Li Shangyin s Untitled The artistic conception of this poem, the feelings expressed, and the charact

It expresses the pain of the lover's parting and the thoughts after parting, and expresses the extremely sincere lovesickness and parting, but it also reveals the poet's political frustration and spiritual depression, with a strong sad color, writing the deep resentment and sorrowful pain, and expressing the incomparable love and deep longing for the lover in his heart through myths and legends.

Original text: Untitled

Tang Dynasty: Li Shangyin.

It's hard to say goodbye when you meet.

The east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit. Translation: It is difficult to meet, and it is even more difficult to part, not to mention in the twilight of spring when the east wind is weak and the flowers are withering.

The silk is spit out when the spring silkworm is cocooned, and the wax oil like tears can drip dry when the candle is burned to ashes.

In the morning, when I look in the mirror, I am only worried that my sideburns will change color, and my face will no longer be there. If you can't sleep alone in the long night, you will inevitably feel the cold moon.

Invasion. Penglai Mountain is not too far from here, but there is no way to go, please ask a messenger like a blue bird to visit for me.

In the poem. Similar descriptions can be found in the first, third, fourth, and fifth sentences of Li Shangyin's previous poems. Under the influence and inspiration of the works of his predecessors, the poet has inherited and borrowed from them.

However, he did not simply imitate his predecessors, but took a big step forward with a high degree of creativity, transforming the original relatively simple means of expression into more tortuous and vivid, so as to reflect richer and deeper thoughts and feelings, and in fact he had shed his old form and become a new creation. It can be seen from here that the poet's rich literary accomplishment and his exploration of artistic conception and means of expression are important conditions for the achievement of this poem.

Untitled: It's hard to say goodbye when you meet.

Li Shangyin, Tang Dynasty

It is difficult to say goodbye when we meet, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit.

This poem expresses the psychology of love in a woman's voice, in the midst of sorrow and pain, it contains burning longing and perseverance, and the emotional realm is deep and subtle, extremely rich.

1. Works: "Untitled" by Li Shangyin.

It is difficult to say goodbye when we meet, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit.

2. Translation: The opportunity to meet is really rare, and it is difficult to part when parting, and it is also the twilight spring weather when the east wind is about to harvest, and the flowers are gone, which makes people even more sad. The silk is spit out when the spring silkworm is cocooned and dies, and the wax oil like tears can only drip dry when the candle is burned to ashes.

The woman looks in the mirror in the morning, only worried about the abundance like clouds, the black sideburns change color, and the youthful face disappears.

When a man can't sleep at night, he must feel the cold moon invading people. The other party's dwelling is not far from here, but there is no road, and it is impossible to reach. I hope that a messenger like a blue bird will diligently visit my lover for me and pass on news to and fro.

3. Discourse: As far as poetry is concerned, this is a love poem that expresses the unswerving love of the two people. However, there have always been many people who believe that there may be a hidden danger in the relationship between people.

The two "difficult" words in the opening sentence point out that it is not easy to get together, and it is even more difficult to part, the feelings are long, the language is colorful, and the writing is extraordinary. The jaw joint is compared with the wax of the spring silkworm, which is very wonderful, which is not only painful but also unswerving.

Then the neck couplet writes makeup to the mirror, caressing the sideburns and hurting himself, which is self-counting; The good night is bitter, the moonlight is cold, and it is a man. Persuade self-cherishing, good at cherishing, but bitter and secret, considerate, can be described as a thousand turns, the expression is graceful. In the end, the last couplet wrote the hope that the messenger would frequently spread good news, the meaning was graceful, and the willows and flowers were bright.

Two sentences of spring silkworms, thousands of autumns are beautiful, and they have been recited through the ages.

Fourth, characteristics. 1. The content of the performance - the emotional realm of "gratuitous cycle of sorrow and happiness".

2. Artistic techniques - focus on the development of the depths of the heart.

3. Artistic conception - circular jumping.

4. The uniqueness of the imagery - allusions and symbols.

First, the content of the performance - the emotional realm of "mourning and unprovoked circulation".

2. Artistic techniques - focus on the development of the depths of the heart. Pre-shooting.

3. Artistic Conception - Circular Jumping.

Fourth, the uniqueness of the imagery - allusions and symbols.

Untitled, is a category of poetry. In Chinese poetry, traditional poetry is the essence of Chinese literary culture, and poets often write poems with the title of "Untitled". The reason why "untitled" is used as the title is because it is not convenient or unwilling for the author to directly use the title to reveal the main theme of the poem.

Untitled poems include five-character untitled poems, seven-character untitled poems, etc. Li Shangyin, a representative figure of ancient untitled poems.