What are the evaluation and aesthetic value of literature, and what are the aesthetic values of lite

Use certain viewpoints and standards to comment on writers, works, and literary phenomena. Due to the complexity of literary works and literary phenomena, literary evaluation can adopt a variety of different research methods such as historical, moral, aesthetic, and psychological.

Aesthetic value is objective, not only because it contains the natural nature of real phenomena and does not depend on human beings, but also because it objectively and does not depend on human consciousness and will, and there are interrelationships between these phenomena and people and society, and there are mutual relations formed in the process of social and historical practice. The research value is that this creature has a research value for the benefit of mankind, and the aesthetic value is that this creature can be used for ornamentation, such as strangely shaped wood, etc., and I can't explain the bionic value, and I can't explain the use of certain views and standards to comment on writers, works, and literary phenomena. Due to the complexity of literary works and literary phenomena, literary evaluation can adopt a variety of different research methods such as historical, moral, aesthetic, and psychological.

Aesthetic value is objective, not only because it contains the natural nature of real phenomena and does not depend on human beings, but also because it objectively and does not depend on human consciousness and will, and there are interrelationships between these phenomena and people and society, and there are mutual relations formed in the process of social and historical practice.

Literary Evaluation. Explanation: A comment on a writer, a work, or a literary phenomenon using certain perspectives and criteria. Due to the complexity of literary works and literary phenomena, literary criticism can adopt a variety of different research methods such as historical, moral, aesthetic, and psychological.

Aesthetic value. Explanation: Aesthetic value is objective, not only because it contains the natural nature of real phenomena and does not depend on human beings, but also because it objectively and does not depend on human consciousness and will, and there are interrelationships between these phenomena and people and society, and there are mutual relations formed in the process of social and historical practice.

The aesthetic value of literature is as follows:

To a certain extent, literary works have the position of being appreciated and perceived, and literary works can be analyzed according to the "intentional object". The theory is derived from Ingarden's idea of a "purely intentional object" and is modified to include meaning as an object, materializing the material, and finally unifying the two.

Since concept and consciousness are interdependent, the key and consciousness are combined, and then the work is interpreted at a deep level.

If a literary work has not yet entered the aesthetic process and is not awakened by consciousness, it will only be a real object. It is only when consciousness makes the work come alive that it can be concretized in the reader's process of judging and prudence, and transformed into an "intentional object". The reader's specific aesthetic value can exceed its own artistic value, and this transcendence needs to fill in a certain thought, feeling, etc.

It can be seen that if artistic value really exists, it should be what exists in the work and is displayed in the work. Aesthetic value is only revealed when the overall nature of the work is specified. The artistic value has always existed in the work, and on the surface it may change with the changes of the times, but the integration of the inner and the outer will always exist in the work.

Some of the texts are forward-looking, such as the poetic outlines and poetic commentaries of some creators. It not only summarizes the literary trends of the time, but also discusses the positioning and prospects of the writing place in combination with the historical context of the writers. This kind of work is of high value both in terms of literary creation and in terms of literary historical materials.

More text is for specific issues**. Theoretical breakthroughs and the revision of literary texts are helpful for the development of literature. There is no need to deliberately exaggerate the gap between theory and creation, and many times the creation does not reach the level, and naturally it does not reach the point of discussing theory.

The relationship between theory and writing is the relationship between egg and chicken. Help readers deeply understand and feel the work, and understand the meaning of the work. Such as:

In the Chinese tradition, there are few direct descriptions of the psychological activities of the characters, and the writer only uses actions and dialogues to hint at the psychology of the characters. To comprehend this kind of hint, it requires a keen sense of perception and careful speculation, and the average reader is prone to ignore the past. Help readers to correctly select and identify works.

Literary criticism plays a guiding role in the reader's reading. Literary criticism has the attribute of cultural value judgment, and critics often analyze the relationship between literary works and the social life reflected, and analyze the political factors, moral factors and other things with cultural value in the works. Literary criticism has a value-guiding and normative role.

The cultural value of literature refers to the value of a literary work in conveying cultural information and meaning. The aesthetic value of literature refers to the value of a literary work in terms of appreciation.

The dialectical relationship between the cultural value and the aesthetic value of literature is reflected in the following aspects:

1. The cultural value and aesthetic value of literature are interdependent. The cultural value of literature needs to rely on the transmission of aesthetic value, and the aesthetic value of literature also needs to rely on the support of cultural value.

2. The cultural value and aesthetic value of literature are mutually promoting. The cultural value of literature can improve the aesthetic value of literary works, and the aesthetic value of literature can also improve the cultural value of literary works.

3. The cultural value and aesthetic value of literature are mutually transformed. The cultural value of literature can be transformed into actual social value through aesthetic value, and the aesthetic value of literature can also be transformed into actual social value through cultural value.

In short, there is an inseparable dialectical relationship between the cultural value and the aesthetic value of literature, which are interdependent, mutually reinforcing, and mutually transforming, and together constitute the overall value of literary works. In literary creation, the author should pay attention to the dialectical relationship between the high cultural value and the aesthetic value of literature, and strive to maintain the aesthetic value of the work while making the work have a high cultural value.

In addition, when reading literary works, readers should also pay attention to the dialectical relationship between the cultural value and aesthetic value of literature, and strive to extract the cultural information and meaning conveyed by the work while appreciating the aesthetic quality of the work. By understanding the dialectical relationship between the cultural and aesthetic values of literature, people can not only appreciate literary works better, but also gain richer cultural knowledge from them.

The cultural value and aesthetic value of literature are dialectically linked. The cultural value of literature is the basis for the examination and evaluation of literary works, and it is the minimum requirement to reflect the background of literary activities and the ideological consciousness and spiritual characteristics of literary characters. Aesthetic value is determined by aesthetic consciousness and aesthetic taste, which is manifested in the emotional atmosphere in literary works, the aesthetic taste of Lu Lunsan, and the taste of language.

1. The ideological nature of literature and the aesthetic characteristics of literature are organically balanced and trembling together, resulting in a "qualitative change" and a "literary aesthetic ideology" as the fundamental nature of literature.

2. Its specific connotation is from the perspective of nature: there is a group tendency to bridge the key, and there is a commonality of human beings;

3. From the perspective of the way the subject grasps the object: it is cognition and emotion;

4. From the point of view of purpose and function: it is non-utilitarian and utilitarian;

5. From the perspective of the form of literature reflecting life: it must be hypothetical and true;

6. The aesthetic ideology of literature is the characteristic that distinguishes literature from other ideologies. The aesthetic ideology of literature, as a unique system of thinking and ingenuity, is not "pure aestheticism" or "aesthetic centrism" as some people now say. It is also not the same as the theory of literary emotional expression.

The aesthetic ideology of literature has a rich and complete connotation.