Which sound is sad and what is the pentatonic sound?

Refers to the pentatonic scale.

Pentatonic scale, the ancient rhythm of the Han people. That is, according to the order of the fifth degree of symbiosis, starting from the palace sound to the feather sound, the order is: palace - Shang - horn - sign - feather; If they are arranged in order of pitch, they are:

1 2 3 5 6 Gong Shang Jiao Zheng (zhǐ) Yu. In the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used.

The pentatonic scale, which is often referred to in ancient texts as "pentatonic scale", "pentatonic scale", etc. Traditional Chinese music theories often reveal the connotation of the modern concept of "scale" from different perspectives such as "tone", "rhythm" and "sound".

Compared with the seven-tone scale, the structure of the pentatonic scale has the following characteristics:

1) There is no minor second relationship between adjacent levels.

2) The distance between two adjacent tones is a major second or a minor third.

3) The interval between the palace note and the horn note is a major third.

The confirmation of the gong and horn tones plays an important role in determining the pitch of the pentatonic scale (the position of the gong tones): when the five tones are arranged according to the relationship of fifths, the palace and horn tones are at both ends of the fifth sequence, forming the only major third in the pentatonic scale.

Due to the relationship between the major third interval of the gong sound and the horn sound, when confirming the position of the palace note of a certain piece of music, it is only necessary to find the lower note of the major third, that is, the palace note of the piece. This method is known as "palace tone localization".

The pentatonic tone generally refers to the pentatonic scale, that is, according to the order of the fifth, starting from the palace sound to the feather sound, in order: palace - Shang - horn - sign - feather; If arranged in order of pitch, it is: 1 2 3 5 6 Gong Shang Jiao Zheng (zhǐ) Yu.

In the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used.

The pentatonic scale, which is often referred to in ancient texts as "pentatonic scale", "pentatonic scale", etc. Traditional Chinese music theories often reveal the connotation of the modern concept of "scale" from different perspectives such as "tone", "rhythm" and "sound".

What's going on? This brings us to the concept of "five tones". China is an ancient civilization, and the development of the first country also has a long history, but the ancient music is a pentatonic scale, which is different from the West.

If we compare it with the seven scales of Western music, the "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, and the semitones of "fa" and "si" are missing. Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music, and in the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used; In more ancient times, it used "palace, Shang, jiao, 徵 (pronounced zhǐ sound), feather". Therefore, if we pay a little attention, there are no two solfèges of authentic ancient Chinese music, "Fa" and "Si".

For example, the Jiangnan minor tune "Jasmine" that is still heard from time to time is one of the ancient songs, if it is hummed with a roll call, there are only "do, come, mi, so, pull", and there are no two tones of "hair and west"; Famous ancient songs, so is Yue Feici's "Man Jianghong". By the way, if you find that the ** song called "ancient Chinese song" has a "Fa, Western" scale solfège, then it is either an imposter or has been transformed by today's people. The pentatonic scale is the basic scale of ancient Chinese music, so there is an idiom of "incomplete pentatonic music".

The five tones refer to the palace, shang, horn, sign, and feather.

People are born with five constants, and the sound has five sounds, palace, business, horn, sign, and feather". Therefore, Wuyin also refers to the pronunciation of Chinese. In the Han Dynasty, the five tones with the five elements corresponded to earth, gold, water, wood, fire, and the central, northwest, and southeast.

In Chinese phonology, the five tones refer to the tuning position and tuning method of Chinese initials, including labial sounds, tongue sounds, dental sounds, dental sounds, and guttural sounds. The pentatonic tone had a great influence on the phonological systems of Korea and Japan.

The five tones are: starting from the palace tune, the number of palace tones is eighty-one, the number of quotient tones is seventy-two, the number of horn tones is sixty-four, the number of sign tones is fifty-four, and the number of feather tones is forty-eight. The number of tones is regarded as a measure of respect and inferiority, and is collectively called: Gong, Shang, Jiao, Zheng, and Yu five tones.

Palace, Shang, Horn, Sign, and Feather are equivalent to the current simple score

The five tones refer to, Gong, Shang, Jiao, Zheng, and Yu.

Five tones (1) out of "The Soul of the Evil Guest". Refers to the five tones of Gong, Shang, Jiao, Zheng, and Yu. The ancients matched the five tones with the five organs:

The spleen responds to the palace, and its voice is diffuse and slow; The lungs should be quotient, and their voices should be cleared; The liver should be horned, and its voice is long; The heart responds, and its voice is strong; The kidney should be feathered, and its voice is deep and thin, which is the positive sound of the five organs.

It is equivalent to the current 12356do, re, mi, sol, la.

2) According to the different pronunciation parts of the letters, phonologists divide the initials into five categories: guttural sounds, dental sounds, tongue sounds, dental sounds, and labial sounds, that is, "five tones". Liang Guye Wang's "Jade Chapter" at the end of the volume, "Shamen Shenjing, Four Tones, Five Tones, Nine Alleys, Anti-New Figures", and Song, Chen, Pengnian, and others' "Guangyun" at the end of the volume, with the "Five Characters of Distinguishing Sounds" are all such divisions. The former is divided into larynx, tongue, teeth, teeth, lips, and teeth, the so-called inside-out, and the latter is divided into lips, tongue, teeth, teeth, and larynx, the so-called outside-in.

The five tones refer to, Gong, Shang, Jiao, Zheng, and Yu.

The pentatonic scale is according to the order of the five degrees of symbiosis, starting from the palace sound to the feather sound, in order: palace - Shang - horn - sign - feather; If arranged in order of pitch, it is: 1, 2, 3, 5, 6, Gong, Shang, Jiao, Zheng, Yu. In the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used.

The pentatonic scale, which is often referred to in ancient texts as "pentatonic scale", "pentatonic scale", etc. Traditional Chinese music theories often reveal the connotation of the modern concept of "scale" from different perspectives such as "tone", "rhythm" and "sound".

The "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, without the semitones of ascending "fa" and "ti". Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music, and in the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used; In more ancient times, it was used to "palace, business, horn, and sign" (pronounced zhǐ音 my simple and easy to understand.

Everyone talks so much, who wants to watch it?

Gong (1), Shang (2), Jiao (3), Zheng (5), Yu (6).

There are no 4s and 7s!

Gong, Shang, Jiao, Zheng, and Yu are equivalent to the 1 (叨 ( )

Gong Shang Jiao Zheng Yu.

That's just 5 simple words.

How to look at it so long. Support simple.

"Incomplete pentatonic sounds" actually refers to seven tones – do, re, mi, fa, sol, la, and si.

Because China has a culture of more than 5,000 years, the development of ** also has a long history. However, one of the biggest differences between ancient Chinese music and Western music is that the notes used are different. If we compare it with the seven scales of Western **, the "five tones" of ancient Chinese music are equivalent to "do, re, mi, sol, la", and the "fa" and "si" of ascending chromatic tones are missing.

Of course, there is no such thing as "do, re, mi" in ancient Chinese music. In the Tang Dynasty, the five tones were "He, Si, B, Qi, and Gong"; In the early days, they were called "official, shang, horn, 徵 (zhǐ), and feather". In fact, there are no two scales of "fa" and "si" in authentic ancient Chinese music.

For example, if the whole song is hummed with a roll call, there is only "do, re, mi, sol, la", but not "fa, si"; The same is true of the famous ancient song "Man Jianghong". From this, it can be concluded that the pentatonic scale is the basic scale of ancient Chinese music, so there is an idiom "incomplete pentatonic scale".

Incomplete pentatonic means that when singing, the singing is out of tune and out of tune.

The five tones refer to the palace merchant horn and the feather.

Today I will tell you what is the incomplete pentatonic and what are the five tones?

The pentatonic is not all which pentatonic tonesGong Shang Jiao Zheng Yu.

The "five tones" in "five tones are incomplete" refer to: gong, shang, horn, sign, and feather. "Gong, Shang, Jiao, Zheng, Yu" is the name of the five different tones in the pentatonic tone in China, similar to the current simple notation.

That is, the gong is equal to 1 (do), the quotient is equal to 2 (re), the angle is equal to 3 (mi), the sign is equal to 5 (so), and the feather is equal to 6 (la), also known as the pentatonic tone.

The pentatonic scale is the basic minor scale of ancient Chinese musical instruments, and the pentatonic scale refers to "Gong, Shang, Jiao, Zheng, and Yu", which is equivalent to the simple notation. The Chronicles of the Law said: The palace is also in the middle, and the eight directions are in the middle, and the singing is the path of the four voices.

Businessman, chapter also, the success of the matter Min Ran. The horns are touched, the yang energy is stupid, and all things in heaven and earth touch the ground.

The conscript, the blessing, the heaven and the earth and all things are prosperous. Feather, Yu also, the collection of things is gathered in the universe of the complex.

The five-tone middle palace sound is thick and voiced, and it can be heard for a long time; The commercial sound is bright and high, agitated and harmonious; The horn sound is harmonious but not harsh, moist but not dry; The sound of the sign is scorching and dry, like the sound of a flamingo; The feather sound is round and clear, and the strip is smooth.

The concept of "five tones". China is an ancient civilization, and the development of the first country also has a long history, but the ancient music is a pentatonic scale, which is different from the West. If we compare it with the seven scales of Spanish music, the "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, and the semitones of "fa" and "ti" are missing.

Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music

Fourth, B, ruler, work"; In more ancient times, it used "palace, Shang, jiao, 徵 (pronounced zhǐ sound), feather". Therefore, if we pay a little attention, there are no two scales of "fa" and "ti" in authentic ancient Chinese music.

The five tones are the basic scale of ancient Chinese music, so there is an idiom of "incomplete five tones".

What you mean by "incomplete pentatonic sound" means that you don't sing a single note accurately when singing, which is the so-called out of tune. There is a cross talk that says well: is it out of tune? No, it's just not a word in tune.

Hehe, a person with a complete pentatonic tone means that he has a better grasp of pitch. Hearing (ear training) is better, so when you hear the prelude of a song or the sound of the piano, you can sing it correctly.

"Five tones" This is an ancient Chinese saying, which should refer to the five-tone version of "Gong, Shang, Jiao, Zheng, and Yu", which is similar to that of the West.

The seven scales of Quan are different (I remember seeing it from martial arts ** in the past, and later confirmed it from the Internet).

People with "complete" tones should be more suitable for singing, after all, this is the so-called innate talent......

Gong Shang Jiao Zheng Yu.

It is the name of the five different tones in the pentatonic scale in China, similar to the current simple notation. That is, the palace is equal to 1 (do), the quotient is equal to 2 (re), the angle is equal to 3 (mi), the sign is equal to 5 (sol), and the feather is equal to 6 (la).

It is difficult to say, only to know its name palace, business, horn, sign, feather, it is difficult to say the truth.

In ancient times, there were five sounds, and Gongshang Jiao Zhengyu refers to these five sounds, which are the current 1234567 after they came out.

The five tones of the chimes are also known as the "five tones". It refers to the five tones of Gong, Shang, Jiao, Zheng, and Yu in the Chinese pentatonic scale. The intervals between the two adjacent tones in the five tones are all major seconds, except for the minor third between the horn and the sign, and the feather and the palace (the palace of the higher octave)[1].

As stated in "Guanzi Groundman": "Whoever listens to the feather (yoh) is like a horse singing in the wild, where to listen to the palace (kiung) is like a cow chirping, where to listen to the merchant (sjang) is like a flock of sheep, and where to listen to the horn (kruk) is like a pheasant climbing the wood to sing, and the sound is clear." The pentatonic equivalent is the equivalent of the current notation.

After the Tang Dynasty, it was called He, Four, B, Ruler, and Gong. Phonology, pentatonic refers to the five types of articulation parts of the five types of initials, namely guttural, dental, tongue, dental, and labial sounds [2]. Shen Kuo's "Dream Creek Writings" cloud:

The lips and teeth of the Qiyun family are the tongue and throat of the palace merchant horn Zhengyu". According to the records of the "Seven Syllables" and the "Yunjing Fan Example", there is the following correspondence between Gongshang Jiao Zhengyu and the 36 initials of Middle Chinese: Gong Throat Yin Xiao [h] 匣 [

The five tones in my ancient ** refer to. Gong Shang Jiao Zheng Yu.

The ancient Chinese "Five Tones" is a poem.

Gong Shang Jiao (jue) levy feathers.

The horn is the spring sound, the wood is in the liver, the emblem is the summer sound, the fire is in the heart, the palace is long, the summer sound belongs to the earth, the spleen is in the spleen, the Shang is the autumn sound, the gold is in the lungs, and the feather is the winter sound, and the water is in the kidney. The five tones are closely related to the four seasons, the five elements, and the human body.

The five tones are the five tones of quotient, jiao, sign, and feather in the Chinese voiceless scale. The interval between two adjacent tones in a pentatonic tone. Except for the horn and the sign, the feather and the palace (the palace of the higher octave) is a minor third, the rest are the major two.

Today I will tell you what is the incomplete pentatonic and what are the five tones?

The five tones refer to the palace, business, and horn.

jué) 徴 (zhǐ) 羽.

Five tones in the national key!! Gong Shang Jiao Zheng Yu.

The easiest way to do this is to find someone who can sing and sing a part to him, and if she says it's out of tune, it's a pentatonic disfigurement. Another way is to sing a song and look at the expressions of the people around you, if the expression is not good, it is incomplete five tones.

The true incompleteness of the five tones is a kind of innate disability, the patient cannot distinguish the high and low tones, and the hearing is different from that of normal people.

Let him listen to a set of melodies and then hum them, and the overall tone of the song is high or low overall, or there are individual pitches that deviate from the original key. In other words, there is a slightly higher or slightly lower pitch deviation, that is, the tone is not sung accurately.