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How can this be expanded? I also urgently need the expansion of the Dream Order.
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Su Shi's "Jiangchengzi" (A Dream on the Twentieth Day of the First Month of the First Month) expresses the author's pain of losing his loved ones, missing his dead wife, and lamenting his life.
In 1075 AD, Su Shi served as the governor of Mizhou (now Zhucheng, Shandong) at the age of forty. This song "Remembering Dreams" is actually lyrical except for the five sentences in the next film to describe dreams. The first three sentences, empty, true and straightforward, touching and profound.
Ten years of life and death are boundless" Life and death are separated, and those who die with vertical keys are at a loss and ignorant of the world, and the living are the same for the deceased. Loving husband and wife, let go forever, time flies, ten years in a blink of an eye. "Don't think about it, it's unforgettable", although people are dead, and the beautiful scenes of the past are "unforgettable".
It has been ten years since Wang Fu's death.
At night, I suddenly returned to my hometown, and I was dressing up in the small window. There are no words for each other, only a thousand tears. It is expected that the intestines will be broken every year, the bright moon night, and the short Matsuoka.
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Su Shi - "Jiangchengzi".
Ten years of life and death.
Don't think about it, it's unforgettable.
Thousands of miles of lonely graves, nowhere to talk about desolation.
Even if you don't know each other, your face is dusty, and your temples are like frost.
Come and dream at night.
Xiao Xuan window, dressing.
There are no words for each other, only a thousand tears.
It is expected that the intestines will be broken every year, the bright moon night, and the short Matsuoka.
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"Jiang Chengzi".
Ten years of life and death, without thinking, unforgettable. Thousands of miles of lonely graves, nowhere to talk about desolation. Even if you don't know each other, your face is dusty, and your temples are like frost.
At night, I suddenly returned to my hometown, and I was dressing up in the small window. There are no words for each other, only a thousand tears. It is expected that the intestines will be broken every year, the bright moon night, and the short Matsuoka.
This poem was written by Su Shi in memory of his deceased wife Wang Fu, on the twentieth day of the first month of the eighth year of Xining (1075), Su Shi had just arrived in Mizhou to serve as Zhizhou. Wang Fu, the daughter of Wang Fang, a Gongjinshi in Qingshen County, Sichuan, is sixteen years old and married nineteen-year-old Su Shi. Wang Fu is smart and quiet, knowledgeable and courteous, and when he first married Su Shi, he never said that he had read books.
After marriage, whenever Su Shi was studying, she would accompany her and never go all day long; Su Shi occasionally forgot, so she reminded her. Su Shi asked her about other books, and she knew a little about them. Wang Fu cares for Su Shi very much, and the two are deeply affectionate and affectionate.
Su Shi was at odds with the powerful people in the DPRK and China, and he was depressed for many years, and he dreamed of his deceased wife at night, and he was sad and sad, so he wrote this famous eulogy.
Wang Fu died in the second year of Song Yingzong's reign (1065) in Liugou Mountain, the hometown of Meishan, Sichuan, also known as Lao Weng Mountain, eight steps northwest of the tomb of Su Xun and his wife. The Su Shi brothers once planted pine trees next to their parents' tombs, "the old Weng returned to Yuyuan under the mountain, and planted 30,000 green pines by hand." Although ten years have passed, he still has a deep love for Wang Fu and deep sorrow.
The upper part of the word writes about his infinite nostalgia for his deceased wife and the sorrow of the vicissitudes of life. In the ten years since the first sentence was written, the two sides have been separated from each other in life and death, even if they are not particularly meaningful, the deep affection of the past is still unforgettable. "Thousands of miles of lonely graves, nowhere to talk about desolation", the sorrow for his deceased wife, the sorrow for the twists and turns of his career, thousands of miles away, nowhere to tell, expressed the deep pathos in his heart.
In the past ten years, I have been displaced and experienced hardships, and I have been "dusty and sideburns like frost". Imagine that even if they meet, their wives won't recognize themselves. Obviously, the author misses his deceased wife deeply, but he says that he has changed too much, and his wife can no longer recognize himself, blending the nostalgia for his wife and the sadness of personal encounters in reality, which not only writes the desolation of thousands of miles of lonely graves, but also writes the bitterness of the living world.
The next film transitions with the sentence "Dreams come at night and suddenly return to the hometown", writing the scene of meeting in dreams. The author chooses the details of his wife's boudoir life before her death. highlights the scene of the wife sitting by the window and dressing in the mirror, showing the harmonious and happy life of the husband and wife in the past, and also contrasting the sadness of "having nowhere to talk about desolation" now.
Suddenly, "there is no word for each other, only a thousand tears", the ups and downs suddenly came to their hearts, and they poured out the pain of ten years in silence. When he woke up from a dream, the author still couldn't suppress the grief in his heart. The cold moon, the short hills, and the secluded pine forest seem to be the place where the wife misses herself and breaks her soft intestines.
The author skillfully pushes himself and others to imagine that his wife misses him in that bleak and cold place, and sets off his deep feelings for his deceased wife that he will never forget.
This poem blends dreams and reality into one, rich feelings and straightforward brushwork reflect each other, both mourning and sadness, the sorrow and self-sigh are blended, the feelings are sincere, the sorrow is overwhelming, and the reading is tear-jerking.
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The deep longing for his deceased wife is realistic, expressing the poet's deep affection for his deceased wife. Showing his thoughts about his deceased wife.
Su Shi's transformation of words is based on his lexical concept of the integration of poetry and the creative proposition of "self-contained". Su Shi has made extraordinary achievements in the creation of words, and in terms of the development of a genre itself, the historical contribution of Su words has surpassed that of Su Wen and Su poetry. After Liu Yong, Su Shi carried out a comprehensive reform of the word style, improved the literary status of the word, transformed the word from an accessory to an independent lyrical poetry, and fundamentally changed the development direction of word history.
The two died in their lives and were separated for ten years, but they missed each other but were at a loss and couldn't see each other. I don't want to let myself miss it, but I can't forget it. His wife's lonely grave was thousands of miles away, and there was no place to tell her about the desolation and sorrow in her heart.
Even if we meet, I shouldn't know each other, because I'm running around, dusty, and my sideburns are like frost.
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Content & Image Analysis. (1) From the use of allusions, we can see what kind of lyricist Su Shi has created in his works.
Image? Clear: ambitious, heroic, strong shooting, defending the country, and fighting on the battlefield. (2) Analyze the content of the word to see how the author portrays the hero.
Clear: In this poem, the upper rhyme writes hunting, and the lower rhyme writes the war, the scene is warm, the love is heroic and ambitious, and there is the spirit of "horizontal lance poetry", and the words have always been fragrant and soft children's love, replaced by the heroic spirit of serving the country, strong and strong.
Shang Yan: "The old man talks about the madness of the youth, the left leads the yellow, the right Qingcang, the brocade hat and the mink Qiu, and the thousand horses roll Pinggang." In order to repay the city, follow the Taishou, pro.
Shoot the tiger and look at Sun Lang. "It's a picture of a mighty group of heroes hunting, outlining a wild and soaring character image: too shou out of the hunt.
"Knowing that the people follow to see, it is also mad; out of the look and must be "alluring", its madness is also; Hunting must shoot tigers, and its madness is also;
Self-comparison Sun Lang, its crazy four also.
Xia Yan: "The drunken chest is still open." Sideburns are slightly creamy, so what's the matter! In the clouds, when will Feng Tang be sent? Will hold the bow like a full moon, northwest.
Look, shoot the wolf. "What a bold and uninhibited personality, a good ambition full of pride: sideburns are slightly frosty, what's the matter, this is a hero; In the clouds, this Hao is also two; Able to hold a carved bow; This Hao San also; Looking northwest, shoot the wolf, this Hao four also.
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