The language art of opera, the artistic means of opera performance

The girl's avatar is saying yes**No?

<> singing, there are certain rules, it can be said that there are specific rules. There are certain rules for absorbing and spitting, spitting out words, vocal cavity and rhyme, and they are not sung at will.

Henan opera is a kind of local opera, which has evolved from the form of folk opera, but it also has its own uniqueness. Singing skills, singing characteristics, otherwise it would not have had such a far-reaching impact on the people, and it would not have spread for so long. The Shandong people broke into the east and failed to bring the Lu opera to the northeast, and the Shanxi people did not bring the Jin opera to the northwest.

It can be seen that as a form of local opera performance, it has its irreplaceable and unique charm.

The tone and affection of opera singing are born because of words. The pronunciation of the words in opera singing is interdependent. Their relationship is like that of a duck floating in water.

Qing Li Yu's "Idle Love and Occasional Mail" "Teaching music, words are not blurred" said stupidly: "....The word comes out of the mouth, there is a word that has a mouth, if the exit is not clear, if there is a word, if there is no word, it is a mouth to speak, there is no mouth to sing songs, and what a difference is it from a dumb person. Dumb people can also sing songs, and they can see it by listening to the sound of call signs.

There are often those who only hear the sound of a song after singing, and cannot distinguish a word, which makes people suffocate. ”

Qing Xu Dachun once talked about "sound has its own shape" in "The Voice of Yuefu". Yuan Zhao Mengche once said in the singing method "Vocal Formula": "There are tangible voices in the world, invisible voices, invisible voices, wind and thunder and the like."

Its sound can not be fixed and uncertain, the sound of the shape, the silk and bamboo orchestra and the like are also, the sound can be determined for the sake of the shape, what is the shape of the sound will also change, if you want to change the sound of the first change its shape, the shape of the change and the sound of all changes, the voice of people is also the same. ”

The phonetic structure of each character in Chinese is composed of two main parts: the pronunciation element - initials and finals. In traditional opera, this is called "the prefix, the belly, and the ending". When the pronunciation of the words is sent out along with the mouth shape, the experienced actor often does not directly pronounce the words of the straight person, but disperses the pronunciation elements, distinguishes the head, abdomen and tail of the words, and then slowly sends the words out.

This method of dispersing the phonetic elements should be distinguished when singing due to the different structures of the elements that accompany each other. Some use the beating force of rotation; some use the vocal power of ornamental sounds; Some use a propulsive fortiss; Some use crescendo to close ......In short, there are many ways to pronounce words in Chinese opera, and it is very technical, and it is actually one of the singing skills. (The use of qi is also a skill, because it has already been discussed, so I will not repeat it).

The use of "jin" is directly related to the pronunciation of words, the expression of feelings, and the use of qi. It is flexibly used according to the technical requirements of pronunciation and pronunciation. The proper grasp of the singing momentum has a great relationship with the clumsiness and clumsiness of the singing voice, and it is also a singing skill.

"Taste" is rhyme, there must be sound and sound, and there must be rhyme. If the actor's voice is not good, the audience will say, "The singing is not tasteful enough."

Actors who sing well are always full of charm. The end of each word is rhyme, the sound of the word is rhyme, it can be read accurately, and the words and sentences rhyme, it is easy to sing.

Only by practicing the four techniques of words, qi, strength and taste well can singing produce an artistic effect of both sound and emotion.

There are three languages of ancient opera, namely quci, bingbai and kejie; Suijin.

1. Lyrics: It is the text part of the Yuan song, the language of the drama characters, which can fully show the ideological character of the friends of the Qin people, and has strong lyricism;

2. Binbai: It is a confession in opera, and the art of Chinese opera is mainly sung. Xu Wei of the Ming Dynasty mentioned in the "Narrative of Southern Words": "Singing is the main, white is the guest, so it is called bin white";

3. Kejie: It refers to the hints used to express the characters' movements, expressions and stage effects in the creation and performance of ancient opera.

The main features of the language of the dramatic characters.

1. Highly personalized--- personalized language refers to the language of the character, which conforms to and expresses the character's identity, sexual posture, and omission. i.e., who says what; Listen to their voices and know their people. Personalized language is an important means to portray characters to achieve rationality and authenticity.

2. Rich subtext--- subtext is that there is a word in the word, an intention in the meaning, and a sound outside the string. It's actually a multi-meaning phenomenon of language stool renting. "Latent" means hidden.

That is, within the superficial meaning of language, there are other meanings that are unwilling to be said or inconvenient to say. The subtext not only fully reflects the charm of the language, but also provides a glimpse into the rich inner world of the characters. 3. Action--Action language, also known as plot language, refers to the language flow of characters (communication and confrontation between characters' languages) that plays a role in promoting or implying the development of the storyline.

It is not static, it is the embodiment of the inner force of the character's character in the development of the plot.

There are two kinds, the first is light and dark: light and shade are physical phenomena in nature, and the presence of light will inevitably cause the irregularity of the object to receive light, resulting in a change in light and shade. Since Leonardo da Vinci summed it up"Light-dark transfer method"Since then, he has become one of the main artistic languages for Western painting to express three-dimensionality.

He emphasizes that the transition of light and shade in the picture is continuous, like smoke, and there is no clear dividing line. The second is that color is the most contagious art language, for example, all hues that tend to be red, orange, and yellow are called because they can arouse people's imagination of the sun, firelight, filial piety, etc., and give people a warm feeling in the reed"Warm colors"；The hues that tend to be blue, blue, and green, reminiscent of the sky, the ocean, etc., and give people a cold and round feeling, are called"Cool color"。Colors with high brightness and purity give a gorgeous feeling; Colors with low brightness and purity make people feel earthy.

It is these characteristics of color that artists use in combination with other artistic languages to create powerful artistic images.

Comprehensive, virtual, programmatic.

Expand your knowledge: Chinese opera is a highly integrated Han folk art. This synthesis is not only reflected in its integration of various artistic disciplines to create new ideas, but also in its exquisite and profound performing arts.

A variety of different artistic factors are closely integrated with the performing arts, and the full function of the opera is realized through the performances of the actors. We call theatre "the art of synthesis" and form a new independent art. Among them, the organic composition of singing, reading, doing, and hitting on the actors is the most concentrated and prominent embodiment of the comprehensiveness of opera.

Virtuality is the basic way in which opera reflects life. It refers to the performance of actors, using a deformed way to compare the real environment or object, so as to express life, but its artistry is higher than the real scene in life.

The virtuality of Chinese opera is first manifested in the flexibility of staring and space processing on stage, and the so-called "three or five walks all over the world, six or seven people and millions of soldiers" is a typical virtuality.

The structure of the Chinese opera art is stable, which can be said to be the epitome of China's stable social structure. The art of opera is the sublimation of an art form based on a deep understanding of life, in which traditional Chinese artistic values are accumulated.

From the perspective of opera aesthetics, the artistic rules of opera, the background of the creation of opera, and the appreciation of opera can all reveal the aesthetic psychology.

Summary: China's aesthetics are different from those of the West, which focuses on the beauty of realism, while China focuses on the beauty of freehand. Ideologically, the Chinese are often infected by the environment and integrated into it, relying on rich imagination and expressing it in an intuitive form, which is permeated with the beauty of understanding and poetic feelings.