese nation's martial arts, known as the "martial saint".

People admire Kong Ming and Guan Yu, not only because of their wisdom and bravery, but also because they embody the core of "Romance of the Three Kingdoms" - the spirit of loyalty.

Some of the loyalty culture in "Romance of the Three Kingdoms" is worth learning from our modern people, such as investing more and considering more in the company for the future of the enterprise, and managers should also respect and trust their employees as their own love.

Guan Yu

Guan Yu has read books, and "Romance of the Three Kingdoms" says that he has read "Spring and Autumn". This shows that Guan Yu is a person who is deeply influenced by traditional culture, and he has a firm Confucian ethics and morality in his mind. For Guan Yu, "Spring and Autumn" is read as a military book on the one hand, and on the other hand, "Spring and Autumn" has also become a symbol of traditional Chinese thought and moral spirit.

Later, the Taoyuan Three Knots were deeply branded with this traditional cultural spirit.

The Romance of the Three Kingdoms (full name is "The Popular Romance of the Three Kingdoms", also known as "The Romance of the Three Kingdoms") is a long chapter of the Hui Historical Interpretation of the Three Kingdoms created by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty according to Chen Shou's "Three Kingdoms" and Pei Songzhi's annotations and folk tales and legends of the Three Kingdoms. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, Mao Zonggang rectified the "Romance of the Three Kingdoms", revised the rhetoric, and changed the poems, and the version also became the highest level and the most widely circulated version among many versions.

The Romance of the Three Kingdoms mainly has three soul characters, telling three kinds of life, Guan Yu's loyalty, Zhuge Liang's wisdom, and Cao Cao's treachery. The original intention was just to tell a piece of history vividly in the vernacular, but it was mixed with a lot of personal emotions, praise for Shu Han and depreciation for Cao Wei

You must be loyal and patriotic, but this will not end well.

"Righteousness" is the ideological essence and soul of the Romance of the Three Kingdoms.