Furong Town Plot Introduction Cast

Actor actor:

Jiang Wen Jiang .Qin,Shutian刘晓庆 xiaoqing liu ..Wu, Yuyin徐松子 Songzi Xu ..

Li, Guoxiang刘利年 Linian Liu ..Li, guigui徐宁 xu ..Wuzhuala张光北 Guangbei Zhang..

Li, MangZheng Zaishi Zheng ..Gu, Yanshan祝士彬 shibin zhu ..Wang, Qiuhao; Hu Yuyin and her husband Li Guigui make a living selling rice and tofu in Furong Town, and have the reputation of "Tofu Shih".

During the "Four Cleansing" movement, the working group headed by Li Guoxiang branded Hu Yuyin as a new rich peasant, and Li Guigui was forced to commit suicide. The second-rate son Wang Qiuyu also became the party secretary of the town in the "Cultural Revolution", and Furong Town was shrouded in terror. Hu Yuyin and the rightist Qin Shutian gradually fell in love, but Qin Shutian was sentenced to ten years in prison for "counter-revolutionary".

Ten years of turmoil are over. Qin Shutian was rehabilitated and returned to the town. By this time, Wang Qiuhe had become a madman, and he was beating the broken gong and shouting hoarsely, "Exercise, exercise" ......

Wangha !!

<> "Furong Town" focuses on the artistic spirit and symbol decoding.

Xie Jin's works have always used plain lens language to tell meaningful life thoughts, and he uses film to record the social changes in China in the new era, showing a typical artistic image and highlighting the humanitarian spirit, taking "Furong Town" (1987) as an example, a brief chat.

The spirit of art. Realism is the aesthetic style that Xie Jin adheres to, whether it is poetic or realistic, in front of his lens, it will present an artistic spirit that reflects humanity. For example, Qin Shutian and Hu Yuyin's afflictions, even though they had the intention of blaming Qin Shutian, Qin Shutian showed an indifferent attitude.

In the special period, the bottom line of human nature shown by Gu Yanshan, who does not follow the crowd, is particularly admirable.

This film is adapted from Gu Hua's eponymous **, although there is a continuation of the artistic spirit of the original author, and the analogy of "The Legend of Tianyun Mountain" and "Wrangler" can see the penetration of its artistic spirit, as Director Xie said: "A real artist should also be a thinker."

Artistic symbols. The lens language of the film is regarded by scholars as a symbol system, and the analysis of the symbols in the film can cure and signify, and sometimes it is also the key to understanding the film. First of all, the color symbols.

For example, Hu Yuying's safflower coat in this film is too eye-catching in that era when black and white pie gray were popular, but this is also the key to shaping the character, showing Hu Yuyin's unwillingness and resistance.

Secondly, linguistic symbols. For example, "live like an animal", the helplessness on the surface shows Qin Shutian's worry about Hu Yuyin and the optimistic side of his character. Maybe Hu Yuyin loves and hates every time she thinks of this sentence, but it also gives her great courage.

Again, the environment symbol. The film uses sunny and rainy days to render emotions, Hu Yuyin and her husband work hard, live better and better, and buy a new house. At this time, the sun is shining, and the commercial street of the town is crowded, and the front is very lively.

When Hu Yuyin and Qin Shutian were paraded through the streets, the dripping rain presented a gloomy and sad atmosphere. Finally, the prop symbols. The opening and closing of the stone mill reflects Hu Yuyin's living conditions, such as when business is good, it turns up; And when Hu Yuyin was locked up, the stone mill also stopped, as if quietly waiting for the master's return.

Artistic image. The twists and turns of fate and the unyielding character of Huizi inspired the audience's self-care and awakening, such as the beautiful Hu Yuyin, who relied on her hard work to live a good life, but was framed by others, such an encounter cannot but be embarrassing. Another example is Gu Yanshan's physical defect, which is not only the pride left to him by the war, but also the bitterness that he can't speak.

When Li Guoxiang's persecution made him have to speak, the humility of human nature made this seven-foot man have to lower his head high, and he could even see his torn dignity through the screen. Even though the good guys in this movie have gone through hardships, the contrast between good and evil is clear at a glance, which strengthens the artistry and drama of the film.