What are the fifteen national styles of the Western Zhou Dynasty?

The style of the fifteen countries is an early Chinese folk song, a song of fifteen different regions in the Western Zhou Dynasty, and a folk song with local colors collected by the music officials of the Zhou Dynasty from 15 regions. "National Style" is an integral part of the "Book of Songs". Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.

The "Fifteen National Styles" are: 11 in Zhounan, 14 in Zhaonan, 19 in Shaofeng, 7 in Weifeng, 10 in Tang, 10 in Qinfeng, 10 in Chenfeng, 7 in Fengfeng, 10 in Hufeng, 10 in Weifeng, 10 in Wang Feng, 21 in Zheng Feng, 11 in Qi Feng, 4 in Huifeng, and 4 in Cao Feng.

Preface to the poem: "The upper wind is weathered, and the lower wind is broken." It's a sarcasm, but the phrase is actually literal.

I think the word "wind" here means "sarcastic recitation". Before Confucius, not every chapter of the Book of Songs could be sung. "The House of Confucius" "Three hundred and five chapters, Confucius sang for harmony, Wu, Ya, Song Zhiyin.

Second, after reading the Book of Changes, I found an understanding of myself, that is, the "Beacon Family" family hexagram, the emperor out of Zhen, Qi, and Si, is leaving. The Beacon family is actually Lei Fengheng.

Among the fifteen countries, "Zhou Nan" and "Zhao Nan" are called "four poems" together with Taishigong's "Kong Xian Huzi Family", namely "Nan", "Feng", "Ya" and "Song", and "Poetry Drum Bell" and "Yijia Zhinan". Nan and Ya are opposites, so Nan must also be an integral part of the poem. Later, it was determined that "south" was the southern ** of the area ruled by the Duke of Zhou and the Duke of Zhao, and the research was untenable.

Personally, I think that "South" is a kind of poetry that goes hand in hand with "Wind", "Ya" and "Song", "Gongyang" Zhao twenty-five years, what note, the ** in the south is called Ren.

The Book of Poetry spreads the noble spirit through aesthetic education, cultivates the artistic style, personality and national character of the Chinese nation, and instills the surging Chinese spirit. In such a country marked by ritual music, beauty and art are sublime and sacred because of their deep participation in Chinese civilization and even national construction. This way of building a country with distinctive aesthetic characteristics is unique in the history of world civilization, and has also become an irreplaceable fine tradition presented by the Chinese nation for contemporary world civilization.

Fashion, but in an etymological sense, it originates from the classification of style, elegance and eulogies in the Book of Songs.

Fifteen national winds, i.e. the music of fifteen different regions - Table of contents:

Southern District - "Zhou Nan", "Zhao Nan", "Chen Feng".

West District - "Qin Feng", "Feng Feng".

North District - "Wei Feng", "Tang Feng".

Central District - "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Junifeng", "Cao Feng".

Eastern District - "Qi Feng".

That is, the national style in the Book of Songs wrote the poems of 15 countries at that time.

The fifteen national winds, that is, the music songs of the fifteen different regions of the Western Zhou Dynasty, are local folk songs with local colors collected from 15 regions. "National Style" is an integral part of the "Book of Songs". Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.

"National Style" is an integral part of the "Book of Songs".

It is a folk song with local colors collected from 15 regions.

Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.

Zhounan, Zhaonan, Chen Feng, Qin Feng, Feng Feng, Wei Feng, Tang Feng, Zheng Feng, Wei Feng, Shao Feng, Hu Feng, Wang Feng, Hui Feng, Cao Feng, Qi Feng The characters in front of them represent regions, which can also be said to be countries.

Fifteen national styles are the music of fifteen different regions.

Southern District - "Zhou Nan", "Zhao Nan", "Chen Feng".

West District - "Qin Feng", "Feng Feng".

North District - "Wei Feng", "Tang Feng".

Central District - "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Junifeng", "Cao Feng".

Eastern District - "Qi Feng".

"National Style" is an integral part of the "Book of Songs".

It is a folk song with local colors collected from 15 regions.

Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.

"National Style" is an integral part of the "Book of Songs".

It is a folk song with local colors collected from 15 regions.

Including Yun Luomeng's "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Panqiao Wang Feng", Zheng Feng", Qi Li Coarse Wind, Wei Feng, Tang Feng, Qin Feng, Chen Feng, "Junifeng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.