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As Guo Degang's sixteen-year listener, I should have some right to speak, when he was young, he was strong-blooded, mainly smashing, over forty years old, fried some cold rice, and gradually shifted to storytelling, but in the final analysis, the flaws are not concealed, it is much better than Jiang Kun standing in the pit, and Guo Degang's cross talk, there is a lot of hidden baggage, and several cross talks are also related to each other, which is quite commendable.
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I didn't think it was funny, but I felt poor.
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It can't be said that there is no one before, but it is definitely no one who has come after!
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It's not funny, it's average, it's too poor.
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Guo Degang's cross talk left me a lot of fun, for many years, Lao Guo's stand-up accompanied me to sleep, but unfortunately I owe Lao Guo a ticket to Deyun Club.
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It's too verbose, borderless, pure spiritual filling food, no nutrition.
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Now I am used to laughing at Lao Guo, listening to Lao Guo in the past few years, I almost died of laughter for more than ten minutes.
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Ever since I listened to his cross talk, I knew that cross talk is a kind of comedy.
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Listening to cross talk is not only for laughing, but also for understanding a lot of truths, which is very useful.
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It's not funny, it's definitely not funny!! It's the kind of laugh that makes people feel happy, a laugh that makes people die, and a smile that feels like it's worth it after listening to it!!
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Listening to Guo Degang's cross talk, you don't laugh because the tooth extraction hurts the prostate.
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As he grew famous, he wanted to hear it, tried to listen to it three times, and finally, came to the conclusion that it wasn't funny!
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I used to be a little dirty. Now listening to cross talk, no dirt or joy, down-to-earth funny, and ironic, release the pressure, and hear small songs. No matter how many troubles there are, listening to the cross talk of Deyun Club, everything is fine.
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A generation of grandmasters has contributed to the inheritance and development of traditional culture.
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Mr. Guo Degang's cross talk is very funny. At least the current cross talk industry is unmatched.
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It's funny, it's really funny, I don't know if this question is to stir up trouble? There is no doubt that Guo Degang's cross talk is indeed second to none, the current banner of cross talk, why do you say that you are stirring up trouble, and you want to use this to see the abuse of the comment area? What's wrong with the mainstream cross talk industry? Or praise Guo and pour ginger?
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It's not funny. Bored. I haven't looked at it for a few minutes.
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I think it's funny, but there must be people who don't think it's funny, and everyone likes it differently. But I think I can learn a lot by listening to Mr. Guo's show, especially stand-up.
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Guo Degang said in the program "Cross Talk Has Newcomers", "Cross talk pays attention to one person, the same sentence, Zhang San said that the audience laughed, and Li Si said that the audience would not laugh, and the cross talk required was: different audiences on different occasions use different technical means to complete the task", so it must be different jokes on different occasions. This is enough to prove that Guo Degang's professionalism and ultra-high technical content are the embodiment of his intentions.
So there will be so many viewers who praise it, even if some jokes don't have many laughs.
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I haven't heard of his cross talk, and I don't feel funny when I look at that face, but Cao Yunjin's children who went out have a righteous and happy face, and they feel funny when they look at it.
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Guo Degang's cross talk must be funny, and it complements Yu Qian's god well. His cross talk is leisure and humor after tea and dinner, both elegant and vulgar, vertical and horizontal, purely relaxed and happy, as for what to leave for the audience, between benevolence and wisdom.
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Talking about cross talk as a phenomenon makes cross talk occupy a place in the entertainment industry, allows cross talk actors to return to their stage status, and makes "market cross talk" stand out outside the mainstream system of cross talk, which can not be achieved by simple hype; Happy, natural, fun, and reflect traditional skills and talents, this is the foundation of Guo Degang and Yu Qian's success
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Lao Guo belongs to a veritable cross talk actor, especially for traditional cross talk performances, he is more comfortable and does what he wants. smashed the hexagram on the spot, and he is a rare good actor in cross talk. He must have no problem making the audience laugh.
But because its growth path is too bumpy, the style of laughter and scolding on stage is a bit too much.
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Mr. Guo's cross talk is first of all down-to-earth, you can hear the feeling of the uncle next door telling a story from his cross talk, although sometimes it will be a little dirty, but it can really catch your laughter, and sometimes he likes to dig holes, and there is a stalk in front. can be continued later, in addition, because there is a Yu Qian by his side, Teacher Yu will be very magical, the unexpected kind. In the end, when Mr. Guo talks about cross talk, you feel like he is chatting with you, not the kind of TV cross talk that completely isolates you and talks to himself.
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This is undoubtedly funny. Everyone's laughter is different, at least he can satisfy most people's tastes.
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To be honest, I have never been funny when I watched Guo Degang's cross talk from beginning to end, and it is a bitter smile to laugh occasionally, which is nothing more than that. never watched Guo Degang's cross talk. But as his fame grows bigger and bigger, the major ** reports are getting more and more popular, and I feel that I can't do it without watching it, and I am outdated if I don't watch it!
I have to keep up with the trend of the times, and I have to watch Guo Degang say cross talk, but that's it.
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This is the real cross talk, the original, the foundation is profound, and the traditional culture and development of cross talk have always been upheld, but many people who think they are mainstream have changed their taste!
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Guo Degang did bring fire to the cross talk industry After experiencing the peak of the 80s, it began to decline gradually from the mid-90s, there are multiple reasons for this, the most fundamental is two: external, the influence of the diversification of entertainment products, the rise of popular ** and sketches directly affected the old babies of the 80s, such as cross talk, storytelling and opera. Internally, the overall creative capacity within the industry is exhausted, performances tend to be homogeneous, and there is a serious lack of innovation.
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I agree with that. He was the one who brought the fire, but at the same time he led the way.
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After Guo Degang became famous, some practices also deviated from the development direction of the cross talk industry. Because Guo Degang is busy, there are many performances, and there are few new works, so many of his cross talks are rematched with broken jokes.
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Although it is said that art is the best in life, 99% of it is made up.
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The first joked that Yu Qian had a zoo, and later learned that Yu Qian really had a zoo, and the most raised were horses, so it was also called a horse farm. Second, Guo Degang said that a robber robbed a bank, and after robbing the bank to catch up with the rush hour of getting off work, it is also true that he waited there to be caught!
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I think he once said several jokes that made me discover real things in reality, so sometimes cross talk is also ** in life.
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I personally feel that the "I" series and the "you" series at the peak of Guo Degang's creation are classics.
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I want to travel, dream of the Western Expedition, White Affairs, sell five instruments, Yellow Crane Tower, sell hanging tickets, I want to be happy, Guo Degang is very powerful.
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In Guo Degang's cross talk jokes, the classic should be the eight-horse coat. I love this cross talk very much. However, I also like to listen to Guo Degang's other cross talk performances very much.
This is really not easy to find, but you can listen to the passage of Pi Fengshan recruiting relatives and making a fortune, which is also about hooligans
I think Guo Degang's contribution is very great. If it weren't for Guo Degang's persistence, maybe modern cross talk would not be as popular with the audience as it is now.
Guo Degang, born in Tianjin in 1973, has been fond of folk art since childhood. At the age of 8, he joined the art world, first learned storytelling from his predecessor Gao Qinghai, and then followed the famous cross talk Chang Baofeng to learn cross talk, and then studied under Hou Yaowen, and received guidance and teaching from many famous cross talk artists. During this period, he also studied Peking Opera, Ping Opera, Hebei Bangzi and other operas, and traveled in Liyuan, which played a very important role in enriching his cross talk performance. >>>More
There were quite a few viewers today.
You know Guo Degang, otherwise why would you be so ruthless to him. >>>More