What is the meaning and beauty of the garden?

Updated on technology 2024-02-19
5 answers
  1. Anonymous users2024-02-06

    Dear, hello, I am happy to answer your questions, the landscape in the garden is manifested in the following forms: scene suppression, scene suppression is one of the common forms of landscaping of garden landscape trees, commonly known as: "; "Hiding first and then leaking, first suppressing and then promoting" refers to setting up rocks and barriers on the road to change the direction of the viewing route.

    Adding scenery, adding scenery is one of the means of architectural landscape construction in ancient gardens, the purpose is to enhance the sense of hierarchy of space, so that the whole landscaping is not so monotonous and boring. Sandwich, modern garden landscape often uses trees as landscaping materials for sandwich scenes, if on both sides of the garden road to use the plant landscaping technique of planting. Framed scenery, framed scenery is one of the traditional garden landscaping techniques, using tree branches, curtains and door openings, etc. to form a frame, the garden scenery is contained in it, like a painting with a frame inlaid with a frame.

  2. Anonymous users2024-02-05

    The garden is the object of visual aesthetics, an integral part of the urban landscape, and an extension of the city. As a sheltered habitat, the garden is the life experience of the inner person; Gardens connect specific people with specific places. The garden is made up of places, and the structure of places is expressed through the garden. Like the concept of time and space, place is omnipresent, people are inseparable from place, place is the foothold of man in the earth and the universe, place makes nothing into being, makes abstract into concrete, so that people have a starting point and end point to understand and grasp the external space and to understand and locate themselves.

    Philosophers elevate the place to a philosophical concept to **worldview and life; Geographers, architects, and garden theorists have brought it to a more specialized level of understanding the phenomenon of gardens.

    The phenomena of the real world are concrete, it can be mountains, rivers, waterfalls, green trees, red flowers, flowing clouds and water, it can be city squares, buildings, streets, people's life and labor, daily interactions, or it can be emotions, imagination and other spiritual activities or psychological phenomena. These phenomena are intricate, interrelated and even mutually inclusive, and often some phenomena become the environment of others, so the places constituted by these phenomena are not abstract places and spaces, but organic wholes with specific shapes, textures, textures, colors, scales and other characteristics. Through this series of formal elements, the garden expresses its emotions, thoughts, and even history and culture.

    Human life is inseparable from life in a specific place, and with this specific place constitutes a meaningful event and activity. Garden is a specific place for people's aesthetics, as an aesthetic, as an observation, as a shelter, it is also inseparable from a specific person, because with people, the garden will be beautiful, the garden and people have a relationship, so there is a garden form, this form is particularly important to people. People appreciate the gardens in their own way or from their own foothold.

    and form their own meaning, which needs to be expressed in form. The Buddha Incense Pavilion in the Summer Palace, the White Pagoda in Beihai, the Yuhuatai in Nanjing, and the Humble Administrator's Garden convey the far-reaching symbolic significance of their history in their respective forms; Its iconic form may be more important than the meaning it conveys, because the campus loses this visual control point and loses its theme and a specific meaning.

  3. Anonymous users2024-02-04

    Pleasing to the ears and eyes, pleasing to the heart, pleasing to the mind"It is the three levels of aesthetics mentioned by Li Zehou, which to a certain extent shows that the design and construction of gardens need to achieve three realms in order to provide the audience with these three levels of aesthetic feelings: the first is to create a rest, life and entertainment full of natural beauty and life beauty"Habitats"On this basis, it is elevated to diffuse the sense of artistic beauty and form"Painting""Poetry""Book Landscape"and finally naturally further rises to the ideal beauty"Artistic conception"to realize the mutual penetration and scene integration of the three. In short, the natural embodiment of natural beauty, artistic beauty, and artistic conception is the pursuit of most garden design, and it is also a common aesthetic feature of classical gardens and modern gardens.

  4. Anonymous users2024-02-03

    The lyrical and freehand artistic personality of the Chinese garden endows the single building of the Yuanxiao Imperial Forest with rich cultural connotation, which is timeless and shows an ideal and beautiful life realm. The beauty of artistic conception is often highlighted through literary naming, such as the name of the main building of Suzhou Lotus Garden, "Chengqu Thatched Cottage", which takes the meaning of Tang Lihe's poem "Shicheng Xiao" "The female cow crosses the Tianhe River, and the willow smoke fills the city". In the garden, "Listening to the Tower" and "Kuixing Pavilion" are two small buildings that are passed by the pavilion road lights, one floor and one pavilion, leaning on each other, just like a pair of couples, and the "lotus" agrees. It is also a dry boat, but the connotation hinted at in the private garden, the royal garden and the temple garden is different, which is intriguing to chew.

    The dry boat in the private garden, or the name "untied boat", symbolizes the absolute freedom of the spirit and the life of leisure. Or say: "Wash my dust", reflecting the lofty interest of seclusion in the world, cleansing and self-improvement; Or take Song Ouyang Xiu's "so it is difficult to help the danger and not to live in peace", which means "painting the boat"; Or call it "a small storm is home" and "a small boat without waves", etc., regarding officialdom as a dangerous road, indicating that the wise and wise protect themselves, reflecting the value ideals of the feudal scholars. The dry boat "Qingyan Fang" in the Summer Palace takes the meaning of "water can carry the boat and can also overturn the boat", and "Qingyan" means that the country and the people are safe, obey the emperor's heart, and have the meaning of eulogizing.

    The dry boat in the temple garden has the religious meaning of transcending sentient beings to the other world. For example, the dry boat of Suzhou Tianchi Mountain Lonely Jian Temple, take the Buddhist meaning of "Cihang Pudu sentient beings".

  5. Anonymous users2024-02-02

    The cultural beauty of garden trees refers to their value as cultural heritage and aesthetic shelter elements, including the following aspects: Historical value: Garden trees have experienced decades or even hundreds of years of vicissitudes, witnessed historical changes, and have historical value.

    Artistic value: As an important element of garden design, the garden tree chain Luzhou presents artistic value through different forms, colors, textures, etc., and has become a beautiful landscape in the garden landscape. Ecological Value:

    Garden trees provide oxygen to the urban environment, purify the air, regulate the climate, protect water sources, prevent soil erosion and other functions, and have ecological value. Cultural symbols: Some garden trees are endowed with symbolic cultural significance, such as the national tree, the sacred tree, the blessing tree, etc., which represent the cultural characteristics of a country or region.

    Spiritual value: As a symbol of nature's vitality, garden trees convey spiritual values such as the various states of life and the meaning of life through their growth and withering.

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