How to write the director s elaboration, how to write the director s elaboration?

First, are you a student studying this major, and second, are you doing homework or needing. Third, simple can be written without writing or a sentence, and complex can be written as a book. Fourth, the basic structure is what you want to do, what goal you want to achieve, why you do it, and how you need other people to be on the same page as you!

Judging from the content, it is generally the following:

1. Elaboration of the idea, theme, and background of the script;

2. Analysis of the character, quality and fate of the main characters in the play;

3. Understand and grasp the contradictions and conflicts in the play;

4. Positioning of future film styles and styles;

5. Handling of rhythm;

6. Requirements for the conception and modeling design of performance, photography (photography), beauty, chemistry, lamp, road, costumes, etc.;

7. Tips for ** (composition), recording, editing and other creative departments;

8. Put forward requirements for the parts of the script that need to be treated with special effects, so as to coordinate with the special effects department;

9. Put forward requirements for the use of animation production part of the script, write detailed design and production requirements, and participate in the production.

Judging from the content, it is generally the following:1. Elaboration of the idea, theme, and background of the script;

2. Analysis of the character, quality and fate of the main characters in the play;

3. Understand and grasp the contradictions and conflicts in the play;

4. Positioning of future film styles and styles;

5. Handling of rhythm;

6. Requirements for the conception and modeling design of performance, photography (photography), beauty, chemistry, lamp, road, costumes, etc.;

7. Tips for ** (composition), recording, editing and other creative departments;

8. Put forward requirements for the part of the script that needs to be treated with stunts, so as to coordinate with the stunt department;

9. The script needs to be animated and produced.

Some of the requirements, and write out the detailed design and production requirements, and participate in the production.

The director is the organizer and leader of the creation of film and television works, the artist who expresses his thoughts with the help of actors, and the general person in charge of putting film and television literary scripts on the screen. As a synthesizer of various artistic elements in film and television creation, the director's task is to organize and unite all the creative personnel, technicians and performers in the crew, so that they can give full play to their talents and integrate the creative labor of everyone.

The quality of a film and television work depends to a large extent on the quality and accomplishment of the director; The style of a film and television work often reflects the director's artistic style and values of looking at things.

The director's elaboration generally includes: the elaboration of the concept, idea, and background of the script; analysis of the main characters in the play; understanding and grasping the contradictions and conflicts in the play; the positioning of the style of the future film, the processing of the rhythm; The requirements for creative ideas and modeling design such as performance, photography, art, makeup, props, etc., as well as the requirements for various creative departments in the later stage, etc., depending on which aspects you choose to write, the main thing is to encourage the creative enthusiasm and positive performance of all members of the design team to work together with you to complete the shooting.

The director's elaboration is a written document that guides the director's work, usually including the creative concept, directorial style, team composition, shooting plan, post-production and other information of films, TV series, dramas and other literary and artistic works.

The writing steps described by the director are as follows:

1.Introduction: Introduce your identity and the background of the project.

2.Creative Concept: Explain your own creative concept, including your understanding of the work, the theme and emotion you want to express, as well as your own style and technique.

3.Character Analysis: Analyze the characters in the script, including character personality, behavior, motivation, etc., and put forward your own role settings and performance requirements.

4.Team composition: Introduce your team members and their responsibilities, as well as your own work style and expectations.

5.Shooting plan: Propose specific plans such as location, time, equipment, and scene for shooting, as well as your own shooting requirements.

6.Post-production: Explain the specific plan of post-production, including editing, sound effects, special effects, etc.

7.Conclusion: Summarize your director's elaboration and express your enthusiasm and expectations for the project.

When writing a director's explanation, you need to pay attention to the proper use of words, clear expression, and coherent thinking. At the same time, it is necessary to fully understand the situation of the project and your own creative concept in order to better communicate and collaborate effectively with team members and actors.

Director's elaboration

Director's Interpretation A film director's important desk work before the film is filmed. It is used to illustrate the director's ideas, assumptions and demands for re-creation on the basis of film literary scripts, so as to unify the understanding of the director's creative intentions and the outline of future films by various creative departments of the film. The director's elaboration does not and does not require a uniform content format.

It varies depending on the requirements of the director and the film.

Content & Format:

The director's explanation does not and does not require a uniform content and format.

an understanding of the ideological nature and practical significance of literary scripts and films; requirements and assumptions for the tone, structure, style and artistic treatment of the film; requirements for the analysis and image building of the main characters; the handling and design of the main contradictions and important scenes of the film; Basic and special requirements for various creative departments of the film, including photography, sound recording, art, editing, etc.

Conceived by the director. Arrangement of Director The director's overall vision and foresight for future performances. It is the original idea of the idea to be expressed and the form of the performance, and it is the director's interpretation of the theme of the play and the unified idea of the stage image and performance form that embodies this idea. The director's conception is the central link in the second creation of the drama.

The director's re-creation is based on the film literary script, using montage thinking to conceive art, writing a storyboard script and "director's elaboration", including the grasp of the theme and idea of the future film, the description of the characters, the scheduling of the scene, as well as the determination of the spatio-temporal structure, sound and painting modeling and artistic style.

Then find and determine the actors, and according to the specific ideas, put forward requirements for the creative departments such as photography, actors, art design, recording, and composition, organize the main creative personnel to study the relevant materials, analyze the script, concentrate and unify the creative intentions, and determine the overall creative plan of the film.

The director also leads the on-site shooting and various post-production work according to the production plan arranged by the production department until the film is fully filmed. The quality of a film is largely determined by the quality and cultivation of the director; The style of a film often reflects the director's artistic style.

The director's idea is more about the preparation work that the director has to do before the rehearsal, while the director's explanation is more about how to let the personnel of various departments (stage design, composition, costumes, makeup, actors, etc.) understand what the director wants to present in the end, and finally achieve the goal of working together towards the same goal.

Most of the director's exposition includes the following basic contents: an understanding of the ideology and practical significance of literary scripts and films; requirements and assumptions for the tone, structure, style and artistic treatment of the film; requirements for the analysis and image building of the main characters; the handling and design of the main contradictions and important scenes of the film; Basic and special requirements for various creative departments of the film, including photography, sound recording, art, editing, etc. Writing a director's statement is not a necessary work procedure for directors.

The director's idea is "battle plan, construction blueprint". The director's idea is to turn the screenwriter's literary script into a stage script for the director's second creation. It is the director's ideological interpretation of the script, the overall conception of the stage form that embodies this "interpretation".

It includes the director's ideological vision for the future performance, the overall image that embodies this idea, and the basic principles for handling the performance.

The content conceived by the director includes:

Determine the ideological idea of the performance and its practical significance;

Determine the image seed of the performance (or the "overall image of the performance");

Determine the overall handling principles of the whole play;

about the main characters, the interpretation and handling of the relationships between the main characters, and the selection of actors for the main roles;

Determine the principles for the treatment of stage sets and other stage art factors (lighting, costumes, makeup, props), and determine the person to be the designer;

Determine the processing principles of the language, **, singing and sound effects of the whole play;

Determine the principles of body movements, stage management, and the handling of dance in the play;

the overall rhythm and atmosphere of the whole play;

clarifying the principles of deletion and alteration of scripts;

Foresight of key sessions.

1. The director and the main creative staff study and analyze the script, find the appropriate form of expression for the script, and be responsible for the artistic guidelines of the whole play;

2. Jointly nominate and recommend candidates for actor roles with producers;

3. Select exterior scenes or guide the construction of interior scenes according to the script and shooting requirements;

4. Guide the props team to complete the preparation and layout of props;

5. Guide the on-site shooting work;

6. Discuss the publicity plan of the work with the producer;

7. Guide the lighting, drama, actors, camera, recording, art, makeup, costumes and other departments of the shooting site.

Film and television director. At the same time, the director uses the actor's body and emotions, the choice of sight, the scheduling of light, the composition of the picture, the logic of editing, and the collocation of sound to present a script on the film and television screen, so as to express the content of the script, its theme and artistic connotation to the audience.

The film and television industry covers a wide range of professional skills, from production, photography, lighting, art direction, stage management, actors, recording, sound mixing, post-production special effects, etc. The vast majority of modern film and television directors do not have the ability to specialize in all of these specialties, but they can still control all the professionals in their respective departments and work according to the director's will.

Director's elaboration refers to the important desk work of the film director before the filming of the film, which is used to clarify the ideas, assumptions and requirements of the director's re-creation on the basis of the film literary script, so as to unify the understanding of the director's creative intention and the outline of the future film by the various creative departments of the film.

Content & Format:an understanding of the ideological nature and practical significance of literary scripts and films;

requirements and assumptions for the tone, structure, style and artistic treatment of the film; requirements for the analysis and image building of the main characters; the handling and design of the main contradictions and important scenes of the film; Basic and special requirements for various creative departments of the film, including photography, sound recording, art, editing, etc.