Some questions about singing breath 20

If you have a foundation, don't just run out of breath when you sing the first note. Put it away and collect it (to put it bluntly, it limits the speed at which it is released). On the surface, it may seem like it will weaken your voice, but if you try it, you will know that this method will not only not weaken the breath, but will also make your singing more emotional.

Don't waste a penny of your anger.

First of all, what is breath?

Singing must be done with air, and the popular ** air sail feast is composed of two actions alternately, one exhale and one inhale. (Never have a third action, such as pause, re-inhale, re-exhale, stealing auspicious code, leaking, etc.).

As far as breathing in and out, singing is the art of exhaling, and don't put the cart before the horse. (Nowadays, most of the qi practice methods on the market emphasize too much inhalation, which will greatly weaken the singer's expressive ability and communication ability).

To practice the essentials, to use the breath, it is necessary to exhale and breathe, work alternately, stabilize the breath, and move consistently. State annihilation.

Hum through your nose first, practice until you can open your mouth and hum before bringing in the melody, and try to sing it at the end of the lyrics, so that the sound can be concentrated and penetrating.

When you can't control your breath at all, the sound of singing is either very crowded, or your voice is weak, and this kind of sound sounds very uncomfortable, causing your singing voice to be very floating. When making a very empty sound, because the vocal cords are not completely closed, it may cause serious damage to the vocal cords over time, and you must pay attention to this when learning to sing.

In the field of vocal music, breath refers to the breath vocalization. Specifically, it is defined as the combination of vocalization and breathing used in vocal production (by people who have undergone systematic vocal training), that is, when speaking and singing. The requirements for popular singing and bel canto singing are the same, but bel canto singing is more stringent.

The breath in the narrow sense refers to the breath used in singing and vocalizing, and the breath in the broad sense is the breath vocalization method. For more information, you can check the Tieba Treble Bar, Breath Bar, Singing Bar, Chilled Ha Beer Bar and other stickers that study singing vocal methods.

Here are a few ways to practice singing:

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

As soon as many people open their mouths, they have a big white voice, singing and squeezing their voices, pulling their voices, and using their breath, and these problems are solved.

The most comprehensive breath training tutorial on the whole network.