Trouble calligraphy expert to give a review, if there is detailed guidance will be appreciated!

It is estimated that the practice is too miscellaneous, and at the beginning of the regular script really has to be practiced well, and it is good to have this foundation to practice the line of writing.

The writing is a bit scattered, but it is not scattered very casually and in place, resulting in some four dislikes (I have seen a lot of students write such words as the landlord).

First of all, it is recommended to practice Pang Zhonghua's regular script or Wei tablet (mold type).

Secondly, don't be too rigid and can't let go of the writing (brush words), but you still have to have the glyph structure at the beginning!

It is recommended to take a look at such a book--National Hard Pen Calligraphy Exhibition Collection--- of course, there are several sessions--There are many --- written in the online bookstore--Broaden your horizons--- what you see on the market--Overwhelmingly, almost all of them are prepared for students--- the audience is wide--- books are easy to sell--Of course, students must first write the rules--Your feeling is right---

Personally, I prefer Tian Yingzhang's words, recommended

It's not a professional to write it, and the level of amateurism is good!

1. The whole frame is in traditional Chinese, and "surprise" is not used in "surprise", if it is in traditional Chinese, not only can the similarity be broken, but the second line will not be so tight.

2. The lack of vertical changes in "pen", "surprise" and "god", especially the position and layout of "pen" and "god", why can't it be slightly staggered.

3. The payment should be Xu's book in the year of Bingwu (I don't know if it is Xu's, I don't know it is very clear), and the word is too large, or the seal is too small.

Personal opinions, if there are problems, you can study and discuss them together.

It's not professional enough, the middle two lines are too crowded, the seal is not enough, and it's too small, and it's not bad to express your feelings at ordinary times.

I've only been learning calligraphy for three years, and if you talk about the landlord's words, it should be very good. It's just that the overall general feeling is that the landlord's calligraphy is a bit of a line of painting.

Maybe it's because I can't really see the words of the landlord.,It's better not to say it to yourself.。 The first one was very sharp, and I learned a little from it.

It's good, it's personal, it's worth encouraging!

The seal should be a big chapter, too small, too childish, and the whole work is too discordant, you shouldn't make this kind of low-level mistake, the second line is too tight, and the first line is not in harmony.

The inscription is Xu's book in the year of Bingwu.

Yes, but the seal is too small.

The characters are a bit small compared to the seals, and this kind of writing seems to be good with cursive characters.

I don't know calligraphy, but I'll say a few words, it's good from the feeling, and the overall feeling is good|!

If you want to practice soft pen, it is recommended that you learn the calligraphy of the ancients, Qi Gong is a famous modern calligrapher, but his words are not good, the same, just look at one of his works, the others are similar.

How to practice calligraphy essentials, calligraphy, etc. others have said a lot, and there are a lot of searches on the Internet, so I won't say much here.

Let's talk about how to practice:

1. Utensils. Practice words utensils should not be too wasteful and not too frugal, someone with newspaper practice that is not good, with raw edge paper or rice paper practice is the best, brush to buy a good point, a few yuan of basic practice can not be good words, about 10-20 yuan for good, ink with a Ge ink, a bottle of about 12-15 yuan, when using a little water to write thin.

2. Time. Insist on continuous every day, one hour to two hours, separate or concentrated practice, take a quiet environment, let go of all distractions, it is best to turn off the mobile phone, ** do not answer anything.

3. Teacher. It is best to have a teacher to guide you, if you don't have it, you should also find someone who can communicate with each other, learn from each other's strengths, so that you can make rapid progress, otherwise you will work hard and get twice the result with half the effort.

4. Read the post. In addition to practicing words, it is also very important to read the post, in addition to the ancient people's stickers, modern people's good posts, good words are also worth reading. Reading a good post is better than practicing a word.

Oh, original, my experience.

It is best to copy the same person, because the technique of using the pen is more consistent, you can quickly master, practice brush words, it is best to start from the official book, and then to the regular script, a little shallow, but also hope that the masters pass by to point.

In fact, no matter whose calligraphy you practice, it should be the placement of the glyph and the structure of the font shelf, so it should not be different. I haven't practiced Xiong Xingnong's stickers, as long as you make sure that the basic font of the two is the same, it's no problem (I mean willow body, Yan body and the like). Personally, you should first practice the method of drawing strokes, and you should copy it.

Personally, I think it's better not to trace the whole word, the whole word is better to copy, and the strokes can be traced and written.

You can buy a copy of Qi Gong's "Glimpse of Life in the Floating Light", a good thing to teach calligraphy. Watch Fan Zeng's Chinese calligraphy and painting art on the Internet and open your mind. The fingers of the fountain pen are close to the end of the pen, which also has the meaning of a brush.

There is no pen in the hand, any pen can write good things, because it relies on the knot and plane modeling ability, more Internet to see Zhang Daqian and other famous calligraphy works, this is also the benefit of the era of science and technology, how can I see these things before, more optimistic about the works, natural appreciation ability will be improved, I have nothing to do with a hard pen to learn to write brush calligraphy works of the knot, the book is the heart of the painting, perseverance, naturally from the amount of change to the leap, elegant skills to nourish the heart, take your time.

I have been practicing since I was a child for many years, I suggest that you have not written a soft pen to practice regular script first, to start practicing from the strokes, I personally prefer the European style, close to the hard pen calligraphy font, strong practicality. Qi Gong's Xingshu is very standard and can be used as a font for starting Xingshu. As for practicing two fonts at the same time, there is nothing wrong with it, calligraphy, especially the essence of calligraphy, lies in change, and it is the right way to take the strengths of hundreds of schools to become a family.

I have practiced Ouyang Xun in regular script, Wang Xizhi in Xingshu, Wen Zhengming, Tang Bohu, and Qigong.

The essential difference between a fountain pen and a brush is that it is hard and soft, and it does not belong to the same category in terms of attributes. The former is heavy on form, and the latter is heavy on rhyme; The former is more direct than practical, and the latter is changing and existing. Writing a good brush will be able to write a good pen word, not the other way around, but the two are the same in terms of knots, and the skill of the pen word knot will be of great benefit to the improvement of the brush word.

What words to choose depends on your personal interests, and how to practice needs to be guided by the Master.

In fact, I think that the two are complementary to each other, it is best to use one person, with a certain basic skill (the use of the brush is the feel) you can convert the font, copy different master works.

Judging from **, the strokes are good, and it is also necessary to strengthen the grasp of the structure of the entire font.

Among them, the structure of "zhi", "rest", "famine", "raising", "setting" and "silkworm" is good, and there are shortcomings, such as the structure of the word "move" is too loose, the center of gravity of the word "vulgar" is unstable, and the proportion of the left and right parts of the word "Qi" is not well arranged. Wait a minute.

Throughout, it's a good thing that you pay a lot of attention to the practice of strokes, but it's important to remember the overall structure of the word. Practicing strokes before mastering the overall structure of the characters is actually a mistake of many calligraphy practitioners.

When you have a good grasp of the individual fonts, you should also strengthen the overall arrangement of the whole calligraphy.

Sticking to the principle is regrettable and re-imagining.

You can control the font size again, and the left and right structures of the characters are compact. But turning the pen, the pen is still good.

Pioneering, not only the way of the predecessors, opening up their own path, being unique, standing out from the crowd.

Longteng calligraphy and painting.

His father is a master, and he was naturally influenced by his father since he was a child, and he worked hard to achieve it.

Seal: Longteng calligraphy and painting. The word is very general.

already has considerable skills, and it can be said that he has already started.

Of course, the good places need to be said, and there is still room for improvement. In my shallow eyes, the problems include:

First, the regular script should use the center, and the stroke should run in the middle of the stroke. The side of your individual strokes is obvious, especially the liquid is the length and horizontality of the book, the pen edge is obviously on the top, and the bottom is shy with the pen, so it looks rough and not as neat as the top.

The second is to make the glyph as correct as possible. There is a general tendency for the lower half of your words to be biased to the right.

The stippling (strokes) already have a shape, and now it's a matter of knotting.

The knot refers to the reasonable arrangement and layout of each part of each word, so that the word can "stand".

For example: yes character: the lower vertical should correspond to the center of the "day" above;

Autumn characters: There is a humble relationship between the left and right, which cannot be divided equally;

Si: A little top-heavy;

Return: The last vertical of the "broom" on the right should correspond to the inverted mountain above.

Among them, the center of gravity of "for" is the most stable.

Overall, the dot painting is very good, the line of writing is smooth, and the next step is to pay attention to the knots. The key is to have a stable center of gravity.

To copy the calligraphy, don't just look at the dot paintings, be sure to carefully observe the knots. Generally speaking, each word has the most basic center of gravity, and it must be grasped well. When a calligrapher writes, sometimes the beginning of a character is not written well, and he will "pull" the whole character back through the method of "relieving".

To practice calligraphy, we should be good at "understanding", observe and experience more. Support you, you will be successful!

The content of the book is Wang Xizhi's.

The second thank you post "The second thank you face is not compared, and the late praise is not quiet. The daughter of Xi loves to worship again. I want to be a good one. Former patient good. The proposal sent should be tried to find the province. Left side play".

and "Cold Cut Post", November 27 Xi Zhi Bao: De.

Ten. Fourth, the eighteenth day of the book, the question is comforting. Cold, better than each, isn't it? I miss the old and the suspense for a long time. Swallow very little, inferior! Li Yin Xie Sima Shu, not one by one. Xi Zhi Bao. ”

Kan Luoqian is a contemporary calligrapher based in Beijing.

There is the charm of Wang Xizhi. , look at the payment is "when in the first month of the Wuzi year Wang Xiaoping".