How to rehearse a play, how to choreograph a play

Hello. First of all, you have to decide on the actors according to the script. The actor is right. The key depends on the director's ability to see people.

Second, schedule your time. According to the repertoire, determine what to shoot and when to shoot which repertoire. The general is to put the simplest first.

And then. You have to think about the props to prepare. Generally, scripts must have props. These things need to be prepared. Even if you don't need it at first, you can replace it with a substitute. It's best to make a table. Props are prepared and divided into people.

Print the script. Give one to all personnel. Including those behind the scenes.

The director has to negotiate with everyone and what to do. What to do.

It's best to have a meeting the first time. Boost morale.

It is stipulated that the actor should read the script with emotion after getting it. Integrate the reading of the character. The director has to listen. See if you have the feeling you want.

There is also the need to set up the steps. Say a word and do what you want to do. What a look. First of all, the actor understood. Then the director has to give this match and does not match.

Finally, combine it.

That's rough. The exact arrangement also depends on the progress of your rehearsal. The actor must go back and memorize the lines himself. This is important.

And there are many more. If there is context**. Arrange for someone to find a good one. The director has to listen.

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You're asking the right person.

First of all, you have to decide on the actors according to the script. The actor is right. The key depends on the director's ability to see people.

Second, schedule your time. According to the repertoire, determine what to shoot and when to shoot which repertoire. The general is to put the simplest first.

And then. You have to think about the props to prepare. Generally, scripts must have props. These things need to be prepared. Even if you don't need it at first, you can replace it with a substitute. It's best to make a table. Props are prepared and divided into people.

Print the script. Give one to all personnel. Including those behind the scenes.

The director has to negotiate with everyone and what to do. What to do.

It's best to have a meeting the first time. Boost morale.

It is stipulated that the actor should read the script with emotion after getting it. Integrate the reading of the character. The director has to listen. See if you have the feeling you want.

There is also the need to set up the steps. Say a word and do what you want to do. What a look. First of all, the actor understood. Then the director has to give this match and does not match.

Finally, combine it.

That's rough. The exact arrangement also depends on the progress of your rehearsal. The actor must go back and memorize the lines himself. This is important.

And there are many more. If there is context**. Arrange for someone to find a good one. The director has to listen.

The director is the overall person in charge of the show.

The key to the quality of a drama lies in the director. And the director's responsibility is to ensure the success of the play. And take responsibility for failures.

In this way, I also got the highest right of this show, and the actors, screenwriters, and staff of this show must listen to you, at least discuss with you before deciding.

The first thing is to read the script (nonsense) and form the general idea of the play.

Of course, the director should be the one who transforms the script into a complete drama in his own mind.

Before everything begins, the general form, presentation method, rhythm and emotional tone, character portrayal, etc., of the play should be well understood. And a whole drama can be formed in the brain. Then enrich the details as much as possible, down to the position of each step of the actor, what expressions should be used in each sentence, and so on.

Of course, it was not completed in one fell swoop, but this is the backbone and principle of a drama. Follow-up work should be done around this general outline.

The second thing is to choose people & ask for money.

Ideation and ideas take people and money to come true, so form a team. How you choose your person matters.

Assistant Director: Serious and responsible, able to communicate with you spiritually and unify opinions. Strong ability to practice and execute.

Actor: Close to the requirements of the role, foreign trade, temperament, basic skills, good at aspects, degree of cooperation, whether the time is enough, etc. Of course, we have to audition, we usually sign up for the election, or we can just find it to try. Of course, you have to coordinate with other crews.

Stage, props, staff: conscientious and responsible.

There is no money transaction in the school, although it is very simple, but it is not easy to manage.

Listen to you, respect you as a director, a senior, and a friend. Character and prestige are more important.

If you don't listen to you, you can't deduct your salary anyway, and no one knows anyone after graduation.

Asking for money: In fact, it is to ask the president, how much money can be brought in by outreach, and what venue the president can talk about, all of which are similar. The main thing is to get the hardware you need. For example, money for props, borrowing lighting and sound equipment, etc. It doesn't cost much in school.

At that time, because I was a good buddy + senior of the president (female), I played a temper and coaxed to get my first choice of three protagonists and an assistant director, which saved a lot of heart, haha

The third thing is rehearsals.

Rehearsals are a long-term job, and basically the crew is selected, and the semester is 1 5 years old. Let's perform before the end of the semester.

Therefore, a rehearsal plan is needed, because rehearsals need people, the time of each crew member needs to be coordinated, and what time period and which paragraph need to be planned. It's not that there must be a dead plan, because there are always changes, and there must be a number of worries, and what time node will be completed.

1. Find the right script.

2. The director interprets the script.

3. Choose an actor.

4. The director explains his own interpretation and leads the actors to interpret together.

5. The director formulates the stage.

6. Process the details of the performance.

7, row to row.

Depending on the subject's question, briefly describe the possible workflow:

Selecting the script (I'm sure you've already done it);

Design the scene (most scripts will not explain the details of stage scheduling and set props, and the director, as a member of the creative team, must also have his own design);

Assign roles (if it's not a school club, you may need to recast the actors);

Distribute scripts to actors so that they can familiarize themselves with the story, characters, and lines;

Rehearse important scenes according to the actual situation, and for the team that has no experience in the past, just follow the story development order on the script, and some modifications and adjustments may be required in this process, depending on your specific situation;

6) Respect and defeat greatlyAt the same time, let the technical team, such as props, scenery, lighting, sound, etc., participate in the rehearsal and determine their respective processes;

Last Townhouse;

After a few rehearsals, the official performance is ready.

<>Language

First of all, speak loudly enough. Drama and drama stage performances are mainly performed through dialogue or singing, the dialogue is completely different from the conversation in daily life, and the performance is completed at the specified time and place, the audience can only listen to it once, can not ask, if the actor's volume is too low, the voice is not clear, it will affect the audience's emotions as a whole, and at the same time lose the meaning of drama and drama stage performance. Only when the actor's voice is clear, loud and penetrating, can the audience understand it and receive a better performance effect.

action

Drama is the performance of actors on the stage, and the audience can only see the actors' movements from a certain angle under the stage**, and the greater the distance, the more unclear the actors' movements. Therefore, as a drama actor, the stage performance requires that the range of action must be large, and it must be particularly exaggerated when necessary, so that the audience can see and understand clearly. Physical training has laid the foundation for exaggerated movements, but the performance of exaggerated movements should also be natural, graceful, and decent, in line with the character's personality.

Emoticons

The change of the actor's expression is made according to the needs of the characters in the plot. Different characters often have different expressions, and the sudden change between sadness and joy, surprise and joy, anger and joy is an important condition for becoming a good actor.

Guts

To overcome timidity and nervousness, it is very important to eliminate selfish distractions, not to always think about whether your appearance is good-looking, whether your voice is good-looking, etc.; Before going on the stage and during the performance, you must concentrate your attention and put your heart into the portrayal of the character in order to perform naturally.

Imagine

Imagination is one of the important creative abilities of an actor, and every inspection of an actor's artistic work and stage life is inseparable from rich and special artistic imagination, whether he is studying the role or reproducing the role. Imagination runs through the beginning and end of creation, throughout the actor's entire creative career. Grasp the characteristics of the character, feel the character's heart, and observe carefully, so as to act like what and make the character more vivid and vivid.

Communication

There are many kinds of communication: direct communication with opponents; indirect communication with the audience; communicating with an object that does not exist; Communicating with oneself are all essential skills that you must master as an actor. Eye contact and heart communication are indispensable keys to performance, and those who can really perform know how to use their eyes, and whether they look or not can have their special effects.

Body language

Body language is also an effective form of silent language to convey information through gaze, expressions, gestures, postures, clothing, etc., and we must combine beautiful body movements and rich facial expressions well to achieve good performance results. The expression of body language should be concise, clear, natural and moderate.

1. Have a script.

2. Adapt the script. Change it to a revised version that suits the situation of your club members and meets the requirements of the school's performance venue. (You can work together to change it).

3. Choose a guy with rich imagination and leadership skills to be the director. Other work such as scene notes, costumes, makeup, scenery, props, sound, lighting, etc. should also be responsible for special personnel.

4. Let's start rehearsing.

If you have any questions, please feel free to chase points.

The most common mistakes people make when they go on stage for the first time are backstage, nervousness, and acting

First of all, we must pay attention to the performance of the drama should not turn your back to the audience, try to face the audience head-on, and the time with your back to the audience should not exceed 5 seconds, which is the respect for the best person and the most exquisite drama

There are a few points to pay attention to to overcome nervousness, these points can not be seen even if you are nervous Generally, first-time performers will have small movements in their hands when they are nervous to speak, this must be remembered, and the eyes must not look around, ordinary people are nervous when they perform, their eyes are not concentrated, and some will pay attention to how the audience looks at you, these are absolutely not, the audience can see it at a glance, so you must remember that your eyes should follow the play, and your limbs should not be stiff, especially on your legs, you must relax As long as you can do these points, it is OK Even if you are nervous and forget the words, no one else will find out. Finally, you must read the script well and understand the psychological activities of the person you are going to play clearly, so that you will naturally be engaged in it when you go on stage, so that the audience will be comfortable watching it, not like a play!As long as you can act so that others can't see that you are acting, you will succeed.

In fact, life is a drama, when you feel happy and happy, you don't care if it's a drama anymore! Because drama is truth, and truth is also drama! When you're unhappy, life is a drama, a drama is still a drama! Because you've separated yourself from the drama!

It is not easy to perform a good drama, although you are only a middle school student, but through study and team work, you can also perform your own excellent drama! You can try to do this:

1. The integration of actors and characters, experience the characters, and express the characters. How well you are fluent in your lines and how well you understand the characters affects your performance.

2. The collaboration between the characters, the supporting and mutual foil, which can only be achieved through countless rehearsals.

3. Stage scheduling, directing issues. It is necessary to have a good grasp of the relationship between the characters and the characters, as well as their movements, and the position occupied by the stage, and you must choose a director who is familiar with the script to arrange for you.

4. Interaction with the audience. You can't just play your own play, you have to make eye contact and interact with the audience more than the audience, as if you are telling them a story.

5. You can't act in order to win the competition, you can't act for high scores, don't be ambitious to compete for fame and fortune, and have a correct mentality. If you think about how to win the competition instead of the play, then the play you play will also fail. In addition to the acting skills, the heart of the actor also determines the quality of the play.

It is not easy for non-professional actors to do the above points. The audience's eyes are bright, and they will feel your true feelings.

Points to note during rehearsals and performances:

1. We must take rehearsals seriously, treat every rehearsal with the mentality of really performing on stage, one minute on stage and ten years of work off the stage, only the performance that has been tempered can be comfortable and peaceful. At the same time, it also tests the spirit of cooperation and teamwork of your team. Many non-professional actors can't take it seriously when they rehearse, and the result is that they are so nervous that they can't perform when they actually go on stage.

2. Don't laugh, don't get into the habit of laughing during rehearsals. You must know that rehearsal is a process that must be experienced in the performance, and the act of laughing is a disrespect for the play, disrespect for other actors, and an irresponsible attitude towards the play you are playing.

3. In case you read the wrong line during the official performance, you must not stop nervously all at once, if you are wrong, you will be wrong, just continue to act, if you don't burp, no one will know that you are wrong! During rehearsals, you can point out that the other party is wrong, but the formal performance is not possible, everyone must have a tacit understanding, and the opponent must not have a "know that you are wrong" reaction, and must continue to perform as if nothing happened.

4. The use of props. It is necessary to check it repeatedly before the performance, and it is important not to mess up the performance because of the omission of the props.

5. Don't steal the show. No one can steal the limelight and stand out for the sake of showing themselves. Drama is a team work, not a one-man show, everyone has their own specific responsibilities, each has their own performance space, even as a green leaf, it also has its value and significance, you can't despise small roles, and you don't need to envy big roles, as long as you play your part of the play well, you will be successful.

Acting is like being a human being, you have to be kind and kind.