What are the two famous sentences in Li Shangyin s Untitled What artistic techniques are used in the

There are no colorful phoenix wings, and there is a little bit of clarity in the heart.

Li Shangyin's poems have a distinct and unique artistic style, with clear and beautiful words and profound rhyme, some poems can be interpreted in a variety of ways, and some poems are more obscure. There are about 600 of them, and the untitled poems in them are a must. Li Shangyin is good at writing seven rules and five words, and there are many outstanding works in the seven uniques.

The Qing Dynasty poet Ye Xie commented on Li Shangyin's Seven Uniques in "Original Poems": "The sustenance is deep and the wording is tactful, and it can be empty for a hundred generations." ”

His metrical poems inherit Du Fu's tradition of technique, and some of his works are similar in style to Du Fu. Similar to Du Fu, Li Shangyin's poems often use allusions, and they are deeper and more difficult to understand than Du Fu, and they often use allusions in every sentence. He is creative in his dictionaries, and likes to use all kinds of symbols and metaphors, and sometimes he doesn't know the purpose of the whole poem after reading it.

The meaning of the allusion itself is often not the meaning that Li Shangyin wants to express in his poems. For example, "Chang'e" (Chang'e), some people intuitively think that it is a work of Yong Chang'e, Ji Yun thinks it is a work of mourning, some people think that it is a description of a female Taoist, and even think that it is a poet's own statement, and there are different opinions.

It is also his style of using allusions that forms his unique style of poetry. According to Huang Jian's notes in the Song Dynasty, "Yang Wen Gong Tan Yuan", Li Shangyin must consult a lot of books whenever he writes poems, and the house is full of stalls, which is compared to "otter sacrifice fish". Ming Wang Shizhen also said in a joking tone:

The otter sacrifice once shocked Bo Ao, and a piece of Jin Se solved people's difficulties. Critics[8] believe that he sometimes uses too many allusions and commits obscurity, making it impossible for people to understand his poetry. Lu Xun once said:

Yuxi is full of beautiful words, how dare you compare, and there are too many dictionaries, which is dissatisfied with me. (Letter to Yang Jiyun, December 1934).

In addition, Li Shangyin's poetry is gorgeous, and he is good at describing and expressing subtle feelings.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

The spring silkworm is dead to the end, and the wax torch turns into gray tears and begins to dry Use anthropomorphism and harmony?

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Use metaphors.

And Yin Wang Cang from the military music, not Fu Yuanming returned.

1. Use the whole of the artistic image to convey some abstract emotional feelings.

Second, the use of allusions in the poem, the artistic conception is subtle, and the sentiment is timeless.

Third, the language is beautiful and seicular, and the rhyme is harmonious.

In short, Li Shangyin.

of "Untitled Poem.

He is good at using subtle symbolic techniques, rich imagination, beautiful language, and twists and turns to express the author's thoughts and feelings, so that the poem has atmosphere, pursuit, and intention, and integrates artistry, life, and ideology as a whole, which is philosophical, intriguing, and can be called realism.

A model of a perfect combination with romanticism. These characteristics of "Untitled Poems" have had a very far-reaching influence in China's literary circles, and they are loved by future generations, and are widely recited and quoted.

Li Shangyin's "Untitled" poems have a variety of artistic characteristics:

1.The whole of the artistic image is used to convey a certain abstract emotional mood.

2.The use of allusions in the poem is subtle and timeless.

3.The language is beautiful and exquisite, and the rhyme is harmonious.

These characteristics make Li Shangyin's "untitled" poems unique in the history of literature, and have become a model of the perfect combination of realism and romanticism.

Li Shangyin's "Untitled Poems" are good at using subtle symbolic techniques, rich imagination, beautiful language, and twists and turns to express the author's thoughts and feelings, so that the poems have atmosphere, pursuit, and meaning, and integrate artistry, life, and ideology.

Untitled is a category of poetry, and the reason why "untitled" is used as the title is because it is inconvenient or unwilling for the author to directly use the title to reveal the main idea of the poem. Li Shangyin's untitled poems are included in the "All Tang Poems", including five-character untitled poems, seven-character untitled poems, etc.

Untitled two songs.

There is no color phoenix flying wings, and the heart is clear.

The next seat sends the hook spring wine warm, and the Cao shoots the wax lamp red.

Yu listened to the drum and responded to the official, and went to the Malan platform to turn the tent.

Li Shangyin's Seven Laws Untitled is the most artistically mature and best represents the unique artistic style of his untitled poems. These two poems are untitled, and the content is to express the resentment of a young woman's frustration in love, the hopeless anguish of lovesickness, and both adopt the heroine's way of reminiscing about the past late at night, so the heroine's psychological monologue constitutes the main body of the poem. Her life experience and some specific events in her love life are expressed implicitly or explicitly through reminiscences.

First, the content of the performance - the emotional realm of "gratuitous cycle of sorrow and happiness".

2. Artistic techniques - focus on the development of the depths of the heart.

3. Artistic Conception - Circular Jumping.

Fourth, the uniqueness of the imagery - allusions and symbols.