Nostalgia author information, about 500 words.

Yu Guangzhong (1928-), originally from Yongchun, Fujian, was born in Nanjing, Jiangsu, entered the Department of Foreign Languages of Jinling University in 1947 (later transferred to Xiamen University), moved to Hong Kong with his parents in 1949, and went to Taiwan the following year to study in the Department of Foreign Languages of National Taiwan University. In 1953, he co-founded the "Blue Star" Poetry Society with Qin Zihao and Zhong Dingwen. Later, he went to the United States for further study and received a master's degree in fine arts from the University of Iowa.

After returning to Taiwan, he served as a professor at National Normal University, National Chengchi University, National Taiwan University and Chinese University of Hong Kong, and is currently the dean of the Faculty of Arts of Sun Yat-sen University in Taiwan. Famous contemporary poet and critic. Yu Guangzhong is a complex and changeable poet, and the trajectory of his writing style can basically be said to be a trend of the entire Chinese poetry scene for more than 30 years, that is, first Westernization and then return.

In Taiwan's early poetry debates and the vernacular literature debates of the mid-70s, Yu Guangzhong's poetic theories and works both strongly show a tendency to advocate Westernization, ignore readers, and detach from reality. As he himself put it, "As a boy, the tip of the pen was stained either by the aftermath of Heatoncree or by the waters of the Thames." The wine is made from 1842.

After the 80s, he began to realize the importance of the place where his ethnic group lived to his creation, and "extended his poetry back to that continent", wrote many emotional nostalgic poems, and his attitude towards local literature also changed from opposition to cordiality, showing an obvious trajectory from the West to the East, so he was called "the prodigal son" by the Taiwanese poetry circle. From the perspective of poetic art, Yu Guangzhong is a "polygamous poet in art". The style of his works is extremely inconsistent, and in general, his poetic style varies according to the subject matter.

Poems that express will and ideals are generally magnificent and sonorous, while works that describe nostalgia and love are generally delicate and soft. He is the author of more than ten kinds of collections, such as "The Sad Song of the Boat", "Blue Feather", "Stalactite", "Halloween", "White Jade Bitter Melon", etc.

Nostalgia is a modern poem written by Yu Guangzhong, a modern poet of Zen Travel, in 1972. In the poem, through the chronological sentences of "when I was a child", "when I grew up", "Later", and "He Youstool and now", the abstract nostalgia is concretized through the physical objects of stamps, ferry tickets, graves, and straits, summarizing the poet's long life process and the lingering nostalgia for the motherland, revealing the poet's deep sense of history. [1] The language of the whole poem is simple and true, and the emotions are deep.

When I was a child, nostalgia was a small stamp, I was at one end and my mother was at that end.

When I grew up, nostalgia was a narrow ticket, I was at this end, and the bride was at that end.

Later, nostalgia was a low grave, I was outside, and my mother was inside.

And now, nostalgia is a shallow strait, I am here, and the mainland is in that state. Circle source.

The author of "Homesickness" is the modern poet Yu Guangzhong.

Hope it helps.

The author of "Homesickness" is Yu Guangzhong.

Yu Guangzhong, male, October 21, 1928-December 14, 2017, was born in Nanjing, and his ancestral home is Yongchun, Fujian. A famous contemporary writer, poet, scholar, and translator, because his mother is originally from Wujin, Jiangsu, he also calls himself "Jiangnan people". Graduated from the University of Ioho.

Homesickness is a modern poem written by modern poet Yu Guangzhong in 1972. In the poem, the poet concretizes the abstract nostalgia through the chronological sentences of "when I was a child", "when I grew up", "later" and "now", and uses stamps, ferry tickets, graves, and straits to concretize abstract nostalgia, summarize the poet's long life process and lingering nostalgia for the motherland, and reveal the poet's deep sense of history. The language of the whole poem is plain and honest, and the emotions are deep.

"Ah, I dreamed of my hometown again! "I woke up from a dream, looking at the gray sky, trying to recall the shadow of my hometown from my memory...

Ding Jiayi, the dates are on top of yours! "My brother standing under the tree commanded me to beat dates, and among the green leaves, the red dates were like little elves, decorating the jujube trees with vitality. I picked up the stick, and there was a violent beating, like hail, and the date fell down, hitting my back, a little painful, but it made me salivate.

I didn't care about beating dates anymore, so I threw the stick aside, took a few dates from my clothes, wiped them on my clothes a few times, and stuffed them into my mouth, and the dates were still falling, and my brother and brother ate them like me. A pure sweetness spread in my mouth, "Ah! It's so delicious!

Several of our brothers exclaimed at the same time...

The surface of the lake is calm, a few lotus flowers are like slim girls, and the sunlight is refracted on the dew from nowhere, so that the lotus pond is wrapped in a layer of brilliance. I jumped and jumped into this layer of brilliance, picked a lotus seed, "hiss" lotus seed was torn open by me, a small and crisp sound flashed into my ears, I ate it, the fragrance lingered on the tip of my nose. Suddenly, a breeze blew through and rippled on the surface of the lake, and I was enchanted by this beautiful scene...

In the sunset, a puppy ran fast with a pen in his mouth, while a little girl chased after him and shouted: "Little tiger, give me a pen!" Give me the pen! "A man and a dog are running and making noise...

At this time, I seem to understand the nostalgia of "smelling the willows in this nocturne, who can't afford the love of the hometown".

Nostalgia is a common theme in Chinese poetry, and Yu Guangzhong has written many poems with nostalgia as the theme over the years.

Just as many rivers on the land of China are tributaries of the Yellow River and the Yangtze River, although Yu Guangzhong lives on an island, as a Chinese poet who loves the motherland and its cultural traditions, his nostalgic poems inherit the national emotional traditions in China's classical poetry from the inner feelings, and have a profound sense of history and nationality. As a contemporary poet who has left the mainland for more than 30 years, Yu Guangzhong's works will inevitably be marked with a profound mark of the times. The poem "Homesickness" focuses on personal experience in the mainland, a stamp when he was young, a boat ticket when he was young, and even a grave in the future, all of which contain the poet's thoughts of thousands of overseas travelers, and all this is sublimated to a new height at the end of the poem:

And now, nostalgia is a shallow strait, and I'm at one end, and the mainland is at the other end. Like a hundred rivers running to the East China Sea, like a thousand peaks towards Mount Tai, the poet's personal joys and sorrows are blended with the huge love of the motherland and the love of the nation, and the poet's personal experience is also more sultry and melancholy because of the burning of feelings at the end, as the poet himself said: "The sense of history is longitudinal, and the sense of region is horizontal."

The reality of a crossroads that intersect vertically and horizontally. In this way, the poet's "Homesickness" is a variation of China's traditional nostalgic poems in the new era and special geographical conditions, with a breadth and depth that cannot be compared with the previous nostalgic poems.