What are the five character poems? What are the five character poems

Except for the overnight stay at the Stone Station" Dai Shulun:

Who asks the hotel? The cold light is unique.

The year will come to an end, and thousands of miles will not return.

Sadly past, smiling at this body.

Sadness and decay, tomorrow is spring.

Chunwang [Tang] Du Fu.

The country is broken by mountains and rivers, and the city is deep in spring.

When I feel the tears, I hate the birds, the beacon fire lasts for three months, and the family letter is worth 10,000 dollars.

The whitehead scratching is shorter, and the hairpin is overwhelming.

Send a friend. Li bai.

The green mountains cross the north Guo, and the white water surrounds the east city.

This place is a farewell, lonely and thousands of miles away.

Floating clouds and wandering children, the sunset is old.

Waving his hand, Xiao Xiao Ban Ma Ming.

Mountain dwelling autumn twilight [Tang] Wang Wei.

After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

There are many five-character poems, but they need to be distinguished from the five uniques. There are more than four lines of poetry, but the five and seven are all four sentences and the end is over. Anything that exceeds it is a poem. There is also the old style if the format of the whole text remains the same, and if there are long and short sentences from time to time, then it is the new style.

The five-character poem is as follows:

Wang Wan's "Under the Solid Mountain in the Second Bei", Zhang Jiuling's "Looking at the Moon and Huaiyuan", Wang Bo's "Sending Du Shaofu to Shuzhou", Li Bai's "Farewell to Jingmen", Du Xunyan's "Traveling to the Jin Tomb and Lu Cheng in Early Spring", Wang Wei's "Farewell to the South", Li Bai's "Sending Friends", Du Fu's "Spring Hope", Wang Wei's "Autumn Twilight in the Mountain House", and Du Fu's "Traveling Night Book".

Meng Haoran's "Looking at Dongting Lake as a Gift to Prime Minister Zhang", Li Yi's "Happy to See My Brother and Say Goodbye", Du Fu's "Ascending Yueyang Tower", Li Shangyin's "Evening Sunshine", Du Fu's "Spring Night Rain", Wang Wei's "Make it to the Stopper", Li Bai's "Gift to Meng Haoran", Meng Haoran's "Passing the Old Man's Village".

Five-character poems:

It is a genre of traditional Chinese poetry, referred to as Wulu, which belongs to the category of near-body poetry. This style originated in the Qi Yongming period of the Southern Dynasty, and its prototype was Shen Yue and other new style poems that paid attention to sound rhythm and duality, and it was basically stereotyped in the early Tang Dynasty and the Song Dynasty, and matured in the Tang Dynasty. There are a total of eight sentences in the whole article, each sentence has five words, there are two basic forms, and the two couplets in the middle must be opposed.

The five-character rhythm poem inherits the basic characteristics of five syllables per sentence, a group of two sentences in the whole text, and an even number of sentences in the whole poem, and at the same time adds the rules of duality and evenness. And these rules are borrowed from the pun script; The pun style was produced from the Chu Ci to the Han Fu; Therefore, in the final analysis, the Five Laws are the product of the grafting of the Five Ancient and the Pun Ti Script.

There are many five-character poems, some of which are listed below:

1. Autumn twilight in the mountain house.

Don Wangwei. After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

2. Hanjiang Linpan.

Don Wangwei. Chusai Sanxiang is connected, and Jingmen is connected to nine factions.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangyang is a good windy day, and you stay drunk with the mountain.

3. Grass. Don Bai Juyi.

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

4. Pass the Xiangji Temple.

Don Wangwei. I don't know the Xiangji Temple, a few miles into the cloud peak.

There is no one in the ancient wood, and where is the bell in the deep mountains.

The sound of the spring swallows the dangerous stone, and the sun is cold and green pine.

The twilight empty pool is bent, and Anzen makes a poisonous dragon.

5. At the foot of the sub-Beigu Mountain.

Don Wangwan. Outside the green mountains of Klook, in front of the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where can I get the village book? Return to the edge of Yanluoyang.

6. Send a friend.

Don Lee Bai. The green mountains cross the north Guo, and the white water surrounds the east city.

This place is a farewell, lonely and thousands of miles away.

Floating clouds fight lead wanderers, and the sunset is old.

Waving his hand, Xiao Xiao Ban Ma Ming.

7. Moonlit night. Don Du Fu.

Tonight, the moon in Yanzhou, the boudoir only looks alone.

Pity the little children, and do not understand the memory of Chang'an. The basis liter is good.

The fragrant mist is wet, and the clear jade arm is cold.

When to lean on the false pretense, the tears of the double shine are dry.

8. Pass the old man's village.

Don Meng Haoran.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

When you stay until the Double Ninth Day, you will smile at the chrysanthemums when you come.

9. Ascend Yueyang Tower.

Don Du Fu. In the past, I heard Dongting water, and now I go to Yueyang Tower.

Wu Chu is in the southeast, and Qiankun floats day and night.

Relatives and friends have no words, and the old and sick have a lonely boat.

Rongmaguan Mountain North, with Xuan Si Liu.

10, Gongchuan idle residence to give Pei Xiucaidi.

Don Wangwei. The cold mountains turn green, and the autumn water is murmuring.

Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind.

The sunset at the end of the ferry, and the lonely smoke in the ruins.

The complex value is drunk, and the song is in front of the five willows.

Gu Lang Yue Xing Tang Li Bai.

The hour does not know the moon, and it is called a white jade plate.

and suspicious Yaotai mirror, flying in the blue clouds.

The immortals hang their feet, and the laurel tree is a group.

The white rabbit pounded the medicine and asked Yan who to eat with.

There are many five-character poems, some of which are listed below:

1. Autumn twilight in the mountain house.

Don Wangwei. After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

2. Hanjiang Linpan.

Don Wangwei. Chusai Sanxiang is connected, and Jingmen is connected to nine factions.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangyang is a good windy day, and you stay drunk with the mountain.

3. Grass. Don Bai Juyi.

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

4. Pass the Xiangji Temple.

Don Wangwei. I don't know the Xiangji Temple, a few miles into the cloud peak.

There is no one in the ancient wood, and where is the bell in the deep mountains.

The sound of the spring swallows the dangerous stone, and the sun is cold and green pine.

The twilight empty pool is bent, and Anzen makes a poisonous dragon.

5. At the foot of the sub-Beigu Mountain.

Don Wangwan. Outside the green mountains of Klook, in front of the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where can I get the village book? Return to the edge of Yanluoyang.

6. Send a friend.

Don Lee Bai. The green mountains cross the north Guo, and the white water surrounds the east city.

This place is a farewell, lonely and thousands of miles away.

Floating clouds fight lead wanderers, and the sunset is old.

Waving his hand, Xiao Xiao Ban Ma Ming.

7. Moonlit night. Don Du Fu.

Tonight, the moon in Yanzhou, the boudoir only looks alone.

Pity the little children, and do not understand the memory of Chang'an. The basis liter is good.

The fragrant mist is wet, and the clear jade arm is cold.

When to lean on the false pretense, the tears of the double shine are dry.

8. Pass the old man's village.

Don Meng Haoran.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

When you stay until the Double Ninth Day, you will smile at the chrysanthemums when you come.

9. Ascend Yueyang Tower.

Don Du Fu. In the past, I heard Dongting water, and now I go to Yueyang Tower.

Wu Chu is in the southeast, and Qiankun floats day and night.

Relatives and friends have no words, and the old and sick have a lonely boat.

Rongmaguan Mountain North, with Xuan Si Liu.

10, Gongchuan idle residence to give Pei Xiucaidi.

Don Wangwei. The cold mountains turn green, and the autumn water is murmuring.

Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind.

The sunset at the end of the ferry, and the lonely smoke in the ruins.

The complex value is drunk, and the song is in front of the five willows.

Gu Lang Yue Xing Tang Li Bai.

The hour does not know the moon, and it is called a white jade plate.

and suspicious Yaotai mirror, flying in the blue clouds.

The immortals hang their feet, and the laurel tree is a group.

The white rabbit pounded the medicine and asked Yan who to eat with.

Five-character poetry is a type of poetry, which refers to poetry that conforms to the norms of poetry in five words and eight sentences'Poetry belongs to the category of proximal poetry. Lyric poetry originated in the Southern Dynasty, evolved from the new style poems that paid attention to sound rhythm and comic branches, such as Shen Mu Huyue during the Yongming period of the Southern Qi Dynasty, to the early Tang Dynasty and the Song Dynasty, which were basically stereotyped and matured in the prosperous Tang Dynasty.

For the people of the Tang Dynasty, the five-character rhythm poem is a new poetic style born out of the five-character ancient poems, which inherits the principle of Wushan Naimin ancient sentence with fixed words and rhyme at intervals, and draws on the sound rhythm and duality principle of the pun style text, and has developed in many aspects

1. Eight sentences per poem;

2. The third and fourth, fifth and sixth sentences must be opposed;

3. The level must be arranged in accordance with a specific format, one is right, and the two are sticky;

4. It can only rhyme flat, and the rhyme has a fixed position, that is, even sentences rhyme (the first sentence can be rhymed or not);

5. The rhythmic form is strictly two two-tone steps plus one one-tone step, and the one-tone step can only appear in the middle or end of the sentence, not at the beginning, and the two adjacent two-tone steps must be opposite.

According to the above rules, five-character rhythm poems are divided into two bodies, flat and qi, and each body is divided into two types: positive and partial.