Swallow, eyebrow, rain, fish, the word construction rationale

They are all basic pictographs, from oracle bone inscriptions to modern Chinese characters, and the basic pictograms are also there.

You can look up these words in the pictographic dictionary, the swallow is the swallow with the forked tail and wings open, and the following 4 points are the forked tail alienation.

An eyebrow is a few eyebrows drawn on the eyes, and the oracle does not have a long apostrophe on the left.

The rain is a little bit under the flat cover, and the modern Chinese character hides the raindrops inside, and the oracle bone inscription is underneath.

The fish is in the shape of a forked tail. The lower horizontal is a fork-shaped fishtail alienation.

Each Chinese character has its own intention to construct the word, and when the meaning is recognized, it becomes the rationale for the creation of the word, and with the development of the Chinese character, its rationale for the construction of the character changes.

Chinese characters have a long history, and in this long period of time, many changes have taken place in the way they are configured. On the whole, there has been no change in the nature of Chinese characters, and their basic conformational characteristics have always been retained. Each Chinese character has its own intention to construct the word, and when the meaning is recognized, it becomes the rationale for the creation of the word, and with the development of the Chinese character, its rationale for the construction of the character changes.

Past experience, if not forgotten, is a guide for the future..

East is the single structure of the word bai.

1. Interpretation of Dongdu.

1. Direction zhi word. One of the four main directions, the sun rises within one side.

2. The host (in ancient times, the main seat was in Rongdong, and the guest seat was in the west).

3. Host. 2. Etymological explanation.

This character was first found in the Shang Dynasty oracle bone inscriptions. The ancient character for "east" resembles a pocket tied with ropes at both ends, which is the original text of "橐". The common meaning of east is the direction in which the sun rises, and by extension, it points to east.

3. Compounds. Eastern Han Dynasty, Jiangdong, East Palace, East China, Eastern Jin Dynasty, etc.

Monolithic, single structure.

Detailed explanation of common words: 1. Details:

Pinyin: dōng

Radical: a. Strokes: 5

Second, back to the stroke order diagram:

3. Basic Interpretation Answer:

1. Orientation words. One of the four main directions, the side where the sun rises: the side. Square. Wind. City. City. Oe Go.

2. The host (in ancient times, the main seat was in the east, and the guest was in the west): room. Share. Family.

3. Host: I'll do it, invite you to dinner.

东 is a single character.

独体字 [dú tǐ zì].

The single character is a Chinese character composed of strokes as a direct unit, and it is a whole that is inseparable from the drawings and evolves from the pictures.

The individual pictographs and signifiers are the basis for the formation of the combined characters.

Hello, the configuration of the eastern character is different, and there is a way to say that the system is the meaning of the word, "Shuowen East": "From the day in the wood." It means that the sun is in "wood", which means that the sun has just risen, and the direction in which the sun rises is the east.

Another version is hieroglyphs, and in oracle bone inscriptions, "dong" resembles a cage made of bamboo and wood, and also like a bag full of goods, tied with rope at both ends. It is the first text of "橐". The meaning of "Oriental" is a false meaning. Thank you.

In the oracle bone inscription, the "east" of the east is represented by the pictogram "橐", and the small seal shape becomes "east", and the reason also becomes the huiyi character of "from the day in the wood" (refer to the traditional east). This is the phenomenon of rationale reorganization, and the original oracle bone inscription rationale for "east" was lost in the development, but a new rationale was produced, which was also recognized by the society, so it is now generally considered that "dong" is a huiyi character.

The water threshold is heartfelt.

Tang Dufu. Go to Guo Xuan Yingchang, no village to look at credit.

Chengjiang flat less bank, secluded trees late and more flowers.

The drizzle of fish comes out, and the breeze swallows slanting.

There are 100,000 households in the city, and there are two or three here.

Two poems of "Water Threshold Sending Heart", composed about 761 A.D. This is the first poem, which depicts the poet's leisurely mood away from the hustle and bustle. Xuan, promenade; Ying, pillars.

Credit, far. The first couplet begins with the environment of the thatched cottage: it is far away from the castle, the garden is open and spacious, and there is no village next to it, so that the poet can see from afar.

The middle four sentences are followed by the view of the view. "Chengjiang Ping Shao'an", the poet looks at the distance by the threshold, the clear and clear river water, mighty and mighty, seems to be flush with the river bank. This is to write the vision; "Lonely Trees and More Flowers" is written in a close-up scene, and the lush trees around the cottage are in full bloom in the spring dusk, exuding a charming fragrance.

The fifth and sixth sentences are delicately depicted and described very vividly: "The drizzle of fish comes out, and the breeze swallows slanting." "You see, the fish swayed in the drizzle, spitting blisters, and swam happily to the surface.

The swallow, with its gentle body, slanted across the watery sky ...... the breezeThis is a famous phrase that has been recited for a long time. Ye Mengde's "Stone Forest Poems" cloud: "Poetry is too clever.

However, the fate of the body has its own natural wonder, such as Lao Du's drizzle fish out, breeze swallow oblique, this cross, there is no word in vain. The drizzle hits the surface of the water, and the fish often float up and down. If it rains heavily, it will not come out.

The swallow body is light and weak, and the wind is fierce, but the breeze is subject to the potential, so there is a sentence of 'light swallow is oblique by the wind'. "Only when the rain is thin does the fish swim up to it with joy; If the rain and waves are heavy, the fish will dive to the bottom. Only when the wind is light, the swallow can skim the sky lightly and swiftly; If the wind and rain are urgent, the swallows will not be able to stand it.

The poet's intention in choosing words is so subtle that it is impressive. "Out" writes the joy of the fish, which is extremely natural; "Oblique" writes the lightness of the swallow, forcing Xiao to be vivid. The poet depicts the dynamics of fish and swallows in the breeze and drizzle, which is intended to support things.

From these two lines, can we not feel the joy of the poet's love for spring? This is the work of the so-called "affection and physical object".

The last couplet echoes the first two sentences. Compared with "100,000 households in the city" and "two or three families here", it seems that this place is very leisurely and quiet. The eight lines of the poem are all battles, and in the description, the distance and the near are staggered, fine and natural, "there is no trace of its carving due to its own natural craftsmanship".

It writes the scene every sentence, and every sentence has the meaning of "sending the heart". Mr. Huang Binhong once said: "Landscape painting is to write about the nature of nature, but also to write about the heart of our people."

"Huang Binhong's Painting Quotations") is like this for clever paintings, and even more so for touching poems. This poem depicts the environment of the thatched cottage, but what is implicit between the lines is the poet's leisurely mood and love for natural spring.

It is Du Fu's "Water Threshold Heart".